Blog Archives

Books to help you spring into nature…

3/29/2022

By Kathryn Will and River Lusky

As we emerge from a long winter with the lengthening of days to warm the earth, I am drawn to books that get us thinking about nature–the plant and animal life in the world. As the NCBLA committee will tell you, I love books about nature, and this year many of the books we reviewed for the 2022 Notable Children’s Books in the Language Arts award list were about the natural world.

For this text set we chose three books that leverage nonfiction, poetry, and a picture book to develop content knowledge, build vocabulary, and encourage divergent thinking about the natural world. They invite readers to be curious about nature in both big and small ways. Teachers can easily deepen and extend the texts through a variety of activities, and we have created a few to get you started.

Wonder Walkers

In the book Wonder Walkers, written and illustrated by Micha Archer and published by Penguin House, readers are invited to notice and wonder in the everyday natural world around them through metaphorical thinking. The children in the story examine the world around them with varying perspectives, asking questions such as, “Are trees the sky’s legs? Is the wind the world breathing?” The text and beautiful collages synergistically invite the readers to imagine what they see with genuine curiosity, to observe and ask questions about the natural world around them.

After reading the book, take your classroom outside for a walk to provide students with the opportunity to notice nature. Invite them to sketch something they find before giving them time for quiet reflection while listening to the natural world around them as they make their own wonderings like the children in the book. The individual wonderings could even be combined for a class book. Our Wonder Walk Resource can be helpful in supporting students' note-taking. To access the document and create a copy for your use, click on the "Make a Copy" button.

If you are interested in learning more about how Micah Archer creates her collages check out the two videos below. The first provides a a brief glimpse of her printmaking, and the second offers a much more extensive look into how she creates the collage materials and assembles them for the book.

What's inside a flower and other questions about science and nature

What's inside a flower and other questions about science and nature, written and illustrated by Rachel Ignotofsky, published by Crown Books for Young Readers, invites the reader into the how and why of flowers. In this book the reader journeys through a flower with detailed and mature illustrations down to the roots, up the stem, and into the bud highlighting each intricate aspect of the parts of a flower. The exploratory journey through the biology of flowers as well as what other creatures assist and benefit from flowers, will have students on the edge of their seats asking questions. With rich backmatter, the book encourages further exploration of this topic.

After an initial read of What’s Inside a Flower the students may use it as a reference book, as students use cut flowers to sketch, dissect, and label the parts of the flower. To amplify this lesson, teachers could turn their classroom into a garden or use their school gardens if available. Having each student plant their own flower and record daily or weekly observations, perhaps adding variables like amount of sunlight, presence of earthworms, or watering rate to allow students to compare and contrast their plant growth rate. Rachel Ignostofsky has created multiple free resources for you to use for these activities.

Author Read Aloud. Brightly Storytime is is a co-production of Penguin Random House.

The dirt book: Poems about animals that live beneath our feet

The dirt book: Poems about animals that live beneath our feet, written by David L. Harrison, illustrated by Kate Cosgrove, published by Holiday House is a book of vertical panoramas with one poem per page. The 15 poems in this book might pique your interest in the world beneath your feet not often thought of. The reader journeys with creatures like a doodlebug and a chipmunk through a series of poems with beautifully detailed illustrations that depict their below ground habitats. An author’s notes and bibliography invite the reader to extend their learning.

These poems are perfect for choral reading and micro episodes of reader’s theater. Try a reader’s theater by having groups of students pick a favorite poem and after multiple reads, act it out for the class. Or as a class, you might consider choosing something like a creek or a tree in your school environment and using the structure of this text to consider purposeful research about the various creatures who live within the boundary of place to create a book of poems.

An interview with the author on Deborah Calb's Blog provides interesting insights into the book.

Announcing the 2022 NCBLA list

Celebrating the 2022 Notable Children's books

These are just three of the 774 books the seven members of the Notable Children’s Books in Language Arts book award committee read and reviewed for consideration of selection for the 30-book list created annually. The careful analysis and rich discussions over monthly (and sometimes weekly) Zoom sessions allowed us to create a thoughtful list that meets the charge of the committee.

