BY CYNTHIA ALANIZ AND APRIL BEDFORD, AWARDS COMMITTEE CHAIRSAs we begin the month of March, we wanted to share a reminder about two of the fabulous opportunities available for children’s literature scholars and teachers to apply. Children’s Literature Assembly Research Award
Cynthia Alaniz is a School Librarian at Cottonwood Creek Elementary in Coppell, TX and a CLA board member. April Bedford is is the Dean of the School of Education at Brooklyn College and a CLA board member. She has been involved in CLA for over two decades and considers it her professional home. BY ERIKA THULIN DAWES & XENIA HADJIOANNOU, ON BEHALF OF THE BIOGRAPHY CLEARINGHOUSE On January 20, 2021, we witnessed the swearing in of the first woman vice president of the United States of America. The oath of office was administered by Justice Sonia Sotomayor, the first Latina member of the court. This celebratory moment stood both as a joyous milestone marking just ‘how far’ women have come and was at the same time a stark reminder of persistent gender inequities in our society. The COVID-19 Pandemic has highlighted continued disparities as women have dropped out of the workforce at far higher numbers than their male counterparts, likely due to disproportionate responsibilities of child care and housework (Bateman & Ross, 2020). As we continue to work toward greater equality for women, here in the United States and globally, it is critical to share with young people the stories of women across history who have worked toward breaking boundaries for themselves and for other women. Tanya Lee Stone’s Almost Astronauts, 13 Women Who Dared to Dream is an important narrative in that history. Stone relates the story of women’s eventual entry to NASA’s space program by focusing on the stories of 13 women who dreamed of being astronauts and proved themselves through a private testing program in the early 1960s to be just as capable as their male counterparts. Almost Astronauts is a history text that is highly biographical. It features life stories, but it is not a traditionally organized biography of a single individual or a collection of biographies. To shape the historical narrative, Stone employs several biographer techniques such as well researched and documented character sketches, biographical blurbs, and narrative episodes. The latter are of particular note, as Stone’s vivid descriptions place the reader in the moment with these women as they pursue their dreams. The book is replete with photographs, as well as reproductions and descriptions of primary source documents and artifacts that support and enhance the narrated events but also help establish their historical context. With a compelling narrative, engaging life stories, and immersive description, Almost Astronauts is a versatile teaching tool for middle and high school classrooms. It fits well in units on space exploration, women’s history, boundary breaking, gender stereotyping, and narrative writing. In our entry on The Biography Clearinghouse, we use the Investigate, Explore, and Create Model to present ideas for using this book in the classroom as a read aloud, a text to use in literature circles, a mentor text, and a resource text.
Below we feature one of two time-gradated teaching recommendations included in the Create section of our Almost Astronauts Book Entry. Composing Multimodal Multigenre Biographies When researching the Mercury 13, Tanya Lee Stone used an array of multimodal primary and secondary sources, which are listed at the back of the book. The book itself includes many photographs, descriptions of images and events, and transcripts of interactions that reproduce or explicitly reference those sources. In our entry on Almost Astronauts at The Biography Clearinghouse you will find a curated list of multimodal resources to open up the world of the book for classroom communities and support an immersive, multimodal engagement with it. In this recommendation, students have the opportunity to engage in their own biography research and experiment with biography composition through a multimodal, multigenre approach.
ReferencesBateman, N., & Ross, M. (2020, October 14). Why has COVID-19 been especially harmful for working women? Brookings Institute Essays. https://www.brookings.edu/essay/why-has-covid-19-been-especially-harmful-for-working-women/ Harper, L. (1997). The writer’s toolbox: Five tools for active revision instruction. Language Arts, 74(3), 193–200. Erika Thulin Dawes is a Professor of Language and Literacy at Lesley University where she teaches courses in children’s literature and early childhood literacy. She blogs about teaching with children’s literature at The Classroom Bookshelf, a School Library Journal blog, and is a former chair of NCTE’s Charlotte Huck Award for Outstanding Fiction for Children. Xenia Hadjioannou is an Associate Professor of Language and Literacy Education at the Harrisburg campus of Penn State University where she teaches and works with pre- and in-service teachers through various courses in language and literacy methodology. She is the co-director of the Capital Area Writing Project, the Vice President and Website Manager of the Children's Literature Assembly, and a co-editor of The CLA Blog. BY WENDY STEPHENS In addition to the ALSC awards described in the previous post, the Young Adult Library Association (YALSA) also designates award-winning and honor books for adolescent literature. Among the best-known awards for adolescent literature is the Michael L. Printz Award for Excellence in Young Adult Literature, administered by YALSA. However, there are many other opportunities to learn about exceptional literature for teens. The life and legacy of Margaret A. Edwards are honored through two award designations:
A shortlist of finalists for two of YALSA's flagship awards -- the YALSA Excellence in Nonfiction for Young Adults Award, honoring the best nonfiction books for teens and the William C. Morris Award, which honors a debut book written for young adults by a previously unpublished author, are announced in December, with the winner of each being part of the press conference.
