By Amina Chaudhri and Julie Waugh, on behalf of The Biography Clearinghouse One of the most profoundly devastating schemes of the colonial project was to erase Indigenous knowledge: religious, intellectual, social, cultural, aesthetic, scientific. In the Afterword of Sharuko, Monica Brown extends readers’ knowledge of the importance of Julio C. Tello’s work as an archaeologist in undoing the damage of colonial erasure. He spent his life raising awareness about Indigenous Peruvian ways of knowing, as evidenced by his research. Julio C. Tello was Indigenous and spoke Quechua, so his investment in countering the dominant narrative was personal as well as professional. Today, he is a celebrated figure in Peru, and through Sharuko, young readers can come to value his accomplishments as well. This entry of The Biography Clearinghouse offers a variety of teaching and learning experiences to use with Sharuko: el Arqueólogo Peruano/Peruvian Archaeologist, a bilingual biography of Julio C. Tello, written by Monica Brown, and illustrated by Elisa Chavarri. In addition to a recorded interview with the author in which she discusses her research process and the craft of creating picturebook biographies, we include suggestions for learning about Peruvian textiles, the Quechua language, and variations on the trait of bravery. Below are two ideas inspired by Sharuko. Connecting the Past and the Present Sharuko is the biography of a man who lived from 1880 - 1947, yet his work as an archeologist and conservationist is relevant today. His legacy includes the Museum of Anthropology, in Lima Peru, that houses the artifacts he discovered and wrote about. His research spotlights the accomplishments of Indigenous Peruvians and tells the story of Peru’s past that colonialism tried to erase. In her interview, Monica Brown tells us about a “magic moment” in the process of creating this book, in which she imagined a Quechua word - sharuko- emblazoned across the front as its title. In this way she continues Tello’s legacy, using her privilege as an established writer to highlight the Quechua language and the contributions Tello, an Indigenous scholar, made to the world. Begin by reading Sharuko aloud with students, inviting them to note the chronology of his life, from boy to researcher, the people who supported him along the way, and his connections to history as depicted in the text and images. In analyzing this biography, teachers might scaffold students’ understandings of:
Thinking Like an Archeologist Sharing Sharuko can provide a similar introduction to the complexities and exciting puzzles that define the field of archeology. Archeology is about telling the human story. Invite your students to act as archeologists, researching, writing, and considering the different perspectives that inform archeological work. Teachers can find teaching ideas related to archeology on the website of The Society of American Archeology. The teaching and learning suggestions below are designed for teachers to plan experiences that involve thinking like an archeologist:
For more teaching and learning suggestions, visit the complete entry on Sharuko, on The Biography Clearinghouse website. Amina Chaudhri is an associate professor at Northeastern Illinois University in Chicago, where she teaches courses in children's literature, literacy, and social studies. She is a reviewer for Booklist and a former committee member of NCTE's Orbis Pictus Award for Outstanding Nonfiction for Children. Julie Waugh shares a 4th grade teaching position at Zaharis Elementary in Mesa, AZ and serves as an Inquiry Coach for Mesa Public Schools. She delights in the company of children surrounded and inspired by books. A longtime member of NCTE, and an enthusiastic newer member of CLA, Julie is a former committee member of NCTE's Orbis Pictus Award for Outstanding Nonfiction for Children. BY XENIA HADJIOANNOU, LAUREN LIANG & LIZ THACKERAY NELSON Thank you to the Outgoing CLA Board Members
Term: January 1, 2020 - December 31, 2021
Congratulations to the Newly Elected CLA Board Members
Term: January 1, 2022 - December 31, 2023
Congratulations to the 2021 CLA Award & Grant Recipients
By Joanne YiAt the tail end of 2020, I completed my dissertation, a large-scale study of Asian American children’s literature. In total, I immersed myself in over 350 Asian American picturebooks, published across the last 25 years. This number surprises many, in part, because it is admittedly a large number to study, but also because few Asian American, bicultural stories are popularly known beyond perennial classroom favorites such as The Name Jar (Choi, 2001) and My Name is Yoon (Recorvits, 2003). Below, I share an adapted excerpt of this work and suggest titles for teachers, librarians, and parents to read and learn about beautiful and resilient Asian American identities and experiences: The last few years have brought to light the increasing importance of the #OwnVoices movement in publishing, which highlights and buoys stories that authentically reflect their authors. In my analysis of Asian American picturebooks, it was evident the stories written by Asian American authors were often tomes of lived experience. They included family histories in prison camps, refugee journeys, memories of grandparents, difficult immigration experiences, and much more. As I read Love As Strong As Ginger (Look, 1999), Hannah is My Name (Yang, 2004), A Different Pond (Phi, 2017), and Drawn Together (Le, 2017), I felt pangs of recognition as I recalled my childhood. These picturebooks were Asian American counterstories (Delgado, 1989), narratives that were different in content, perspective, and ideology from those reflecting the mainstream. The latter often racializes Asian American characters, stereotyping them as a monolith, as perpetual foreigners, and as model minorities. In contrast, the power of counterstories is, as Couzelis (2014) wrote, their “potential to