The charge of the seven-member national committee is to select 30 books that best exemplify the criteria established for the Notables Award. Books considered for this annual list are works of fiction, non-fiction, and poetry written for children, grades K-8. The books selected for the list must:

be published the year preceding the award year (i.e., books published in 2015 are considered for the 2016 list);
have an appealing format;
be of enduring quality;
meet generally accepted criteria of quality for the genre in which they are written; and
meet one or more of the following criteria:
1. deal explicitly with language, such as plays on words, word origins, or the history of language;
2. demonstrate uniqueness in the use of language or style; and/or
3. invite child response or participation.

2022 NCBLA Committee members

Kathryn Will, Chair (University of Maine Farmington) @KWsLitCrew
Vera Ahihya (Brooklyn Arbor Elementary School) @thetututeacher
Patrick Andrus (Eden Prairie School District, Minnesota) @patrickontwit
Dorian Harrison (Ohio State University at Newark)
Laretta Henderson (Eastern Illinois University) @EIU_PKthru12GEd
Janine Schall (The University of Texas Rio Grande Valley)
Fran Wilson (Madeira Elementary School, Ohio) @mrswilsons2nd

*All NCBLA Committee members are members of CLA

Kathryn Will is Assistant Professor Literacy at the University of Maine Farmington. She served as Chair of the 2022 Notable Children’s Books in Language Arts committee.
River Lusky is an undergraduate student at the University of Maine Farmington.

Exploring the Vulnerable Heart of Verse Novels with Children

3/22/2022

By Ted Kesler

I have just completed my position as chairperson of the NCTE Poetry and Verse Novels for Children Committee. Our list of notable poetry and verse novels that were published in 2021 as well as other information about the award can be found on the NCTE Award for Excellence in Poetry for Children page.

In the post Exploring Notable Poetry Books for Advocacy with Children published on 3/15/2022, I presented three notable poetry piturebooks from this list that promote advocacy and offered lesson plan ideas to do with children. In this second post, I discuss three notable verse novels that promote resourcefulness and the strength of family bonds in the face of overwhelming adversity. All three verse novels featured– Samira Surfs (Ruhksanna Guidroz), The Lost Language (Claudia Mills), and Red, White, and Whole (Rajani LaRocca) – feature 12 year-old girl protagonists. Therefore, I recommend these books for grades 5 through 7 readers.

First, it is important to establish what constitutes notable verse novels for children. Our committee’s definition is:

A narrative told predominantly in poetic forms, with strong poetic elements.
The poetry forms and elements are integral to the telling of the story.
Excellence in writing and emotional impact. We ask: does the poetry "create images, express feelings, and stir emotions" (Cullinan, Liang, and Galda, 2016)?

We look for purposeful and aesthetic uses of such poetic elements as metaphor and other figurative language, pattern, imagery, and evocative word choice. Verse novels often use free verse, but might also include other poetic forms, such as rhyming couplets, enjambment, concrete poems, personification, and rhythms that represent the voice of strong characters.

The verse novels I present in this blog post certainly meet these criteria to heighten each protagonist’s encounter with adversity. An example is from Samira Surfs. Samira, her older brother, Khaled, and their parents are now living as unwanted refugees in Bangladesh, after escaping religious persecution in Burma (now called Myanmar).

“Escape”

I covered my ears from the pa-pa-pa
and the screaming.
Who did they shoot?
I’m too scared to open my eyes.
Soldiers torched homes
our mosques
our market.
Smoke curled around our throats,
squeezing.

So we fled with neighbors
into the blackness of night,
terror biting down hard.
I glanced behind
to see if it was all true.
“Samira, keep your eyes ahead,” Baba called out.

This excerpt expresses the power of poetry to convey this harrowing experience. Guidroz uses onomatopoeia, personification, strong imagery and word choice, metaphor, line breaks and stanzas to "create images, express feelings, and stir emotions.”