In addition to designating award books, YALSA also compiles book list resources that can aid librarians and teachers in selecting books that appeal to young adults. A decade ago, YALSA moved four of its lists onto The Hub, its literature blog platform, so that youth services librarians involved in collection development could benefit from more real-time input. All four categories post throughout the year, leading to year-end lists reflecting that year's best titles. Those include:
Outside the Monday morning announcements, there are myriad other titles to explore. Among those, the United States Board on Books for Young People (USBBY) uses Midwinter to announce its Outstanding International Books (OIB) list showcasing international children's titles -- books published or distributed in the United States that originated or were first published in a country other than the U.S. -- that are deemed the most outstanding of those published during that year. RISE: A Feminist Book Project for ages 0-18, previously the Amelia Bloomer Project, is a committee of the Feminist Task Force of the Social Responsibilities Round Table (SRRT), that produces an annual annotated book list of well-written and well-illustrated books with significant feminist content for young readers. There are even genre fiction honors. For the past four years, the Core Excellence in Children’s and Young Adult Science Fiction Notable Lists designates notable children’s and young adult science fiction, organized into three age-appropriate categories, also announced at Midwinter. Next year, we will have another treat to look forward to when the Graphic Novel and Comics Round Table (GNCRT) inaugurates its Reading List. That's a lot of books! What are the can't-miss titles? I train my students to look for overlaps, like Candace Fleming winning this year for information text across age ranges. What does it indicate when the Sibert and YALSA's Nonfiction Award overlap? When a book is honored by both the Printz and YALSA Nonfiction? Though the in-person announcement is exhilarating, especially the view from the seats at the front of the auditorium reserved for committee members, the webcast approximates its energy and allows you to share with students in real-time. To make sure you catch all of the lists, follow the press releases from ALA News and on twitter. Until next January! Wendy Stephens is an Assistant Professor and the Library Media Program Chair at Jacksonville State University. BY WENDY STEPHENSEditorial Note: This post is the first in a 2-part series by Wendy Stephens discussing the rich landscape of book awards announced over the winter months. In this first post, Wendy focuses on ALSC awards and awards by ALA affiliates recognizing books for children or books for a wide spectrum of age groups. The second post, which will be published next week, will present awards for YA literature administered by YALSA, as well as several other notable awards. When we talk about budgeting for materials, I always advise my school librarian candidates to be sure to save some funding for January. No matter how good their ongoing collection development has been throughout the year, there are always some surprises when the American Library Association's Youth Media Awards (YMAs) roll around, and they'll want to be able to share the latest and best in children's literature with their readers. These are the books that will keep their collections up-to-date and relevant. From our own childhoods, we always remember the "books with the medals" -- particularly the John Newbery for the most outstanding contribution to children's literature and the Randolph Caldecott for the most distinguished American picture book for children. These books become must-buys and remain touchstones for young readers. In 2021, Newbery is celebrating its one hundredth year. Some past winners and honor books are very much a product of their time, and many of those once held in high esteem lack appeal today. For those of us working with children and with children's literature, the new books honored at Midwinter offer opportunities to revisit curriculum, update mentor texts, and build Lesesneian "reading ladders." Each award committee has its own particular award criteria and guidelines for eligibility, and its own process and confidentiality norms. Every year, the YMAs seems to be peppered with small surprises. Does New Kid winning the Newbery means graphic novels are finally canonical? Is Neil Gaiman an American? What about all the 2015 Caldecott honors, including the controversial That One Summer? Did the Newbery designation of The Last Stop on Market Street mean you can validate using picture books with older students? How does Cozbi A. Cabrera's much-honored art work resonate at this historical moment? In Horn Book and School Library Journal, Newbery, Caldecott and Printz contenders are tracked throughout the year in blogs like Someday My Printz Will Come, Heavy Medal, and Calling Caldecott. Other independent sites like Guessing Geisel, founded by Amy Seto Forrester are equally devoted to award prediction. Among librarians and readers, there are lots of armchair quarterbacks, and conducting mock Newbery and Caldecotts, either among groups of professionals or with children, have become almost a cottage industry. There are numerous how-tos on that subject, from reputable sources like The Nerdy Book Club and BookPage. But there are numerous other awards announced at ALA Midwinter almost simultaneously that deserve your attention, too. Among the Association for Library Services for Children (ALSC) awards are: the Robert F. Sibert Medal, the Mildred L. Batchelder Award, the Geisel Award, the Excellence in Early Learning Digital Media Award, and the Children's Literature Legacy Award.