destabilize dominant national myths that act as ‘universal’ histories” (p. 16). It is important to realize that many of these stories were intentionally created to provide Asian American representation. Many stories were inspired by the authors’ own childhoods in the United States and were often tied to specific memories, such as playing with cousins while the adults played mahjong or fishing for that evening’s supper, rather than general experiences, such as moving or acclimating to a new school. Several of the texts that disrupted stereotypical tropes did so because the illustrators figuratively drew themselves into stories not originally written with Asian American characters in mind. It’s no small matter that illustrator Louie Chin depicted Asian American siblings in a silly story about dinosaurs crashing a birthday party (Don’t Ask a Dinosaur, 2018), for example, or that Yumi Heo perceived Bombaloo, an imagined manifestation of anger and petulance, as a little Korean American girl (Sometimes I’m Bombaloo, 2002). These stories are meaningful, not because the starring role in a “White” story was filled by an Asian American, but because the stories finally aligned with the imaginations and realities of Asian American children themselves. The difference lies in stories from Asian Americans and storying about Asian Americans. Myths of the model minority are laid bare with authors’ own stories and family histories of poverty, post-immigration traumas, language barriers, and cultural clashes. They are in stark contrast to those more commonly heard tales of joyous overseas adoptions, racially ambiguous people, fearsome ninjas, and fragile origami, and the myths that come with them. Such stories do not produce connections or reflections for readers. Rather, the defining characteristic of the most notable picturebooks was their commitment to authenticity and the telling of lived experiences. Recommendations for Picture Books I encourage educators and families to explore the diverse richness of Asian America and share these stories with the children in their care.
Dissertation excerpt adapted from Yi, J. H. (2020). Representations, Racialization, and Resistance: Exploring Asian American Picturebooks, 1993–2018 (Doctoral dissertation, Indiana University). References Couzelis, M .J. (2014). Counter-storytelling and ethnicity in twenty-first-century American adolescent historical fiction (UMI No. 3620806) [Doctoral Dissertation, Texas A&M University]. ProQuest Dissertations Publishing. Delgado, R. (1989). Storytelling for oppositionists and others: A plea for narrative. Michigan Law Review, 87(8), 2411–2441. Joanne Yi earned her PhD in Literacy, Culture, and Language Education from Indiana University. A proud MotherScholar and former elementary teacher from Philadelphia, her research interests include critical literacies, textual analysis of diverse children’s literature, issues of inclusion and belonging in elementary and early childhood contexts, and reading education. By Mary Ann Cappiello and Jenn Sanders, on behalf of The Biography Clearinghouse  “The purpose of life, after all, is to live it, to taste experience to the utmost, to reach out eagerly and without fear.” This quote greets readers of Barbara Kerley and Edwin Fotheringham’s latest collaboration, Eleanor Makes Her Mark: How Eleanor Roosevelt Reached Out, Spoke Up, and Changed the World. Kerley drops her readers right into the busy preparations for Franklin Delano Roosevelt’s first inauguration, grounding readers in Eleanor’s public identity as the forthcoming First Lady. But then Kerley brings the readers back in time to Eleanor’s unhappy childhood and early adolescent years. Kerley’s characterization of Eleanor builds across the text: shy and quiet girl, engaged intellectual, socialite seeking purpose by teaching calisthenics in settlement houses and researching working conditions in garment factories, and, ultimately First Lady of the United States. As First Lady, Eleanor’s travels continued around the United States and across the Globe as she investigated working conditions, discrimination, and the effects of the devastation of The Great Depression and World War II. Kerley concludes the biography with Eleanor’s position as delegate to the newly formed United States General Assembly, working on the committee that authored the Universal Declaration of Human Rights. Throughout the book, illustrator Edwin Fotheringam works with visual metaphors to emphasize Eleanor’s unflagging energy and her ability to bring people together. In the cover illustration, Eleanor jumps off of a globe, streaming a banner of paper dolls holding hands that trails in her wake. Fotheringham peppers the book with swirling lines of motion, highlighting Eleanor’s boundless verve, vivacity, and constant travel. Fotheringham also continues the hand-holding motif throughout the book to reinforce the ways in which Eleanor Roosevelt brought people together and made them feel seen, heard, and respected. Paper dolls thread through the backgrounds, and Eleanor is often depicted holding hands or connected to the people with whom she is interacting, like one long, human, paper chain. Eleanor Roosevelt’s life work supporting families in under-resourced communities, creating safe working conditions, and promoting world peace has never been more relevant. While we have not lived through the same long-term economic devastation of The Great Depression, the COVID-19 pandemic has created an economic crisis for millions of Americans and billions across the globe. Congress and the White House are engaged in complex conversations and negotiations about the role of government, debating what social programs, safety nets, and infrastructure investments are appropriate in the 21st century; the same kinds of conversations Eleanor Roosevelt engaged in with her husband and their White House staff. The COVID-19 pandemic has revealed how very interconnected