This book invites so many analytic and creative responses that will heighten students’ intentions for social justice. Here are some suggestions:

The teacher might photocopy each poem across the novel that describe the family’s escape from Burma. Reading across these poems, students then might bullet information they learned about Samira’s family’s life in Burma. This would create lively discussion. The teacher might then photocopy the first excerpt of the Author’s Note that explains this refugee crisis (page 404 to top of page 405). Students might then revise and elaborate their thinking.
The teacher might photocopy some poems that describe conditions that Samira and her family face as unwanted refugees in Bangladesh and do similar comparative work with the excerpt of the Author’s Note that describes these conditions (middle of page 405 to middle of page 406).
Similarly, the teacher might photocopy poems that describe Khaled, Samir and her friends learning to surf. Students might synthesize what they learned about surfing across these poems. They then might research the real-life empowerment of girls who learned to surf at Cox’s Bazar (the setting of this novel) using an online site such as The Surfer Girls of Cox’s Bazar.

In The Lost Language, Bumble and her best friend Lizard, in an effort to gain the attention and respect of Bumble’s mom – a linguistics professor who studies vanishing languages – try to “save” a vanishing language. Teachers might share Know & Think Tube's video Linguistic Diversity, which provides an overview of linguistic diversity and why it matters. Students might then visit the Endangered Languages Project website that Mills provides in the “Author’s Note” to investigate and report on a vanishing language. The language they study could perhaps be from a country where their families come from or from here in the United States. Students can share information about the language and present reasons why it is vanishing. Finally, the class might watch Karen Leung's TEDx video Embracing Multilingualism and Eradicating Linguistic Bias in which she talks about linguistic diversity and language biases. Students can discuss ideas for practicing linguistic accommodation and acceptance.

In Red, White, and Whole, Reha contends with being the only Hindu girl with brown skin, dark eyes, and black hair, from India in her private middle school in Louisville, Kentucky in the mid-1980s. As teachers read-aloud this book, students might keep a “Parking Lot” of new learning about Indian culture, as so many poems are rich with descriptions of their foods and dress and celebrations. These notes would support rich discussion. Students then might use some of these poems as mentor texts to write their own poem that is steeped in one of their own cultural practices for a class book celebrating diversity.

All three verse novels also contend with issues of trauma. I pointed out the issues in Samira Surfs. In The Lost Language (spoiler alert), Bumble and her father contend with her mother’s mental breakdown. In Red, White, and Whole (spoiler alert), Reha and her father contend with her mother’s leukemia. Here is one excerpt:

Under hospital lights,
a bag of fluid drip drip drips
through a plastic tube into Amma’s arm.
One evening when Daddy and I visit,
a nurse comes in behind us,
and what she hangs on the metal pole near the bed
is not a bag of fluid,
but a bag of blood.
I see it and
the world turns gray
with specks of light floating in the corners.
Reha! Amma cries.
The next thing I know,
I am lying on the floor of Amma’s hospital room
Daddy holding an ice pack to my neck,
the nurse bending my legs.
Are you all right, kanna? Amma asks.
Even though
she’s the one who’s sick.

Under hospital lights,
the world is upside down.
The world of medicine,
the one I’ve always wanted to join,
is scary.
And I begin to question
whether I really want to be a part of it.

Here I turn to The Vulnerable Heart of Literacy (Dutro, 2019) for guidance. After reading this and other poems in the novel that focus on Amma’s illness, teachers might open invitations for students to share and write their own entries of times that they faced fear of illness or injury or hospitalization for themselves or loved ones that would open the vulnerable heart of literacy in the class community. These kinds of invitations are also possible for poems that describe the traumatic situations in Samira Surfs and The Lost Language. By making our classrooms sites of testimony and critical witness, we create “literacies of connection, of love, and of respect for the knowledge that comes from pain, from struggle, and toward the power of bringing that knowledge to learning” (p. 113).

Ted Kesler, Ed.D. is an Associate Professor at Queens College, CUNY and has been a CLA Member since 2010. He served as chairperson of the NCTE Poetry and Verse Novels for Children Committee from 2019 to 2021.
www.tedsclassroom.com | @tedsclassroom | www.facebook.com/tedsclassroom)

Exploring Notable Poetry Books for Advocacy with Children

3/15/2022

By Ted Kesler

Photo Ark ABC

Photo Ark ABC: An Animal Alphabet in Poetry and Pictures, poetry by Debbie Levy and photos by Joel Sartore (National Geographic Kids, 2021).

The diverse and playful poetry forms in Photo Ark ABC oscillate with vibrant pictures to create fascination with each animal that is represented. Here is one example:

“O is for Octopus” from Photo Ark ABC.

