If you are a veteran of our CLA Breakfast, you already know what an amazing experience it is! If you have not had the opportunity yet, we invite you to join us for Sunday’s breakfast with an incredible author. Find out what you’ve been missing. The CLA Breakfast is a wonderful opportunity to meet others who are passionate about children’s literature, engage in learning from Traci Sorell, and perhaps go home as a winner of a robust set of award-winning books or an original piece of beautiful art! We hope to see you there!

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References:
Bishop, R. S. (1990, Summer). Mirrors, windows, and sliding glass doors. Perspectives: Choosing and Using Books for the Classroom, 6(3).

Menefree, D. L. & Johnson, C.F. (2021). Diverse imprints and the classroom: How publishers are taking up the call to package and promote diverse literature for youth. The ALAN Review, 49(1), 85-89.

Rosenberg, R. (2022, August 23). Read and learn: Culturally diverse children’s book publishers and imprints. BOOK RIOT. https://bookriot.com/diverse-childrens-book-publishers/ ​

Over the last two years, we’ve enjoyed sharing excerpts from The Biography Clearinghouse website. We hope that our interviews with book creators and our teaching ideas focused on using biographies for a variety of classroom purposes has been helpful to the CLA membership and beyond. This month, we’re very excited to share something different - a voice directly from the classroom.  

Melissa Quimby, a 4th grade teacher in Massachusetts, has written the inaugural entry in our new feature “Stories from the Classroom.” Melissa is the genius behind #MeetSomeoneNewMonday, a weekly initiative that has spread from her classroom to her grade level team to an entirely different school in just three years. 

This initiative launched when Melissa decided to share her passion for picturebook biographies with her students through interactive read-alouds. They were hooked! As Melissa writes, “Over time, I molded this project in intentional ways, and it evolved into an adventure that focused on identity, centered marginalized and minoritized communities, and cultivated thoughtful, strategic middle grade readers.” What started as a way to share nonfiction picturebooks as an engaging and compelling art form developed into a more nuanced exploration of global changemakers–past and present. With their weekly reading of picturebook biographies, students grow as readers and thinkers and deepen their individual and collective sense of agency. 

In the following excerpts, Melissa describes how she reveals each week’s notable changemaker to her students and shares some of her picturebook biography selections.

The NEA’s code of ethics is guided by two principles, the first of which is a commitment to the student. It has eight conditions, including that educators have an ethical duty to not:
1. “restrain the student from independent action in the pursuit of learning”,  
2. “unreasonably deny the student’s access to varying points of view”, nor 
3. “deliberately suppress or distort subject matter”. 

Additionally, educators must make an effort to:
4. “protect students from harmful conditions”,  
5. “not intentionally expose the student to embarrassment or disparagement”, and
6. ensure all students have access to programs, benefits, and advantages regardless of “race, color, creed, sex, national origin, marital status, political or religious beliefs, family, social or cultural background or sexual orientation.” 

The two remaining conditions are that educators:
7. do not seek private advantage from relationships with students, and
8. will respect students' privacy. 

Starting in 1994, the Children's Literature Assembly (CLA) has sponsored a Master Class at the annual NCTE Convention. This session provides K-12 teachers and teacher educators, as well as other members of the organization, the opportunity to gain insight about the use of diverse children's literature through interactions with leading scholars, authors, and illustrators in the field.  
         
The 28th annual Master Class is titled “Reading Queerness at the Intersections: Using LGBTQ-Inclusive Literature to Move Toward Equity, Justice, and Antiracist Teaching.” This year’s session will take place on Saturday, November 20th from 5:15-6:30 p.m. (Eastern) in the virtual platform of NCTE’s annual meeting (1).
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The 2021 Master Class will include a presentation, panel, and discussion with the following esteemed teacher-educators, authors, and illustrators of children’s literature:

The 2021 Master Class will focus on how children's literature can provide vital depictions of – and be used to facilitate important conversations about - intersectionality (Crenshaw, 1991), specifically where race, ethnicity, sexual orientation, and/or gender expression and identity meet and further marginalize. In this session, we bring together scholars, authors, and illustrators of books for young readers whose knowledge, experiences, and published works provide avenues for considering literature’s nuanced portrayal of individuals’ myriad identities. Moreover, both in viewing the presentation and participating in the synchronous dialogue, attendees will have the opportunity to engage in and reflect on conversations that allow them to create paths toward equity, justice, and antiracist teaching in their professional lives.  
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Participating in the 2021 Master Class will help attendees gauge their knowledge of and comfort with using LGBTQ-inclusive literature in classrooms. Additionally, attendees will learn about the affordances of children's literature that presents stories showing the intersections of diverse identities, especially the voices of individuals whose race, ethnicity, sexual orientation, and/or gender identity or expression has been – and continues to be – used to censor or erase them. The Master Class speakers and co-chairs hope attendees leave the session with a reaffirmed and deeper understanding 1) of the need for inclusive representations of marginalized communities and 2) that any move toward equity, justice, and antiracist teaching requires being more inclusive of - and attentive to - intersectional identities.