our world is, a theme exemplified in the life and work of Eleanor Roosevelt. Using the Investigate, Explore, and Create Model of The Biography Clearinghouse, we offer a range of critical teaching and learning experiences to use with Eleanor Makes Her Mark: How Eleanor Roosevelt Reached Out, Spoke Up, and Changed the World on our site. In our interview with Barbara Kerley and Edwin Fotheringham, you can learn about their research and creating processes. Highlighted here are two ideas inspired by the book. First Ladies and Social Media During our interview, Barb Kerley shared that she found a treasure trove of information about Eleanor Roosevelt’s daily life in archives of Eleanor’s (almost) daily column, “My Day,” which ran in papers across the country from 1935 to 1962. Laughing, Barb suggested that the column was Eleanor Roosevelt’s version of social media. After reading Eleanor Makes Her Mark, leverage Eleanor’s “My Day” column as an opportunity for your middle school students to explore how First Ladies have used the tools at their disposal to communicate directly with the public. To learn more about the column, you can explore the resources of The George Washington University’s Digital Eleanor Roosevelt Papers Project. Read her column by year or search for specific content across the years. After students have had an opportunity to read some columns, have them compare and contrast them with one another. What do they learn about Eleanor Roosevelt, and the circumstances of the world she lived in? How do the columns extend the understanding of Eleanor’s public life they received from Eleanor Makes Her Mark? How do they challenge their understanding? Next, provide students with the opportunity to compare and contrast how the current and most recent First Ladies have used social media to speak with the public. Because some comments on social media are not appropriate for tweens to read, we recommend that you select some tweets from each First Lady and share them with your students. You can choose from First Lady Jill Biden’s (@FLOTUS) Twitter account, former First Lady Melania Trump’s (@MELANIATRUMP) Twitter account or her archived @FLOTUS Twitter account, former First Lady Michele Obama’s current (@MichelleObama) Twitter account or her archived @FLOTUS Twitter account, and former First Lady Laura Bush’s current (@laurawbush) Twitter account. Synthesize the exploration by asking students to compare and contrast what they see as most valuable in the communications they explored. Why is it important for First Ladies--or First Gentlemen, or First Spouses--to communicate directly with the public? What kind of information is valuable for them to share, and why? Creating Diagrams to Add Information Writers and artists often choose to represent information visually with a diagram. Ed Fotheringham talked about his process of researching the floorplans of the White House and deciding how to show the inside of the White House. He ultimately settled on a cut-away diagram that is similar to a cross-section diagram. Diana Aston and Sylvia Long also use diagrams masterfully in their informational books An Egg is Quiet (2006) and A Seed is Sleepy (2007). Explore the power of diagrams to carry information with your students.
Visit The Biography Clearinghouse for several more teaching ideas for Eleanor Makes Her Mark and the other biography units we have on the website! Mary Ann Cappiello teaches courses in children’s literature and literacy methods at Lesley University, blogs about teaching with children’s literature at The Classroom Bookshelf, a School Library Journal blog, and is a former chair of NCTE’s Orbis Pictus Award for Outstanding Nonfiction K-8. Jennifer Sanders is an Associate Professor of Literacy Education at Oklahoma State University, specializing in representations of diversity in children’s and young adult literature and writing pedagogy. She is co-founder and co-chair of The Whippoorwill Book Award for Rural YA Literature and long-time member of CLA. By Peggy S. Rice and Ally Hauptman on behalf of the Ways and Means Committee
Paola Escobar, award winning illustrator of picture books such as the Pura Belpré winner, Planting Stories: The Life of Librarian and Storyteller Pura Belpré, is also a graphic designer. As a child, she enjoyed illustrating stories about her family and culture that were told by her Columbian grandmother. This inspired her to become a children’s book illustrator. She collaborates with publishers all over the world to celebrate cultural diversity.
Illustration for Auction: This detailed, double-page spread illustration from Queen of Tejano Music: Selena by Silvia Lopez (2020) depicts the cultural diversity of Lake Jackson, Texas, the Southwest town the Quintellas moved to when Selena was a young child in the 1970s. This picture book biography includes a thorough narrative of the singer’s life for children. Paola’s detailed, double-page expressionistic illustrations provide the reader with insights into the family’s immersion in music and their hard work ethic. Deborah Freedman, noted author-illustrator, creates connections to nature through the creation of lovable personified characters.
Illustration for Auction: This heartwarming matted illustration from Carl and the Meaning of Life depicts the field mouse asking Carl the question that sets him on his adventure, meeting creatures of the forest and discovering that everyone can make a difference by being themselves with even the smallest creature. Freedman presents a worm’s eye view of the web of life through the perspective of lovable Carl, providing children an opportunity to understand the wonder and interconnectedness of nature and develop a love for worms or overcome a fear of worms. Aaliya Jaleel, a Sri-Lankan American illustrator who illustrates fiction and nonfiction texts that depict perspectives of Muslims, uses bright pastel colors and flowers to create hope and inspiration.