The book is part of the Photo Ark Project, that aims to “document every species living in the world’s zoos and wildlife sanctuaries, inspire action through education, and help save wildlife by supporting on-the-ground conservation efforts” [Back Book Cover]. Therefore, the book provides wonderful online resources to use with children, which expand opportunities for classroom explorations. Here are some ideas:

Visit the National Geographic Photo Ark Project online, and have students research and present about one of the animals they find fascinating or that is endangered.
Locate each animal in the backmatter of Photo Ark ABC on a world map. Then, use the Google Earth feature that is connected with this Photo Ark project.
Study the poems as mentor texts, and have students write an original poem for the animal they studied.
Students can then create their own full page spread of the photo and poem, along with an information text box.
Pursue other explorations using the Photo Ark resource: www.nationalgeographic.org/projects/photo-ark/education/

The Last Straw

The Last Straw: Kids vs. Plastics, poetry by Susan Hood, illust. by Christiane Engel (HarperCollins, 2021).

The Last Straw fits into the hybrid genre of poetic nonfiction (Kesler, 2012), as every page combines poetry with expository writing about a specific topic. Topics include microplastics, plastic bags and straws, the Great Pacific Garbage Patch, and other environmental issues. The poetry also has diverse forms, such as odes, concrete poems, limericks, elegy, and persona.

The book also provides resources for each topic in the back matter. Here is one look inside:

“Be Straw Free” from The Last Straw.

Ultimately, like Photo Ark ABC, The Last Straw promotes advocacy. Here are some instructional ideas for classrooms:

School-Based Research Project:

Have students generate a list of all the disposable plastics that people use in the school as they go about their school day.
Problem-solve with children ideas to reduce, reuse, and recycle.
Research alternatives to one of the disposable plastics that is commonly used in the school (e.g., sporks). Develop a plan for change that includes interviews, cost analysis, speech writing, petitions, etc.

2. Reading:

In small groups, students can find a page they love. Practice and then perform the poem.
Read the other sources of information on the page.
Then, read the information about that poetry page in the “Sources and More” section in the back matter.
Have groups present to each other how the sources of information on the page all fit together.

3. Writing:

Provide laptops or other digital devices to each group to research the sites that are provided for their topic.
Make a group presentation to the class about what they discovered and one way to make a difference.

My Thoughts are Clouds

My Thoughts Are Clouds: Poems for Mindfulness, poetry by Georgia Heard, illust. by Isabel Roxas (Roaring Brook Press, 2021).

As the title implies, My Thoughts Are Clouds guides children to quiet their minds, which, in the words of Georgia Heard, allows them “to feel calmer, more joyful, more focused, less anxious, and to find the space and peace to live in the present moment.” In “Mindful World,” Heard proclaims, “When I become calm on the inside, / the world becomes calm on the outside.” This book ultimately leads readers towards kindfulness.

While taking readers through the dimensions of mindfulness, many of the poems also instruct, calling out to try it, like a how-to manual, poems such as “Counting Breaths,” “Square Breathing,” “In and Out Breath,” “Nature Walk,” “Come Home to Your True Self,” “Butterfly Body Scan,” “The Music of the Moment,” “Three-Way Loving Kindness Meditation.” Here is one look inside:

“Butterfly Body Scan” from My Thoughts Are Clouds.

You might choose any of these poems for shared reading, or assign it to a small group to practice reading aloud beautifully, and then guide the class through the activity that the poem describes.

Many poems also call out like writing notebook prompts, similar to the mindful prompts in Heard’s book, Writing Towards Home: Tales and Lessons to Find Your Way (Heinemann, 1995). Poems such as “My Thoughts Are Clouds,” “Consider a Raisin,” “Open Your Eyes,” “Cultivate Tenderness,” “Kindfulness” all would provide rich writing notebook explorations. For example, I imagine students copying the poem “My Thoughts Are Clouds” on the left-side of a full-page spread in their notebook, and then on the right-side, creating their own thought clouds.

Finally, I think “Empowerment Mantra Haiku” (see image below) would provide an outstanding activity. The entire class could compose their own affirmative heard-shaped messages for a class empowerment “take one, add one” bulletin board that each child can hold onto as a gift and a reminder to be good to themselves and others throughout the day.