References:
Crenshaw, K. (1991). Mapping the margins: Intersectionality, identity politics, and violence against women of color. Stanford Law Review, 43(6), 1241-1299.

(1) The 2021 Master Class is designated by NCTE to be a “pre-recorded/scheduled” format. The recording will be shown in the conference platform at the scheduled time. Following the recording, there will be opportunities for live discussion between presenters and attendees. 

For approximately four weeks this spring, fourth-grade students at Oakdale Elementary in Salina, Kansas read and discussed, We are the Ship: The Story of Negro League Baseball (Nelson, 2008) as part of a language arts unit.  Students found the book highly engaging and the art extraordinary.  Numerous discussions occurred as students read, wondered, and conducted research in order to learn more about Negro League players and team owners.  Ideas in the book sparked a variety of emotions and prompted numerous conversations about how people treated one another then, how they treat one another today, and what it means to break barriers.  When the unit concluded, teachers Joy Fox-Jensen and Mary Plott desired to capitalize on students’ enthusiasm for the book and their interest in sports.  They wanted to introduce students to other African American athletes who had broken barriers and pursued their dreams.
In my role as the district reading instructional specialist, I worked with the teachers to plan and conduct a six-day mini-unit.  We chose four books for our study: Above the Rim: How Elgin Baylor Changed Basketball (Bryant, 2020), Playing to Win: The Story of Althea Gibson (Deans, 2007), A Nation’s Hope: The Story of Boxing Legend Joe Louis (de la Peña, 2011), and Wilma Unlimited: How Wilma Rudolph Became the World’s Fastest Woman (Krull, 1996). We intentionally chose to introduce African American men and women who excelled in sports other than baseball and faced barriers in addition to those posed by race; poverty, illness, and physical disabilities provided further challenges for the athletes we selected. We also wanted students to experience a variety of writing styles and different types of illustrations.  Finally, we wished to select athletes to whom the students could connect.  We wanted them to see how these barrier-breaking athletes valued determination and perseverance, realized the importance of compassion, and understood how seemingly simple actions spoke louder than words.  Our goal was to help the fourth graders begin to see how they could become barrier-breakers, too.

Because students demonstrated such a high level of interest in Kadir Nelson’s paintings when reading We are the Ship, we elected to begin the study with a short exploration of book design.  I used information from the article Picturebooks as Aesthetic Objects (Sipe, 2001) to help frame our conversations.  We are the Ship (Nelson, 2008), along with two classic picturebooks, Where the Wild Things Are (Sendak, 1963) and The Little House (Burton, 1942), served as models.  After reading the two picturebooks aloud, we took a focused look at all three books.  As part of our discussion, I prompted students to consider how the size and shape of a book might add to its meaning.  Students contemplated the image on the dust jacket and cover of each book – were these images the same or different?  Why?  They looked closely at the endpapers and wondered about the significance of the colors and the images, if there were any.  We considered the color palette each artist used and discussed how those colors suited the text and made them feel.   Students noticed the different points of view Nelson employed in We are the Ship; individual players appeared to be larger than life, but in the team paintings, each member seemed equally significant.  Students greatly admired Nelson’s full-bleed art, but also found the way Sendak (1963) placed frames around his illustrations in Where the Wild Things Are to be intriguing.  Students were quick to notice how the size of the frames changed, disappeared, and reappeared as we watched the main character, Max, journey in and out of his imaginary world.  Ultimately, this exploration created a heightened sense of awareness and resulted in careful observations, thoughtful questions, and insightful responses about the other books we read.    

Over the next four sessions, students interacted with a new book each day.  Each initial reading was conducted as a read-aloud or a combination of listening and partner reading.  I purposely did not stop to talk about the book during its first reading.  Rather, I wanted students to take in the language and art on their own in order to develop a first draft understanding (Barnhouse and Vinton, 2012).  Following this process allowed them to come to their own conclusions about the athletes and the barriers faced without the influence of their peers.  Instead of talking, students took two sticky notes and recorded one thing they noticed about the book and one fact they learned during the first read.  Students shared their “Notice and Learn” notes with a shoulder partner and posted them for others to read.  Next, we dove back into each book and revisited specific passages in order to explore the way the authors used language to provide clues as to the personality of each athlete.  An organizer modeled after the Reading with Attitude protocol (Buehl, 2014) assisted to facilitate our conversations. As students reread certain passages from each book, they contemplated the athlete’s and author’s emotions and shared how the text made them feel as the reader.  Discussions ensued about the language in the text and how it prompted them to infer the presence of these emotions.  Additionally, students made specific references to the art in each book and how it affected their response.  As students met each new athlete, the comments they shared made it clear that they realized the athletes were different from one another, but connected by common threads