Illustration for Auction: This vibrant, matted and framed illustration from Muslim Girls Rise (Mir, 2019) depicts one of the nineteen Muslim women leaders of the 21st century featured in this collection of brief, information-rich biographies. Jaleel’s vibrant illustrations add inspiration and create hope, encouraging readers to “find their passion” while providing Muslim women role models. Tim Miller, imaginative author-illustrator of hilarious animal fantasy, written by himself and other authors, uses a cartoon style to capture readers’ attention.
Illustration for Auction: This illustration from Tiny Kitty, Big City depicts a tiny, brave, playful kitty on her adventure through the big city that ends with her finding her forever home. An advocate for animal rescue, the story was inspired by the author-illustrator’s experience rescuing a litter of kittens in New York City and finding them homes. Pete Oswald, talented author-illustrator of fiction, is also an award-winning production designer of animated films such as The Angry Birds Movie. Many of the books he has illustrated are modern fantasy with delightful personified characters, such as a cookie, providing young readers with opportunities to laugh as they develop understandings of important themes (truth in fantasy).
Illustration for Auction: Although Pete created this original specifically for the CLA auction, this delightful frog could be discovered by the characters in his wordless book, Hike (2020). This adventure of a father and child experiencing the beauty of the natural world includes detail-rich panels and textured panoramas that create opportunities for readers to be immersed in nature. Melissa Sweet, award-winning American author-illustrator, not only illustrates stories she writes, but also collaborates with other authors. With fiction and biographies, she captures readers’ attention through the use of watercolor, mixed media and collage.
Illustration for Auction: This mixed media illustration from A River of Words depicts the poet, William Carlos Williams, looking out his window for inspiration from nature. Williams earned his living as a physician, but writing poetry was his passion. This picture book biography is the 2009 Caldecott Honor Book, an ALA Notable Book, A New York Times Best Illustrated Children’s Book, A Charlotte Zolotow Honor Book and an NCTE Notable Children’s Book. As you can see, there are some striking pieces of art in this year’s auction. A special thank you to all of the illustrators who so generously donated their work and to Patty Rosati at HarperCollins Children’s Books, our publisher liaison. See you at the auction! 2021 Art Auction Details
Peggy S. Rice is an associate professor in the Department of Elementary Education at Ball State University in Muncie, Indiana. She is a member of the Ways and Means Committee for CLA. Ally Hauptman is an associate professor at Lipscomb University. She is the chair of the Ways and Means Committee for CLA and a serving CLA board member. By Kathryn Caprino and Erin KnauerTeaching and learning during COVID-19 has changed the way many of us and our students have encountered books. No matter the format, we have been committed to engaging our students with meaningful literacy experiences. Some of us created virtual libraries for our students during remote learning, and others referred students to author websites with read-alouds. In this blog post, we, a literacy teacher educator and a future early childhood teacher, share one way to build on the ever-present technology tools constantly within our students’ grasp: the virtual book tour. What is a virtual book tour? A virtual book tour is a digital tool that guides a reader through a text via a series of pre-, during-, and post-reading pathways. Why use virtual book tours? Purposefully, a virtual book tour explores a book’s storyline in depth, offers questions throughout, and encourages students’ reading of similar books. Designed with an essential question in mind, virtual book tours allow students to think critically about big picture questions. These book tours can be used with a whole class, during book clubs, and/or during centers. What does a virtual book tour look like? Whereas there is no one way a virtual book tour can look, here are some sample screen shots of parts of a teacher’s virtual book tour for When Stars are Scattered by Victoria Jameison and Omar Mohamed so that you can get some ideas.
How do I create a virtual book tour?
Here are some steps to follow when creating your virtual book tour.
You’re On Your Way Now that you have some ideas about digital book tours, we wish you the best as you create your own! We would love to see the digital book tours you create! The authors would like to give credit to Laura Carr, who shared her virtual book tour with us. Kathryn Caprino is a CLA member and is an Assistant Professor of PK-12 New Literacies at Elizabethtown College. She blogs frequently at Katie Reviews Books and can be followed on Twitter @KCapLiteracy. Erin Knauer is a junior Early Childhood Education Major and Music Minor at Elizabethtown College. She excitedly looks forward to having her own classroom and continuing to keep up with the latest educational research. FOR CLA MEMBERS
CLA Board of Directors Elections
By S. Adam Crawley, Craig A. Young, and Lisa Patrick on behalf of the CLA Master Class Committee
Starting in 1994, the Children's Literature Assembly (CLA) has sponsored a Master Class at the annual NCTE Convention. This session provides K-12 teachers and teacher educators, as well as other members of the organization, the opportunity to gain insight about the use of diverse children's literature through interactions with leading scholars, authors, and illustrators in the field.