“Empowerment Mantra Haiku” from My Thoughts Are Clouds.

Reading "How War Changed Rondo" to Open Conversations about the War in Ukraine

3/8/2022

by Oksana Lushchevska

It takes a village to heal warriors – and it takes a warrior to teach the village how” state Raymond Monsour Scurfield and Katherine Theresa Platoni in their scholarly text Healing War Trauma: A Handbook of Creative Approaches.

Following the horrific news from Ukraine, an independent, rapidly developing country located in eastern Europe, US educators and literature advocates seek tools to facilitate starting conversations about the devastating effects of war on humanity and the support every individual can offer, regardless of where they are.

Children’s books can serve as a great tool to start deliberate, responsible conversations through classroom dialogue. Jella Lepman (1891-1970), a German journalist, author, and translator who founded the International Youth Library in Munich right after WWII, believed that children’s books are couriers of peace. She was certain that if children read books from other countries, they would realize that they share common human values and strive to preserve them.

I believe that we, as global-minded educators and literature advocates, should, to use Scurfield and Platoni’s words, become warriors of peace; peacemakers who prepare our children to grow into wise, understanding, and sympathetic global citizens who have the will and the capacity to heal the world. Being originally from Ukraine and witnessing this horrific war unfolding in my country, where all my family and friends live, I feel the cruciality of this duty urgently and viscerally. Thus, I want to bring to your attention the picturebook How War Changed Rondo, which is a Ukrainian export. The book has been recognized as a Kirkus Best Book of 2021 and as a USBBY Outstanding International Book of 2022.

Interestingly, this book was created by the Ukrainian book creators Romana Romanyshyn and Andriy Lesiv in 2014. The book won the 2015 Bologna Ragazzi Award, which is one of the most prestigious European Awards in children’s literature. I translated this book as soon as it was written. It was an imperative for me to bring it to the attention of English-speaking readers as it highlights a vital turning point in Ukraine's independent history: Russia’s annexation of Crimea and occupation of the eastern part of Ukraine in 2014 (Ukraine has been an independent country since the Soviet Union collapsed in 1991). I also felt responsibility to share with global young readers that we, as human beings, all want peace and democracy; we want to create and to thrive. In the picturebook, through the fictionalized characters, Danko (a light bulb), Fabian (a pink balloon dog), and Zirka (an origami bird), Romanyshyn and Lesiv depict the horrors of invasion of one’s own country, the impact of war, and the destruction in brings to everyone.

When I translated the text, I brought it to my classroom. It was 2015 and I taught a Children’s Literature course at the University of Georgia. When my students, who were future educators, read the text of How War Changed Rondo (the book was not yet published in the US), their empathy was sharp and deep. What’s important to know – I read the text without showing them the illustrations, so they could imagine the characters by themselves. After the reading, I invited them to write down their responses or/and to draw them. In particular, I invited them to imagine who the characters of the book are and what their injuries might look like. This was a very fruitful experience that further connected my students emotionally with the text and grounded their empathy. Finally, I showed them Andriy Lesiv’s original illustrations and they were touched by the perspective they created. You can use a similar approach when reading this picturebook in your classroom, or you can do it your own way. The possibilities are endless. You might also like to pair it with a short professional animated video of The War That Changed Rondo recently done by Chervony Sobaka (Red Dog Studio). This will be a good set to bring an intelligent perspective on such an important topic.

The War That Changed Rondo from Chervony Sobaka on Vimeo.

In wrapping up, I wanted to leave you with some insights from the experiences of the Ukrainian people faced with the recent events. Children are not afraid to talk about serious topics. In fact, they are willing and eager to do it. While many of my Ukrainian colleagues are hiding in bomb shelters, they seek children’s books to soothe their children through the difficulties and hardship. Ukrainian publishers have distributed free digital copies of contemporary Ukrainian children’s books, some of which are books about peace and war. In this way, children can choose what they want to read and talk about. Some of them ask to read about peace to strengthen their hope. Others ask to read about war to have the possibility for catharsis.