Aside from the award winners, each year annual ALSC Children's Notable Lists are produced in categories for Notable Children's Recordings, Notable Children's Digital Media, and Notable Children's Books. If you want to see the machinations behind the designation, those discussions are open to the public this year via virtual meeting links. Outside of ALSC, many of ALA’s affiliates have their own honors for children's literature. These include the Ethnic and Multicultural Information Exchange Round Table (EMIERT) which sponsors the Coretta Scott King Book Awards; the Association of Jewish Libraries which sponsors the Sydney Taylor Book Awards; and REFORMA: The National Association to Promote Library and Information Services to Latinos and the Spanish-Speaking which sponsors the Pura Belpré awards. In addition to these affiliates, others such as the Asian/Pacific American Librarian Association and the American Indian Library Association also present awards. The awards are always evolving to reflect the abundance of literature available for young people. Like the Association of Jewish Libraries and the Asian/Pacific American Librarian Association awards, the American Indian Youth Literature Awards were first added to the televised YMA event in 2018. And this year was the first year for inclusion for a new Young Adult category for the Pura Belpré. Two awards of particular significance are the Stonewall Book Award – Mike Morgan and Larry Romans Children’s and Young Adult Literature Awards are given annually to English-language works found to be of exceptional merit for children or teens relating to the gay, lesbian, bisexual and transgender experience, and the Schneider Family Book Awards, honoring authors or illustrators for the artistic expression of the disability experience for child and adolescent audiences, with recipients in three categories: younger children, middle grades, and teens.
Wendy Stephens is an Assistant Professor and the Library Media Program Chair at Jacksonville State University. BY AMINA CHAUDHRI AND MARY ANN CAPPIELLO, ON BEHALF OF THE BIOGRAPHY CLEARINGHOUSE “William Still’s records, and the stories he preserved, reunited families torn apart by slavery. Because that’s what stories can do. Protest injustice. Sooth. Teach. Inspire. Connect. Stories save lives.” - Don Tate, from William Still and His Freedom Stories: The Father of the Underground Railroad  As 2021 begins, we want to acknowledge the continued need to show young people that Black Lives Matter. Part of that responsibility is shifting our curriculum away from a white-centered view of U.S. history and towards a more multifaceted exploration of all of the communities that have lived on this land from prehistory to today. Don Tate’s picturebook biography William Still and His Freedom Stories: The Father of the Underground Railroad, this month’s featured text on The Biography Clearinghouse, is an important text to help make this change in elementary and middle school classrooms. William Still and his Freedom Stories is one of several recent publications that highlights the role of African Americans in the freedom struggle, countering the narrative that freedom from slavery depended on the actions of whites. A precise, linear narrative takes readers through significant events that shaped William Still’s understanding of the world and his role in making it better for African Americans. Readers follow Still from childhood to adulthood, bearing witness to his desire to learn, the grueling labor he endured to earn a living, and eventually, the risks he took to secure freedom for enslaved people and his post-Civil War activism to fight segregation. This deeply-researched and powerfully-illustrated book has layers of curricular potential: as a read aloud, as a mentor text for literacy skill development, as a model of the genre of biography, as an important piece of history, and much more. Operating within the Investigate, Explore, and Create Model of the Biography Clearinghouse, we designed teaching ideas geared toward literacy and content area learning as well as opportunities for socio-emotional learning and strengthening community connections using William Still and His Freedom Stories. Featured here are two teaching ideas inspired by William Still and His Freedom Stories. The first engages students deeply with the text itself - its form and content, and the second extends learning beyond this picturebook to explore multiple sources for inquiry and research.
