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Research Resource: Salient Print Features

5/29/2025

 
Picture

By Emmaline Ellis

Picture
Contemporary picturebooks often contain “salient print features,” visually captivating and interesting ways of displaying print in both the main body text and the illustrations. Some examples of salient print features include speech bubbles, words representing sounds, or changes in font color and size. We know that when adults read books with these features to children, they reference the book’s print (words and letters) with higher frequencies when compared to books that do not contain these interesting print features. These references are important, as explicit references to print are proven to support young children’s print knowledge, a crucial early literacy domain for later reading success. Furthermore, salient print features are multimodal, for they combine the visual aspects of print (words and letters) and aspects associated with design and image (e.g., color, font, direction). For example, when a character’s speech words inside of a speech bubble are red and LARGE to convey the emotion of anger. These features offer unique yet underexplored opportunities to connect and enhance print and comprehension learning. 

This blogpost presents findings from a research study that explored how salient print features were utilized by nine preschool teachers who were video-recorded reading aloud a set of 12 books that varied in their amount and types of these features. The study found that teachers overall referenced the print more frequently in books that contain the visually appealing features, and they most frequently referenced two specific features, Visible Speech and Environmental Print. Qualitative analyses of teachers’ references found that teachers utilized their talk about these features in ways that relate to code-based early literacy skills (i.e., print knowledge) and story comprehension, two domains of learning that are typically thought of as dichotomous. The goal of this blogpost is to encourage teachers to consider the unique opportunities salient print features offer to connect and enhance print and comprehension learning, with suggestions on how to utilize these features in their own classrooms.

Instructional Implications
Researchers Zucker, Ward and Justice (2009) created a list of nine salient print features common in children’s picturebooks (see Table 1), four of which occur in a book’s illustrations (Labels, Environmental Print, Visible Sound, and Visible Speech), and five of which occur in the body of a book’s narrative text (Font Style, Formatting, Font Size, Orientation, and Font Color). This table can be used as a reference point for teachers interested in examining their classroom books and read aloud texts for their inclusion of salient print features.
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The teachers in this study had a higher average frequency of print references while reading books that contain salient print features (M = 5.79) than while reading books that did not have these features (M = 1.28). This finding supports prior research that suggests these print features prime teachers (and students) to notice and talk about the print, a necessary interaction for early print knowledge development. It is important to note that teachers made these references after I asked them to read the books provided “as they normally would”--I never once indicated my interest in print features or print referencing. Therefore, salient print features are a potentially underutilized resource that naturally increase the amount of discussion about print. Looking at the data for specific features, teachers most frequently referenced Visible Speech and Environmental Print, salient features that appear in a book’s illustrations. Practicing teachers interested in increasing their students’ exposure to discussion about print may therefore want to incorporate books with these two features into their classroom read alouds and lesson plans as a means of naturally increasing their print references. ​
Furthermore, qualitative analyses from my study suggest that these features offer rare opportunities to forward both print learning and story comprehension. Consider the page (Image 1) from the book Snappsy the Alligator is My Best Friend Forever…Probably (written by Julie Falatko, illustrated by Tim J. Miller, 2017), one of the books utilized in this study’s textset. With a high number of salient print features (136 total) this book is a great option for teachers who want to increase their amount of “print talk” with their students. On this particular page we see the two types of salient print features most frequently referenced by the teachers in my study: Visible Speech in the two speech bubbles emanating from the main characters, and Environmental Print on the t-shirts being held up by the characters that have their respective names printed on them. Multiple teachers in the study made verbal references to the names, such as “It says ‘Snappsy’ and ‘Bert.’” On the surface, these references may seem like a simple print reference. Digging a little deeper, however, these references actually relate to a complex narrative structure utilized by this book. In Snappsy, the reader (and, coincidentally, Snappsy the Alligator) does not find out Bert’s name until it is printed on the t-shirt and Snappsy asks, “Who’s Bert?”.​
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Image 1. Visible Speech and Environmental Print from Snappsy the Alligator is My Best Friend Forever…Probably (written by Julie Falatko, illustrated by Tim J. Miller, 2017).
Multiple teachers utilized this instance of Environmental Print as an opportunity to clarify or introduce the name of the story’s narrator and second most important character. While such references may seem basic in nature, they are indicative of complex attempts to support students’ recall of character names, a comprehension-related learning target often included in early childhood standards.    
​
Just like the teachers in my study, I encourage practicing educators to consider the ways in which their references about print features can embody a fascinating duality between print knowledge learning targets and complex connections to story comprehension related to events and characters. Due to this study’s findings that teachers naturally utilize such references, this recommendation is not burdensome or adding extra tasks to teachers’ already full plate. Rather, it is a call for teachers to reflect on the ways in which they are already referencing print and utilize their own professional experience and wisdom to make the most of their references by reaching two seemingly dichotomous but related instructional goals through purposeful text selection and targeted talk.