Ukrainian Publishers and Literary Agencies Participating in the Free Book Initiative

Crocus/Krokus Publishers

Old Lion Publishing House/ Vydavnytstvo Staroho Leva

Barabooka Literary Agency

Ranok Publishers

Vivat Publishers

Vydavnytstvo Publishers

While Ukraine is going through this terrible experience, we here in the USA have a responsibility to help our young readers to grow into empathetic adults who will definitely create better, life-altering history for humanity to avoid tragedies such as this. In addition, I want to invite all US publishers to seek out contemporary Ukrainian books, especially books that might portray a unique perspective on the subject of war, tyranny, and shared human values. I suspect that there will be a lot of books soon, as many writers, myself included, are writing down their experiences to create a solid piece of history for the future generations. Such books can keep us accountable to the past, inspire endless possibilities of anti-war art such as the Never Again War poster created by Käthe Kollwitz in 1924, and guide us to do our best to prevent wars and create a bright hopeful future.

For more information about Ukrainian children’s books, please write to:

[email protected]

Translated from Ukrainian and readily available in the United States:

Picturebooks:

How Many? (By Halyna Kyrpa and illustrated by Olha Havrylova. Translated by Oksana Lushchevska. Bratske Publishers, 2014. Kindle Edition.)

Mr. Catsky, Mira, and the Sea (By Oksana Lushchevska and illustrated by Violetta Borigard. Bratske Publishers, 2015. Kindle Edition.)

And more from the team of Romana Romanyshyn and Andriy Lesiv:

Sound: Shh…Bang…Pop…BOOM! (Chronicle Books, 2021)

Sight: Glimmer, Glow, Spark, Flash! (Chronicle Books, 2020)

Stars and Poppy Seeds (Tate, 2019)

Loudly, Softly, in a Whisper (Wonder House Books, 2017)

I See That (Wonder House Books, 2017)

Chapter Books and Longer Books:

Letters on the War: Children Write to Soldiers (Edited by Valentyna Vzdulska, Oksana Oksana, Julia Berezenko, and illustrated by Olena Staranchuk. Translated by Oksana Lushchevska and Michale Naydan. Bratske Publishers, 2015. Kindle Edition.)

Heart in Flames: Tales of Action and Intrigue (By Antaoly Koetesky and illustrated by Olexandr Zastanchenko. Translated by Oles Kovalenko and Vasil Baryshev. Dnipro Publishers, 1990.)

Set in Ukraine or Related to Ukraine:

Picturebooks:

The Mitten (By Jan Brett. Putnam’s Sons, 2009.)

The Mitten (By Alvin Tresselt and illustrated by Yaroslava. HarperCollins, 1989.)

The Birds' Gift: A Ukrainian Easter Story (Retold by Eric A. Kimmel and Illustrated by Katya Krenina. Holiday, 1999.)

The Spider's Gift: A Ukrainian Christmas Story (Retold by Eric A. Kimmel and Illustrated by Katya Krenina. Holiday, 2010.)

Chapter Books and Longer Books:

Alias Anna: A True Story of Outwitting the Nazis (By Susan Hood with Greg Dawson. HarperCollins, 2022.)

The Midnight Zoo (By Sonya Harnett. Candlewick, 2011.)

The Blackbird Girls (By Anne Blankman. Puffin (Reprint Edition), 2021.)

The Winter Horses (By Philip Kerr. Knopf, 2014.)

My Real Name is Hanna (By Tara Lynn Masih, 2018.)

Radiant Girl (By Andrea White, Black Spot Books, 2018.)

The Secret of Priest's Grotto: A Holocaust Survival Story (By Peter Lane Taylor & Christos Nicola, Kar-Ben, 2007.)

Donating to Help

If you are looking for donation options to support the people of Ukraine, here are some outlets for your consideration.

Polish Literacy Foundation: Raising funds to buy books for refugee children from Ukraine (and support Ukrainian publishers at the same time)
- For details, you can read Joanne O'Sullivan's article on Publishers Weekly: Polish Literacy Foundation Leads Relief Efforts for Ukrainian Kids
Ukrainian Red Cross: They organize educational services, provide sanitary materials and coordinate blood donations.
UNICEF: They provide medical aid, food, and psychological support to children.
Voices of Children: They provide psychological services to Ukrainian children impacted by armed conflict. You may be interested intheir digital storytelling project.
International Rescue Committee: The IRC provides food, medical care and emergency support services to refugee families in several countries, including Ukraine.
Come Back Alive: They provide assistance to around 100 combat units of the Ukrainian armed forces to cover the real-time needs of defending Ukraine.