The 28th annual Master Class is titled “Reading Queerness at the Intersections: Using LGBTQ-Inclusive Literature to Move Toward Equity, Justice, and Antiracist Teaching.” This year’s session will take place on Saturday, November 20th from 5:15-6:30 p.m. (Eastern) in the virtual platform of NCTE’s annual meeting (1). The 2021 Master Class will include a presentation, panel, and discussion with the following esteemed teacher-educators, authors, and illustrators of children’s literature: 2021 CLA Master Class Contributors
Dr. Laura Jiménez will be the discussant for the 2021 Master Class. Jiménez is a Lecturer of children’s and YA literature courses and Associate Dean for Equity, Diversity, and Inclusion in the Wheelock College of Education and Human Development at Boston University. In addition to her scholarship in The Reading Teacher, Journal of Literacy Research, Journal of Lesbian Studies, and Teaching and Teacher Education among other outlets, Jiménez is a founding advisory board member of the open-access journal Research on Diversity in Youth Literature and the author of the blog “Booktoss” in which she writes critical response to children’s and young adult literature. This year, Jiménez was awarded the Divergent Award for Excellence in Literacy Advocacy given by the Initiative for Literacy in a Digital Age.
The 2021 Master Class
The 2021 Master Class will focus on how children's literature can provide vital depictions of – and be used to facilitate important conversations about - intersectionality (Crenshaw, 1991), specifically where race, ethnicity, sexual orientation, and/or gender expression and identity meet and further marginalize. In this session, we bring together scholars, authors, and illustrators of books for young readers whose knowledge, experiences, and published works provide avenues for considering literature’s nuanced portrayal of individuals’ myriad identities. Moreover, both in viewing the presentation and participating in the synchronous dialogue, attendees will have the opportunity to engage in and reflect on conversations that allow them to create paths toward equity, justice, and antiracist teaching in their professional lives.
Participating in the 2021 Master Class will help attendees gauge their knowledge of and comfort with using LGBTQ-inclusive literature in classrooms. Additionally, attendees will learn about the affordances of children's literature that presents stories showing the intersections of diverse identities, especially the voices of individuals whose race, ethnicity, sexual orientation, and/or gender identity or expression has been – and continues to be – used to censor or erase them. The Master Class speakers and co-chairs hope attendees leave the session with a reaffirmed and deeper understanding 1) of the need for inclusive representations of marginalized communities and 2) that any move toward equity, justice, and antiracist teaching requires being more inclusive of - and attentive to - intersectional identities. 
References:
Crenshaw, K. (1991). Mapping the margins: Intersectionality, identity politics, and violence against women of color. Stanford Law Review, 43(6), 1241-1299.
(1) The 2021 Master Class is designated by NCTE to be a “pre-recorded/scheduled” format. The recording will be shown in the conference platform at the scheduled time. Following the recording, there will be opportunities for live discussion between presenters and attendees.
S. Adam Crawley (he/him) is an Assistant Professor of Language and Literacy Studies at The University of Texas at Austin. His current roles with CLA include serving as a Board Member (2021-2023) and Master Class Co-Chair (2020-2022). In addition, he is the secretary of NCTE’s Genders and Sexualities Equalities Alliance (GSEA).
Craig A. Young (he/him) is a Professor of Teaching & Learning at Bloomsburg University of PA. He is currently serving on the CLA Diversity, Equity, and Inclusivity Committee, as well as co-chairing the 2021 CLA Master Class. Lisa Patrick (she/her) is the Marie Clay Endowed Chair in Reading Recovery and Early Literacy at The Ohio State University. She is a CLA Board Member and Master Class Co-Chair.