How to start? Utilizing Table 1, examine the books in your classroom library or favorite read aloud texts. Do they contain any of the nine print salient features listed in the table? Does your current read aloud text contain speech bubbles, Environmental Print, or other salient print features? How might you point these visually interesting features out to your students? If the salient print features relate to the story’s plot or characters, like the Environmental Print on the t-shirts in Snappsy, can you reference the print in a way that bridges an aspect of story comprehension for your young readers? See more practical ideas to increase complex print referencing in the CLA Take 5: Ponder and Plan text feature. ​
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Conclusion
Due to their inclusion in recently published children’s books, salient print features are likely a pre-existing feature in early childhood and elementary read aloud texts that can easily be incorporated into existing book-related discussion. Adults' references to these interesting print features can simultaneously support children’s development of critical print-related early literacy skills and relate to aspects of story comprehension. By strategically and purposefully selecting print salient books like Snappsy for classroom reading activities, adults can embed a relatively easy yet proven way to heighten children’s attention to and interest in print into their daily classroom routines. ​
Referenced Children’s Literature: 
Falatko, J. (2017). Snappsy the Alligator and His Best Friend Forever! (Probably) (T. Miller, Illus.). Viking Books for Young Readers.

Referenced Research: 
Zucker, T.A., Ward, A.E., & Justice, L.M. (2009). Print referencing during read-alouds: A technique for increasing emergent readers’ print knowledge. The Reading Teacher, 63(1), 62–72. https://doi.org/10.1598/RT.63.1.6
Emmaline Ellis, PhD, is an assistant professor at West Chester University in West Chester, PA. She can be reached at [email protected].

Invitation to Contribute

As we head into a summer hiatus on the blog, we hope that you will take a moment to review the Read This/Teach This blog post by Jennifer Slagus and this Research Resource blog post by Emmaline Ellis. 

After looking at these new blog post formats, we would like to invite you to contribute a blog post in one of these formats during the 2025-2026 academic year. 

If you are interested in contributing a Read This/Teach This post about a book that you plan to use in your classroom next year, please reach out to Liz Nelson ([email protected]). Send a 2-3 sentence proposal that includes the book you plan to feature by July 1, 2025.

If you presented at the 2025 CLA Research Conference or have completed some research in children's literature, please consider creating a post to highlight how teachers can put your research into practice. If you are interested in contributing a Research Resource post, please reach out to Emmaline Ellis ([email protected]). Send a 2-3 sentence proposal of your blog post by July 1, 2025​.

Become the Next Bonnie Campbell Hill National Literacy Leader Award-Winner

5/20/2025

 

By Mary Ellen Oslick, Bonnie Campbell Hill Award Committee Chair

In the ever-evolving landscape of education, recognizing and supporting teachers who champion literacy is crucial. The Bonnie Campbell Hill National Literacy Leader Award does just that—empowering passionate educators dedicated to advancing literacy instruction and fostering lifelong readers and writers. This award honors the legacy of Dr. Bonnie Campbell Hill, a renowned literacy leader and advocate by providing funding of $2,500 (plus a $150 Heinneman grant) for teachers to pursue professional learning that enriches their classrooms and communities.