ArmySOS: They provide support to the Ukrainian army.
Future Ukraine Fund: They support the most vulnerable children in Ukraine. Currently they provide assistance to the Ohmadit Children’s Hospital in Kyiv that cares for children and mothers affected by the war.
Help Ukraine Win: They are fundraising to provide essential supplies to Ukrainian people who fight against Russian aggression on the front line.

References
Lepman, J. (2002). A bridge of children’s books: the inspiring autobiography of a remarkable woman. Dublin, Ireland: The O’Brien Press, Ltd.
Romanyshyn, R., Lesiv A., How War Changed Rondo. New York: Enchanted Lion Books.
Scurfield, R. M., Platoni, K. Th. (2012). Healing War Trauma: A Handbook of Creative Approaches. New York: Routledge.

Oksana Lushchevska, Ph.D. is an independent children's literature scholar and a Ukrainian children's book author and translator. She is a publishing industry and government consultant in Ukraine and founder of Story+I Writing Group. She was a recipient of the 2015 CLA Research Award.
Website: http://www.lushchevska.com

Women’s History Month

3/1/2022

By Julie Waugh and Erika Thulin Dawes on behalf of The Biography Clearinghouse.

March is Women’s History month and picturebook biographies are a powerful way to recognize and celebrate the accomplishments of women. In the most recent Biography Clearinghouse entry, we explore Victoria Tentler-Krylov’s picture book biography Building Zaha: The Story of Architect Zaha Hadid. As a child, Zaha Hadid was fascinated by aspects of her surroundings that others passed by without observing. Her eye for the beauty in nature developed into a vision for architecture that challenged existing perceptions of what a building could be. In Building Zaha, Victoria Tentler-Krylov describes how these seeds of interest planted in childhood grew into a career and a passionate commitment to an artform. Tentler-Krylov’s water illustrations soar across the page, lifting readers into Zaha’s vision of what humankind’s structures might aspire to be.

In the Biography Clearinghouse entry for Building Zaha, you will find an interview, in which Victoria Tentler-Krylov describes how her own education as an architect influenced her writing of Zaha Hadid’s story. You’ll find teaching ideas that focus on character development, mentoring, and goal setting, as well as ideas that build content knowledge about the relationship between architecture and nature, the design processes of architecture, and women leaders in the field. Like us, you will be inspired by the lessons that author/ illustrator Victoria Tentler-Krylov learned from studying the life of Zaha Hadid: “Trust your own voice. Trust your own vision.”

Here is an excerpt of the teaching ideas in the Biography Clearinghouse entry for Building Zaha:

Exploring Zaha’s Designs

Zaha Hadid became known as “the queen of the curve” in the architecture world. She created buildings with shapes that people thought impossible to build. Invite students to explore, notice, and wonder with Zaha Hadid’s amazing projects:

A Tour of Zaha Hadid’s Most Iconic Buildings from Google Arts and Culture
30 Projects That Define Zaha Hadid’s Style from Rethinking the Future
At her death, the BBC created this short video that looks back on Zaha’s work.
For a slightly longer look at her life, watch Curious Muse’s Zaha Hadid in 7 Minutes.
Google Arts and Culture also has a site Zaha Hadid; Groundbreaking Architect and Visionary.
Zaha Hadid’s Architects continues the work of Zaha Hadid. When she died in 2016 her company had 36 projects underway.

Another recent children's book biography about Zaha Hadid is The World is Not a Rectangle by Jeanette Winter. Winter’s book focuses heavily on how Zaha Hadid’s work is influenced by the natural world, whereas Tentler-Krylov’s book focuses more on Zaha the person. The paired texts could provide a powerful invitation for students to compare and contrast the different ways in which authors made choices about how to share a person’s life in picture book format.