Advocating for and Learning from 19th Century Black-Authored Texts For far too long, too many students in the U.S. have been taught a white-centered modern history that avoids a close examination of imperialism and the legacy of Europe’s colonial reach. The brutal history of the global slave trade of the 17th - 19th centuries has been marginalized as have the many stories of Black agency, resistance, and liberation. As a consequence, young people - and many adults - have limited knowledge of that history. We need this to change. William Still and His Freedom Stories is one text that helps to make that change. In this teaching idea for middle school students, we leverage the conversations that this book can open with more in-depth research writings of 19th century activists such as William Still and 19th century Black journalists.
Amina Chaudhri is an Associate Professor of Teacher Education at Northeastern Illinois University. She is a reviewer for Booklist and a regular contributor to Book Links. Mary Ann Cappiello teaches courses in children’s literature and literacy methods at Lesley University, blogs about teaching with children’s literature at The Classroom Bookshelf, a School Library Journal blog, and is a former chair of NCTE’s Orbis Pictus Award for Outstanding Nonfiction K-8. By: William Bintz & Meghan ValerioPicture books are for everybody at any age, not books to be left behind as we grow older. (Anthony Browne, 2019)
This intriguing diamond industry story depicts the controversial journey of diamonds from source to customer, including the appalling conditions, black market, and blind ignorance of customers rich enough to purchase them. It is a disturbing and evocative depiction of how the diamond industry, historically and contemporaneously, feeds an insatiable appetite for diamonds, and in the process, also perpetuates inequality, conflict, and corruption. Metaphorically, this visually unsettling book removes the sparkle from diamonds.  Diamonds (Greder, 2020) is not a novel, short story, nor poem. It is a picturebook, with approximately 32 pages, minimal text (195 words), and single and double-spread illustrations. It is not, however, a traditional picturebook – it is a crossover picturebook (see Table 1 for more examples).
Benefits of Crossover PicturebooksCrossover picturebooks invite teachers to shift perspectives and think differently about the nature of childhood and the purpose of curriculum. In terms of childhood, crossover picturebooks posit that teachers Never Read Down, Always Read Up to children. Reading down sees the child as innocent and in need of protection; reading up sees the child as capable of understanding sophisticated topics (Dressang & Kotrla, 2009). Reading down suggests that limiting or eliminating access to controversial issues protects the innocence of children; reading up conceives the danger of withholding information from youth as exceeding the danger of providing it (Dressang, 1999). Curriculum utilizing crossover picturebooks is rooted in an inquiry-based model. This model builds on curiosity and supports inquiry for teachers and students. Within this model, instruction based on crossover picturebooks:
A Concluding, But Not Final, ThoughtPicturebooks are synonymous with children’s literature. But is this a necessary condition of the art form itself? Or is it just a cultural convention, more to do with existing expectations, marketing prejudices and literary discourse? There is no reason why a 32-page illustrated story can’t have equal appeal for teenagers or adults as they do for children (Tan, 2003, np). We end with a concluding, not a final, thought, because we hope this post will start new conversations, not close them down. This thought is eloquently expressed by internationally renowned author and illustrator, Shaun Tan. Yes, picturebooks have been, and continue to be, synonymous with children’s literature. Is it time to shift perspective and think differently about this kind of literature? If so, we believe crossover picturebooks are a good conversation starter for readers of all ages. References
Meghan Valerio is a doctoral student in Curriculum and Instruction with a Literacy emphasis at Kent State University. Meghan’s research interests include investigating literacy and cognitive development from a critical literacy perspective, centering curricula to understand reading as a transactional process, and exploring pre- and in-service teacher perspectives in order to enhance literacy instructional practices and experiences. William Bintz is Professor of Literacy Education in the School of Teaching, Learning, and Curriculum Studies at Kent State University. His professional interests include the picturebook as object of study, literature across the curriculum K-12, and collaborative qualitative literacy research. BY MEGHAN VALERIO & WILLIAM BINTZRecently, I (William) introduced crossover picturebooks in a graduate literacy course to students pursuing a reading specialization Master’s degree. All students were practicing teachers ranging from elementary through high school. Each week, I read aloud a crossover picturebook to introduce the class session. Selected picturebooks dealt with themes including death and dying, divorce, suicide, mental illness, physical disability, parent-child separation, and other life-changing and impactful events. One example is Dragon by Gro Dahle (2018). It tells the story of Lilli, a young girl who is a child abuse victim by her mother. Lilli regards her mother as a dragon because she is explosive, hot-tempered, and abusive. After reading, I invited students to share their questions and reactions to crossover picturebooks. Three questions and one reaction were particularly illustrative:
These responses inspired this blog post. They revealed teachers may not know much about crossover literature but are curious to know more about it. What are Crossover Picturebooks?Crossover literature, or texts written for dual-aged audiences, is not a new genre, as many books could be considered crossover already. While picturebooks specifically might be enjoyed by both children and adults, crossover picturebooks, a subset of crossover literature, are written and illustrated intentionally for both children and adults, breaking conventional assumptions that books are intended for one age group (Falconer, 2008; Harju, 2009, Rosen, 1997). Crossover authors communicate purposeful messages to both audiences equally (Harju, 2009). Narratives then are considered ageless and timeless, often portraying issues that might be deemed controversial including death, verbal and physical abuse, and divorce. In a world where in-person and online book shopping and borrowing is organized by genre and age, this makes these “ageless” books complex. Consider first an adult purchasing a picturebook for themselves, and on the flip side, encouraging a child to purchase a book about abuse. Both instances could be questionable, even alarming to some. While there are truly designated texts for children, like aesthetic and sensory appealing babybooks (Kümmerling-Meibauer, 2015), crossover picturebooks defy traditional book categorizing norms, causing anyone interested to rethink what counts as children’s literature vs. adult. Children’s literature though is written and published by adults for children (Rosen, 1997). So really, is there such a thing as a true children’s book if the text isn’t written by children at all? What Concerns Does This Raise?Currently, we are conducting research on crossover picturebooks. Specifically, we are exploring teacher concerns on using this literature in the classroom. Based on this research, two major findings indicate that many K-12 teachers worry about the following issues:
These concerns, and many others like them, are real for teachers. Traditionally, children’s literature is to be enjoyable not uncomfortable, entertaining not controversial. Crossover literature invites a different perspective and pushes the envelope on censorship and what constitutes taboo topics in classrooms. To help explore this further, we recommend the following resources. These resources include picturebooks and professional literature that have pushed our thinking about crossover literature. We hope they will push yours.
ReferencesBishop, R.S. (1990). Mirrors, windows, and sliding glass doors. Perspectives: Choosing and Using Books for the Classroom, 6 (3). Falconer, R. (2008). The Crossover Novel: Contemporary Children’s Fiction and Its Adult Readership. London, UK: Routledge. Harju, M.L. (2009). Tove Jansson and the crossover continuum. The Lion and the Unicorn, 33(3), 362-375. Kümmerling-Meibauer, B. (2015). From baby books to picturebooks for adults: European picturebooks to the new millennium. Word & Image, 31 (3), 249-264. Rosen, J. (1997). Breaking the age barrier. Publishers Weekly. 243 (6). Meghan Valerio is a doctoral student in Curriculum and Instruction with a Literacy emphasis at Kent State University. Meghan’s research interests include investigating literacy and cognitive development from a critical literacy perspective, centering curricula to understand reading as a transactional process, and exploring pre- and in-service teacher perspectives in order to enhance literacy instructional practices and experiences. William Bintz is Professor of Literacy Education in the School of Teaching, Learning, and Curriculum Studies at Kent State University. His professional interests include the picturebook as object of study, literature across the curriculum K-12, and collaborative qualitative literacy research. The CLA Blog is going on a winter break! We will return on Tuesday, January 19, 2021 with a post on “Crossover Books” from Megan Valerio and William Bintz. If you are interested in contributing a post in 2021, please send an email to lauren.liang@utah.edu  By Kathryn Will, Meghan Goodwin, and Sophie HendrixThe Notable Children’s Books in Language Arts Committee (NCBLA), reads, reviews, and discusses over 400 books of various genres written for K-8 children each year. These works of poetry and prose are analyzed using the charge of the committee that asks in making the selection of the top thirty texts the seven committee members consider: 1. Appealing format, 2. Enduring quality, 3. Exemplary quality for their genre, and 4. Meeting one or more of the following: a. Use of language: play on words, word origins, history of language b. Uniqueness in use of language or style c. Invitation of child response or engagement This post focuses on two of the texts from the 2020 Notables List that might be seen through the lens of a progression from small to large. Although The Magic of Letters (2019) and Small World (2019) are very different books, they can be used to invite readers to imagine, play, and wonder. The Magic of Letters