The Intent of the Award

The BCH award is designed to support outstanding literacy educators who seek to grow professionally, collaborate with peers, and implement innovative literacy practices. It grants recipients funding to engage in professional development opportunities, such as attending conferences like NCTE, participating in literacy initiatives, or conducting research that directly impacts teaching and learning. The goal is to sustain a cycle of learning where educators refine their pedagogical approaches and bring evidence-based strategies back to their students.

Connecting to Pedagogical and Research Ideas

The foundation of this award aligns with current pedagogical and research-driven approaches to literacy education. It supports teachers in exploring:
  • Mentorship and Coaching: Recognizing the power of teacher mentorship, recipients often use their funding to engage in collaborative learning communities and professional networks.
  • Culturally and Linguistically Responsive Literacy Instruction: Encouraging teachers to integrate diverse texts and responsive teaching strategies to reflect the lived experiences of all learners.
  • Inquiry-Based Learning and Assessment: Providing teachers with resources to study and implement authentic, student-centered literacy practices that prioritize meaning-making and critical thinking.
  • Classroom-Based Research: Many awardees conduct action research, testing innovative strategies to improve reading and writing instruction while contributing to the broader field of literacy education.

Why Educators Should Apply

This award is more than just financial support; it is an opportunity to reinvest in the profession. Whether an educator seeks to present at a national conference, attend an immersive workshop, or develop a local teacher study group, the BCH Award provides the means to elevate their practice and, ultimately, improve student learning outcomes.

If you are a literacy educator dedicated to professional growth and collaboration, consider applying. By doing so, you honor the spirit of Dr. Bonnie Campbell Hill’s legacy—one that celebrates the power of teachers as leaders, learners, and changemakers in literacy education.

Be creative as you plan your proposal but please be mindful of the award requirements as you prepare your application. The professional development plan should address key elements that are listed in the award rubric, outlining why you would be a strong candidate for these monies and your vision for how this support would allow you to improve and enhance teaching and learning for students and/or teachers.

Submission of all application materials is required no later than August 11, 2025. The BCH National Literacy Leader Award application is available on the Bonnie Campbell Hill Award page on the CLA website.

If you're unsure whether you and your ideas are award-worthy, please see the prior BCH Award recipients and learn about their proposals.

Learn more about the award

Visit the Bonnie Campbell Hill Award page on the CLA website.

Access the award application

2025 Bonnie Campbell Hill Award Application
Questions? Feel free to contact Mary Ellen Oslick at [email protected]
Where to submit? Send your proposal to Mary Ellen Oslick at [email protected].
Remember, applications are due by August 11th, 2025.

Mary Ellen Oslick
is the chair of the BCH National Literacy Award Committee and associate professor, Stetson University.

Read This/Teach This: How Are You, Verity?

5/1/2025

 
Blog header: Read this/Teach this

By Jennifer Slagus

READ THIS

Book cover: How are you, Verity? with book information
Synopsis
How Are You, Verity? follows Verity, a neurodivergent and nonbinary child, who loves sea creatures and is eagerly anticipating a school trip to the aquarium. Whenever someone asks, "How are you?," Verity loves infodumping facts about their favorite sea creatures. Their (cued neurotypical) brother, John, explains that this question is often just a polite greeting, not an invitation to share what they are most excited by at the moment. Verity tests their brother’s hypothesis and experiments with asking others in their community “How are you?” to gauge their responses and social expectations. When Verity’s school trip is unexpectedly canceled, they’re rightfully upset, and John asks Verity to tell him how they’re really doing. With John’s help and support, Verity designs their own aquarium at home and invites their neighbors over to enjoy.