FOR CLA MEMBERS
CLA Board of Directors Elections
By Mary Ann Cappiello & Donna Sabis Burns, on behalf of the Biography Clearinghouse  “Do the best you can and search out available knowledge and build on it,” said Mary Golda Ross in April 2008. This quote introduces and frames Classified: The Secret Career of Mary Golda Ross, Cherokee Aerospace Engineer, Cherokee author Traci Sorell’s and Métis illustrator Natasha Donovan’s 2021 picture book biography featured this month on The Biography Clearinghouse. Known as “Gold” to her family, Mary Golda Ross was a pioneer in multiple ways. A trained mathematician and educator-turned-engineer, she was the first female and the first Native American aerospace engineer in the United States. Mary’s intellect and penchant for problem-solving were invaluable as she helped research and design satellites, missiles, and rockets. Her work, much of which is still classified, was integral to the U.S. development of its aerospace program in the mid-20th century. Like many women entering traditionally male-dominated fields, Mary is considered a “Hidden Figure.” Fortified by her independence and tenacity, Mary carved out historical and professional space that had rarely—if ever—included women and minorities. And in doing so, Mary helped revolutionize our relationship with space. Independent and tenacious, Mary was the great-great-grandaughter of John Ross, the Cherokee Chief who led his people during and after they were forced to abandon their ancestral lands in the Southeast. Their migration to what is now Oklahoma, is known as the Trail of Tears. Throughout her career, Mary relied on her Cherokee values for guidance, and she credited her professional success to those values. Sorell uses these values to “bookend” Mary’s story. On the first opening spread, a red box catches the reader’s attention. Within it, Sorell informs the reader that Cherokee values are not written down, but rather passed down through generations of family members. The core values that shaped Mary’s life were “gaining skills in all areas of life (both within and out of the classroom), working collaboratively with others, remaining humble when others recognize your talents, and helping ensure equal education and opportunity for all” (p.2). These values ground the reader and serve as a preview to Mary’s life. At the conclusion of the book, Sorell returns to those values, offering readers the four values in the Cherokee syllabary, a transliteration, pronunciation, and then finally, English translation. Illustrator Natasha Donovan visually moves the reader through Mary’s life with a series of shifting images digitally rendered, ranging from close-ups of Mary’s classrooms to a bird’s eye view of her travels, zooming out to the larger vistas within her mind as she imagined and designed, zooming in on the many hands around a table working collaboratively to bring these inventions into existence. The illustrations highlight the tensions and opportunities that Mary encounters, and the role she played in an emerging field. Mary’s unique circumstances prompted her to reach out and mentor many women in science and mathematics across her long career. She traveled to high schools to mentor college bound seniors and advocate education in engineering and mathematics, and also advocated for career opportunities for fellow Native American and Alaska Natives. Across her career, Mary worked closely with so many - from scientists working in secret on cutting edge technology to young adults just beginning to build their professional identities. So far, 2021 has shown us the power and potential of science, from the COVID-19 vaccines that continue to be distributed across the globe to the ever-changing understanding of the virus’ variants. Scientists have modeled the ways in which their work is always collaborative. In contrast, 2021 has also shown us the power of the extremely wealthy to appropriate science and technology that has been developed for the benefit of the nation. The two richest men in the world, Jeff Bezos and Elon Musk, turned space travel into their personal pleasure. Was that part of Mary’s vision of interplanetary travel? Or was hers something more equitable, more in line with her Cherokee values of inclusivity and work for the common good?
Exploring ValuesFrom the first pages of the book to the last, author Traci Sorell affirms the significance of Cherokee values in Mary Golda Ross’s life. We discuss this in our interview with Traci and refer both to the red box that names Cherokee values on the verso page, as well as the information on Cherokee values in the backmatter. After reading Classified, ask students to share their understanding of what the word “values” means. Then ask students to share their understanding of the Cherokee values that are represented in the book. How do they define them in their own words? Next, ask students to make a list of the values that are important to them. Provide them with an opportunity to talk to one another in pairs or small groups about their values. How are their values similar and different from one another? How are the words they use to describe their values similar and different from one another? After they’ve had a chance to do this, allow them time to consider where their values come from. Are they influenced by the grown-ups in their lives? Their community? Their religion? Are their values influenced by their family cultural heritage(s), race, or ethnicity(ies)? How do their education influence their values, and how do their values influence their education? Finally, ask students to look again at the four Cherokee values discussed in the back matter. What connections do students see between the values discussed in their group and the Cherokee values that guided Mary’s life? Mentoring Others Mary Golda Ross was known for the mentoring work she did, supporting younger women and indigenous women entering the field of STEM. What kind of mentoring exists in your school? In the lives of your students and their families? In your community?
The Space Race as Collaboration As an aerospace engineer, Mary Golda Ross worked on the top-secret Skunk Works Project of Lockheed Martin. As Sorell writes in Classified, Skunk Works research contributed to the Apollo space missions and the eventual moon walk by U.S. astronauts in 1969. You can show students an example of her work: Planetary Flight Handbook, No. 9, NASA. What other women were involved in Space Race research? After reading Classified, provide time for students to explore these other books about the Space Race.
In Classified, Sorrell notes that “whenever Mary received awards, she always thanked her colleagues because she knew no one person deserved credit for what everyone had done together.” As students explore whichever permutation of texts you select, ask them to consider the ways in which teamwork is represented. In what ways are individuals featured? In what ways is their collective and collaborative work represented? Use this conversation as an opportunity to discuss the process of “doing science” as collaborative rather than singular work. This can also serve as a springboard to critical considerations regarding the ways inventions and scientific breakthroughs are often attributed to specific individuals instead of to the team as a whole, changing our understanding of what makes change possible. Change happens when groups of people work together over time. To see more classroom possibilities and helpful resources connected to Classified: The Secret Career of Mary Golda Ross, Cherokee Aerospace Engineer, visit The Biography Clearinghouse. Additionally, we’d love to hear how the interview and these ideas inspired you. Email us at thebiographyclearinghouse@gmail.com with your connections, creations, and questions. Mary Ann Cappiello teaches courses in children’s literature and literacy methods at Lesley University, blogs about teaching with children’s literature at The Classroom Bookshelf, a School Library Journal blog, and is a former chair of NCTE’s Orbis Pictus Award for Outstanding Nonfiction K-8.