Breaking Boundaries: Female Architects

Throughout her career, Zaha Hadid encountered stumbling blocks. In the Biography Clearinghouse interview, Victoria Tentler-Krylov describes how her research into Zaha’s life revealed that Zaha wondered how those obstacles related to her identities as a woman and as a Muslim. Women continue to be underrepresented in the field of architecture. After reading Building Zaha, introduce your students to the work of Maya Lin, by reading Maya Lin: Artist-Architect of Light and Lines (written by Jeanne Walker Harvey, illustrated by Dow Phumiruk, Henry Holt, 2017). Compare and contrast the lives, experiences, and accomplishments of these two renowned female architects. Extend your study of women in architecture, by exploring the digital resources below. Connect with a female architect in your community who is willing to share her experiences in the field with your students.

Women of Steel and Stone
ARCHUTE: The 25 Top Female Architects Changing the Architecture Industry

Black Architects on their Challenges, Successes, and Hope for the Future
CULTURED: 15 Architects on Being Black in Architecture

Early Black Female Architects
MADAME ARCHITECT: "That [Most] Exceptional One": Early Black Female Architects by Kate Reggev

Designing for Form and Function: Thinking Like an Architect

Victoria Tentler-Krylov shared how one of her favorite illustrations in Building Zaha is the spread where a young Zaha is the only character in a crowded space who is looking up in a beautiful mosque. Looking closely and wondering can help you think and work like an architect. Looking closely and wondering can also help you focus on form (what a space looks like) in architecture, and how well that form meets function (what is going to happen in the designed space). Form and function are ideas that need to work hand in hand for an architect to create a successful place to live or work.

Some people told Zaha Hadid that form was more important to her than function. She was criticized that her creative, uniquely designed spaces did not use space as well as they could, or did not use space as efficiently as possible. This was part of why, early in her career, people told Zaha that she would only be a “paper architect” - an architect that would only have designs on paper and not made into buildings.

If you have 1-2 hours…	If you have 1-2 days…	If you have 1-2 weeks…
Invite students to look closely at your own classroom. What do you notice about how it is formed? How well does the way it is designed help you learn? How could you improve your classroom’s design to make it a better place to learn? Record some ideas and make some initial sketches.	Zaha Hadid started many of her earlier architectural plans with paint and brush. After sharing ideas about how the classroom could be improved and redesigned, invite students to use different media to create initial plans for a newly designed classroom, much the same way that she did. You may wish to share some of Zaha’s initial architectural artwork to inspire them.	Zaha Hadid was one of the first people to predict that computers would transform the architectural design process. It is possible that computers allowed her to create some of the unique shapes and structures that many thought were not possible. Collaborate with a local architect who can demonstrate their use of computer programs in their process of design. Visit with the architect in person or by Zoom so that students can see the architect's sketches and final plans. Ask questions about how the architect considers form and function in their design. Discuss how plans become blueprints that serve as guides for the construction of a building. Invite your students to revisit the initial classroom design plans they created with an eye for the relationship between form and function. How does the structure of the classroom they have created relate to its proposed use? Pair students so that they can describe their classroom plans to a classmate to get feedback. Next, ask students to create a more blueprint-like sketch of their envisioned classroom. Some students may be up for the challenge to use Google Sketch Up to create a structure from its creative beginnings to a model that you can walk through virtually.

Additional Resources:

The Guggenheim Museum in New York has a repository interesting resources for teachers, with lesson plans, entitled Form Follows Function.

Sebastian, S., Shankar, R. & Al Qeisi, S. (2018). Design approach of Zaha Hadid from vocabularies and design techniques. Journal of Emerging Technologies and Innovative Research. 5 (6), 495-503.

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Erika Thulin Dawes is Professor of Language and Literacy at Lesley University where she teaches courses in children’s literature and early childhood literacy. She blogs about teaching with children’s literature at The Classroom Bookshelf, a School Library Journal blog, and is a former chair of NCTE’s Charlotte Huck Award for Outstanding Fiction for Children.

Julie Waugh teaches 8th grade ELA at Smith Junior High and serves as an Inquiry Coach for Mesa Public Schools. She delights in the company of children surrounded and inspired by books. A longtime member of NCTE, and an enthusiastic newer member of CLA, Julie is a former committee member of NCTE's Orbis Pictus Award for Outstanding Nonfiction for Children.

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Designing for Form and Function: Thinking Like an Architect

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