Review
As a neurodivergent reader, I immediately connected with Verity. Questions like “how are you” are challenging—even for adults—especially when (as Verity discusses) the expectation is to always say “Good” even if that’s not the truth. I loved how Verity’s brother John gently clues them in to the social norms, but still allows Verity to figure things out in a way and at a pace that made sense for them. Duff writes in the backmatter Reader’s Note how they wish they had a brother like John growing up who they could ask about social rules and who would kindly explain things to them. That’s one of my wishes too, and I’m hopeful that children’s literature can serve as one path for founding this understanding and fostering caring discussions among peers (or, better yet, totally changing the social norms altogether). 

It’s exciting to see that, within the past five years or so, neurodivergent representation has grown across children’s literature. However, many of those stories still lack intentional intersectionality or may be written by authors who aren’t neurodivergent themselves. Duff’s picturebook breaks with those trends to meaningfully center a cued-Black, nonbinary child while sharing their own neurodivergent experiences with the world. Our shelves and readers deserve more books like How Are You, Verity?

Reader Recommendation
Perfect for readers who love sea creatures and for those who think social situations can be a bit confusing at times!

TEACH THIS

Duff’s picturebook would make a great addition to classroom or library lessons focused on themes of neurodivergent and/or disability acceptance, navigating social norms, and expressing one’s emotions, as it offers readers a glimpse into perspectives and ways of being in the world that may be alike or different from their own.

The Reader’s Note at the back of the book has great information about the author’s experience growing up unknowingly-neurodivergent, about neurodiversity, and offers ideas for supporting young people. Some of these “Thoughts for People Supporting Young People” provided in the book can offer entry points into teaching the text: such as, role-play ideas for understanding social scripts (like responses to “How are you?”) or suggestions for supporting the integration of young people’s special interests in the classroom (e.g., Verity’s love of sea life). ​
Quotation from book: “How are you, Verity?” John asked. Verity’s lip trembled. Were they supposed to say “Good” now?
Other activity examples may include:
  • Sea Creature Research: Since Verity loves sharing facts about sea creatures, have students join in the fun by researching and presenting their favorite sea creature.
  • Aquarium Art Project: Create an aquarium scene by drawing or crafting; students can include their favorite sea creatures and write a short fact about each one.
  • Exploring Special Interests: Many neurodivergent people, like Verity, have special interests. Sometimes these are seen as being too narrow or unconventional for children their age, but they’re often a strong source of joy. Encourage students to share about their favorite things (even if they’re super specific or unconventional) and think of ways to incorporate those interests into your teaching. For example, if a student has a favorite phrase, try using it in as an attention grabbing call-and-response. Or, when explaining a lesson, try to find examples that center a student’s favorite thing, food, game, event, etc. 

Educators could, of course, also use Duff’s story to foster meaningful discussions about disability and difference as a means of exploring how young people can support their peers and community members.

Potential discussion topics could include:
  • Discuss the expected responses when someone asks “how are you?” and unpack why these are considered the “norm.” How can accepting alternative options make our classrooms more inclusive? 
  • Why might Verity share facts about sea creatures when people ask them “how are you?”
  • What does Verity learn about the question "how are you?" from their brother John?
  • How does Verity feel when the aquarium trip is canceled? How do they express their feelings to John? How does John support Verity?
  • Can you think of a time when you felt misunderstood like Verity? How did you handle it?
  • Why is it important to accept and understand differences in how people communicate and express themselves?

Additional Information
Educators can preview the story, read by the author, on the publisher’s YouTube channel.
Jennifer Slagus (they/she) is a Visiting Assistant Librarian for the Social Sciences & Humanities at University of South Florida Libraries in Tampa, FL.

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    Disclaimer
    The opinions and ideas posted in the individual entries are those of the individual authors and do not necessarily reflect the opinions or views of CLA or the Blog Editors.

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    Emmaline Ellis
    Jennifer Slagus
    Sara K. Sterner
    Megan Van Deventer

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