Donna Sabis-Burns, Ph.D., an enrolled citizen of the Upper Mohawk-Turtle Clan, is a Group Leader in the Office of Indian Education at the U.S. Department of Education* in Washington, D.C. She is a Board Member (2020-2022) with the Children's Literature Assembly, Co-Chair of the Diversity, Equity, and Inclusivity Committee, and Co-Chair of the 2021 CLA Breakfast meeting (NCTE). *The views expressed herein do not necessarily represent the positions or policies of the U.S. Department of Education. No official endorsement by the U.S. Department of Education of any product, commodity, service, or enterprise mentioned herein is intended or should be inferred. FOR CLA MEMBERS
CLA Board of Directors Elections
By Donna Sabis-Burns, Rachel Skrlac Lo, and Casey O'Donnell on behalf of the CLA Breakfast Committee
Looking out the window we begin to see the slight change in color of the fall foliage, a brisker feel to the air, and school busses carrying students to their not-so-new-normal classrooms. Apples, pumpkins, and “Indian” corn are appearing in the grocery store aisles. The gift of autumn is here. One highlight of this time of year is the NCTE Annual Conference held in November. Under “normal” circumstances, the Children’s Literature Assembly Breakfast is held in person as part of that gathering. While we will not be able to meet in person this year, the CLA Breakfast will be offered as a live event during the conference. In anticipation of our session, we are sharing about some of the most prolific, wonderful Indigenous multiple award-winning storytellers from across the Four Directions.
Cynthia Leitich-Smith (Muscogee Creek), Traci Sorell (Cherokee Nation), Michaela Goade (Tlingit), Carole Lindstrom (Metis), and Kevin Maillard (Seminole Nation) will make up this year’s Breakfast speaker panel. They will offer insight into their creative writing process, share their newest work, and offer some candid thoughts on how being Indigenous has strengthened their entire literature experience. These storytellers celebrate #OwnVoices in the here and now. They offer counter stories to highlight the dynamism of Native American and Alaska Native communities for all ages. During a conversation with them in February 2021, we discussed the joys of reading and storytelling and reflected on the importance of celebrating the rich legacy of Native experiences that influence contemporary society. Native American, American Indian, or Indigenous peoples (terms used interchangeably) make up the 575+ federally recognized tribes and 200+ state-recognized tribes, much diversity exists across this Indigenous landscape in the United States. To celebrate this diversity, in this post, we will share with you the newest works from these amazing storytellers, including samples of teacher guides, links to audio-books, artwork, and other storytelling materials to share both in and outside of the classroom. Teachers strive to create an environment for children that is all-embracing because they know that when children feel accepted, they will be happy, healthy, and confident members of society. This spirit of inclusiveness should permeate not only the social dynamic of the classroom, but the teaching materials as well. Children’s books that are endowed with social justice themes and multicultural issues provide a much richer reading experience than texts with homogeneous characters and unchallenging stories. The stories shared by these authors and illustrator offer many ways to enlighten students of all ages to the diverse books, cultural nuances, and traditions that Indigenous people bring to the table. Check out these teacher resources for a glimpse into the rich world of native storytelling. Activity Kits and Teacher Guides
When students encounter texts that feature characters with whom they can connect, they can see how others are like them and how literature can play a role in their lives. If students can feel connected to books, not only will they be more apt to obtain the intrinsic motivation to increase the amount of reading they do, but they will also begin to feel more accepted as strong and unique members of society and to become less vulnerable to negative stereotyping and feelings of oppression. It is the hope of our storytellers that these resources be shared with all students, to demonstrate not only resiliency and determination, but also joy and grace within the texts and illustrations to take them to places they have never seen or heard of before. Below are are some video and audio resources related to some of the works of our storytellers.
Video & Audio Resources
We are obligated to educate our youth with a clear lens and to teach the richness of realistic, authentic, and contemporary literature for children and young adults. We need to promote books where Indigenous characters are up front and visible, not hidden or pushed aside. We want to highlight in a bold, distinguishable manner characters and stories that unveil and promote the beauty of diverse literature written/illustrated by and for Native Nations (also called Indigenous people and used interchangeably here when the specific Nation is not known), and all other marginalized groups. The storytellers highlighted here, and across the land, provide a glimpse of the wonderment and beauty that present-day and historical Indigenous culture and traditions bring to the literature landscape.
Come celebrate with us at 9 am (EST) on November 21, 2021 at the CLA Breakfast at NCTE! There will be great conversation and book giveaways!
Donna Sabis-Burns, Ph.D., an enrolled citizen of the Upper Mohawk-Turtle Clan, is a Group Leader in the Office of Indian Education at the U.S. Department of Education* in Washington, D.C. She is a Board Member (2020-2022) with the Children's Literature Assembly, Co-Chair of the Diversity, Equity, and Inclusivity Committee, and Co-Chair of the 2021 CLA Breakfast meeting (NCTE).