Written by Tony Johnston Illustrated by Wendell Minor Penguin Random House, unpaged, ISBN 978-0823441594
Small World
Written by Ishta Mercurio Illustrated by Jen Corace Abrams Books for Young Readers, unpaged, ISBN 978-1419734076
Teaching Tips Both of these books invite readers to engage in exploration and discussion through multiple reads due to their rich vocabulary and use of language. Teachers can easily deepen and extend the texts through a variety of activities. Using the illustrative style of The Magic of Letters, children could repurpose magazines and catalogues to cut out letters and words as sources for creating new words and sentences. As they pore over the texts, they could look for familiar and known letters and words, providing opportunities for practice in letter and word recognition before assembling them in a collage. Children could use crayon resist to create magic letters of their very own, or even play roll and write to create sentences from familiar and new words. These activities reflect the rich and playful nature of the text. Small World is a text that envelopes the reader in the world of STEAM (Science, Technology, Engineering, Art, and Math). The rich vocabulary begs teachers to consider connections to geometry, snow science, and roller coasters. With consideration of Nanda’s career as an astronaut, students might watch this video about women astronauts, or think about materials they might need for a trip to the moon. This book also holds opportunities for rich discussion with questions such as:
Kathryn Will is an Assistant Professor of Literacy at the University of Maine Farmington (@KWsLitCrew). She is passionate about sharing the power of children's literature with her students, including the two listed below who assisted in the creation of the teaching tips shared. She is a member of the 2019 Notables Committee, and will be chairing the committee in the upcoming year. Meghan Goodwin, Preservice teacher, University of Maine Farmington (@Ms_G_Teaches) Sophie Hendrix, Preservice teacher, University of Maine Farmington BY MEGAN VAN DEVENTERAs educators, we recognize the value in providing readers with reading experiences that act as mirrors, windows, and sliding glass doors (Bishop, 1990) to affirm readers’ identities, build empathy for others, and explore humanity. We understand the importance of curating bookshelves that offer a vast array of experiences that validate readers’ lives, feelings, and identities. At times, it can be challenging to select and teach books that do not ‘mirror’ our own lived experience, and it can feel vulnerable to step outside our own expertise. Fortunately, there are many of us committed to expanding our own readership and curating inclusive bookshelves and curricula that resonate with our students. This blog post champions and supports educators doing this vulnerable work to ensure all students are included and reflected and refracted on their bookshelves and in their curricula. This post shares books, tools, and resources to support educators building their expertise to ensure young readers have access to high quality, validating, and accurate children’s literature. Tools and Resources for Curating an Inclusive Bookshelf and CurriculumEducators committed to expanding our bookshelves beyond our own favorite reads must be intentional in selecting and teaching high quality children’s literature that is accurate, validating, and honest. There are several wonderful tools and resources to ensure our bookshelves are inclusive, relevant, and accessible for readers. The four tools and resources below support educators in curating inclusive bookshelves and reading curricula (and help us cull problematic books from our shelves as well).
Books for Curating Inclusive Bookshelves and CurriculaThe tools and resources described above support educators in selecting and teaching high-quality, accurate, and honest children’s literature. Building our expertise through these tools and resources sustains our commitment to curating inclusive bookshelves. Here are four children’s literature books that support educators in holding space that honors young readers’ and teachers’ capacity to engage with complex and authentic picturebooks.
Bookshelves and curricula that honor young readers in helping them make sense of the world are a key aspect to orchestrating equitable and socially just classrooms. These books, tools, and resources support our work as educators in curating high-quality reading experiences that are inclusive, accurate, and honest. ReferencesBishop, R.S. (1990). Windows, mirrors, and sliding glass doors. Perspectives: Choosing and using books for the classroom, 6(3), 1-2. Eland, E. (2019). When sadness is at your door. Random House. Lindstrom, C. (2020). We are water protectors. Roaring Brook Press. Muhammad, I., & Ali, S.K. (2019). The proudest blue: A story of hijab and family. Little, Brown and Company. Sanna, F. (2016). The journey. Flying Eye Books.
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