Rachel Skrlac Lo is an Assistant Professor at Villanova University. She is a Board Member (2020-2022) with the Children's Literature Assembly, Co-Chair of the Diversity, Equity, and Inclusivity Committee, and Co-Chair of the 2021 CLA Breakfast meeting (NCTE). Casey O'Donnell is a graduate student in the Masters Plus Teacher Certification Program at Villanova University.
*The views expressed herein do not necessarily represent the positions or policies of the U.S. Department of Education. No official endorsement by the U.S. Department of Education of any product, commodity, service, or enterprise mentioned herein is intended or should be inferred.
By Jared S. CrossleyAlthough the fight for increased diversity in children’s literature has been going on for decades, there has been a recent surge in attention to this need since 2014 and the creation of the We Need Diverse Books (WNDB) campaign. The website for WNDB states that they advocate for “essential changes in the publishing industry to produce and promote literature that reflects and honors the lives of all young people” (We Need Diverse Books, n.d.), and their definition of diversity extends beyond diversity in sexual orientation, gender, and race, but also includes disability. According to the U.S. Department of Education (2019) there were 7 Million students in 2017-2018 who received special education services, accounting for 14 percent of all public school students. The amount of time these students spend inside a general education classroom has been gradually increasing over the last twenty years. This contributes to the growing need for educators to use texts with positive and accurate disability portrayals as part of their reading instruction in the general education classroom (Collins, Wagner & Meadows, 2018). Children with disabilities need to be able to see themselves in the books they read, and their classmates can also benefit, gaining empathy and understanding, by reading about children with similar disabilities. Dr. Rudine Sims Bishop (1990) wrote about how books can serve as windows, “offering views of worlds that may be real or imagined, familiar or strange” (p. 1). They can also serve as mirrors, which reflect our own experiences, and “in that reflection we can see our own lives and experiences as part of the larger human experience” (p. 1). It is very important that all children see themselves reflected in the books they read. However, many children who have disabilities or are racial minorities often don’t see themselves in the books that are available to them. Bishop stated: "When children cannot find themselves reflected in the books they read, or when the images are distorted, negative, or laughable, they learn a powerful lesson about how they are devalued in the society of which they are a part. Our classrooms need to be places where all the children from all the cultures that make up the salad bowl of American society can find their mirrors" -Rudine Sims Bishop Educators should make it a priority to provide all of the children in their classrooms books that serve as mirrors, as well as books that are windows into cultures that are not familiar to their students’ lived experiences. For the past four years, I have been privileged to serve on USBBY’s Outstanding Books for Young People with Disabilities committee. During that time I have gained new perspectives and learned more information about various disabilities and differences. One type of book that often gets grouped into the disability category is books that contain a portrayal of deafness. It has been debated if deafness should be considered a disability (Harvey, 2008; Lane, 2002) with varying opinions for and against the consideration of deafness as a disability. However, regardless of whether or not it is a disability, we need positive portrayals of deafness in children’s literature that can serve as mirrors for children who are deaf, and windows for children who are hearing. Over the past few years there have been a number of excellent middle-grade books that center a child who is deaf. In this post, I want to highlight three titles that I thought were exceptional portrayals.
Show Me a Sign
Show Me a Sign by Ann Clare LeZotte (2020) tells the story of Mary, a young girl growing up deaf in the early 1800’s on the island of Martha’s Vineyard. As part of a Deaf colony on the island, Mary has always felt safe and protected. However, all of this is threatened by the appearance of a young scientist who is bound and determined to find the cause of the island’s deafness so he can cure this “infirmity”. Soon Mary finds herself in harm's way as this scientist takes her as a “live specimen” in order to more closely study her deafness. The sequel, Set Me Free, is set to be released September 21, 2021.
References Bishop, R.S. (1990). Windows, mirrors, and sliding glass doors. Perspectives, 6, ix-xi. Collins, K. M., Wagner, M. O., & Meadows, J. (2018). Every story matters: Disability studies in the literacy classroom. Language Arts, 96(2), 13. Harvey, E. R. (2008). Deafness: A disability or a difference. Health L. & Pol'y, 2, 42. Lane, H. (2002). Do deaf people have a disability?. Sign language studies, 2(4), 356-379. U.S. Department of Education. (2019). Children and youth with disabilities. Retrieved from https://nces.ed.gov/programs/coe/indicator_cgg.asp We Need Diverse Books. (n.d.). About Us. WNDB. Children’s Books Frost, H. (2020). All He Knew. New York, NY: Farrar Straus and Giroux. Kelly, L. (2019). Song for a Whale. New York, NY: Delacorte Press. LeZotte, A.C. (2020). Show Me a Sign. New York, NY: Scholastic Press. Jared S. Crossley is a Ph.D. student at The Ohio State University studying Literature for Children and Young Adults. He is a former 4th- and 5th-grade teacher, and currently teaches children's literature courses at Ohio State. He is the 2020-2021 chair of the Outstanding Books for Young People with Disabilities committee (USBBY). |
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