Category: The Arts

Teaching and Learning Opportunities with Make Meatballs Sing

5/30/2022

By Denise Dávila on Behalf of the Biography Clearinghouse

Regarded as The Rebel Nun, the Pop Art Nun, and Andy Warhol's Kindred Spirit, Sister Corita Kent (1918–1986) was a member of the Immaculate Heart Community of Los Angeles, California. She created multimodal art prints that were social commentaries on poverty, injustice, and war. As the artist of "The Rainbow Swash" (1971), the largest copyrighted rainbow in the world, and the designer of US Postal Service's best selling "Love Stamp” (1985), Sister Corita also used her art and her voice to promote the kind of hope, love, and kindness that overcomes barriers and unites people.

In the highly acclaimed picturebook biography Make Meatballs Sing: The Life and Art of Corita Kent (2021, Enchanted Lion Books), author Matthew Burgess and illustrator Kara Kramer engage readers in a multimodal exploration of an extraordinary person’s life and legacy that resulted in nearly “800 serigraph editions, thousands of watercolors, and innumerable public and private commissions” according to The Corita Art Center of Los Angeles, CA. Learn more about Corita Kent at: www.corita.org.

The Biography Clearinghouse entry for Make Meatballs Sing includes and interview with Matthew Burgess and several recommendations for working with the book. Below is an excerpt of the teaching ideas in the entry.

Free Curriculum Guide

Using Viewfinders

Sister Corita Kent authored provocative multimodal compositions that were inspired by looking closely at ordinary objects and were imbued with intertextual meanings. As suggested in Make Meatballs Sing, much of her work began by focusing her attention on specific elements and blocking out others. She employed cardboard viewfinders with her students as tools for developing the skill of looking. These next activities build upon the use of viewfinders in the classroom. They are adapted from the Make Meatballs Sing Curriculum Guide.

If you have 1 - 2 hours

Make and Use Viewfinders
Invite students to make viewfinders, like those Sister Corita Kent asked her students to create, from everyday materials like recycled cardboard, heavy paper, or cardstock. Encourage students to use their finders to examine things in their classrooms, schools, homes, neighborhoods, and other venues. Take a walking field trip in the vicinity of the school to take a closer look and find unexpected surprises. After returning to the classroom, invite students to write about what they noticed and to discuss their experiences in looking and seeing in a different way.

If you have 1 - 2 days

Develop a Scavenger Hunt
Invite students to develop a scavenger hunt for another looking tour. Welcome them to generate ideas for their types of objects, shapes, attributes, or other elements they should look on the tour. For example, students might search for things that are green, billowy, jagged, smooth, angular, etc. Encourage students to bring a sketchbook to capture the images they find during the scavenger hunt. Alternatively, they could use digital cameras to document their findings. Upon returning to the classroom, encourage students to identify their favorite "find" from the hunt and to contribute it to a class collage. Students could collaborate in the creation of a visual patchwork akin with the art collage that appears on the back jacket of Make Meatballs Sing.

If you have 1 - 2 weeks

Create a Multimodal Composition for Screen Painting
Invite students to use their findings from their scavenger hunts to create multimodal compositions that incorporate images and texts. Present an array of Sister Corita’s prints as models. Encourage students to incorporate epigraphs or quotes from texts that are meaningful to them. Alternatively and/or additionally, invite students to create images based on their looking exercises that could be used for a simple screen painting project. Several resources are available online for creating serigraphy with students. Here is one approach that uses embroidery frames.

Denise Dávila is an assistant professor at the University of Texas at Austin. She studies children’s literature and researches the home literacy practices of families with young children in under-resourced communities.

Teaching and Learning Possibilities with Duncan Tonatiuh's "Soldier for Equality"

5/17/2022

By Erika Thulin Dawes and Xenia Hadjioannou on behalf of the Biography Clearinghouse

We close out the school year immersed in social strife and conflict. Our students are grappling both with big questions about humanity and substantial uncertainties about everyday life. Recent research describes rising mental health concerns for young people (Acheson, 2020; Cowie & Myers, 2021; Samji et al. 2022) and it’s not surprising that maintaining optimism is challenging in the context of war, a global pandemic, and climate change. As educators, we are seeking ways to provide our students with grounding and with hope. And we believe that biographies, life stories of inspiring people, can help to provide both an anchor and inspiration. Our latest Biography Clearinghouse entry features Duncan Tonatiuh’s picturebook biography Soldier for Equality: José de la Luz Sáenz and the Great War. Using his trademark illustrative style, digital collage inspired by Mixtec Pre-Columbian art, Tonatiuh describes the World War I experiences of ‘Luz’; a teacher, activist, Texan, and a person with Mexican heritage.

Toniatiuh’s biography of José de la Luz Sáenz is a powerful narrative of the transformative power of literacy. Luz’s education and multilingualism were instrumental in his life trajectory; his knowledge allowed him to navigate the battlefield safely, keeping him out of the trenches and instead in a fortified command post for the intelligence service. He developed his skills in organizing while teaching English to Mexican American soldiers. And upon his return to teaching when the war was over, he turned his outrage over unequal schooling for Mexican American children into activism, establishing the League of United Latin American Citizens (LULAC), an organization that helped to end the segregation of Latinx children from white schools.

In our Biography Clearinghouse entry, we provide an interview with Duncan Tonatiuh and a collection of teaching ideas to support student exploration of Soldier for Equality. These teaching ideas encourage students to consider the transformative power of literacy and the generative power of community organizing and activism. They include: an exploration of translanguaging and theme development in picturebooks; a history of and contemporary look at the experience of minoritized populations in the United States army; a call to allyship to counter bullying; a visual literacy exercise exploring traditional artistic motifs; and a tribute to teacher activists.

Below is an excerpt of the teaching ideas in the Biography Clearinghouse entry for Soldier for Equality: José de la Luz Sáenz and the Great War:

Social Justice Concerns in Personal Lives and Society

Throughout his life, Luz identified injustices levied against Mexican Americans, and engaged in purposeful actions to work against these injustices and promote equity. In Soldier for Equality, readers encounter several instances of prejudice and discrimination against Luz, because of his status as a Mexican American. Readers also get to see purposeful actions Luz is taking to fight against these injustices.

As a class, create parallel lists of (a) instances of prejudicial treatment Luz encountered and (b) purposeful actions he took to work against those injustices and bring about equality and fair treatment.

At the micro/personal level: Invite students to locate instances of prejudicial treatment and unfairness in their daily lives. Are there certain people who are persistently teased, gossiped about, called names, bullied, or excluded? What would be some specific purposeful actions they could take to work against those patterns of mistreatment and exclusion?
At the macro/social level: Invite students to locate instances of prejudicial treatment and injustice in modern society. What are some aspects of modern society where unjust treatment is still an issue? Who is taking purposeful action to combat these injustices? What actions are they taking? Depending on the age of the students and on the time available, this can lead to inquiry projects into the lives of modern day activists and/or the work of social action organizations such as LULAC and the NAACP.

RECENT ENTRIES

Teachers as Activists

If you have two hours…	If you have two days…	If you have two weeks…
Read or reread Soldier for Equality: José de la Luz Sáenz and the Great War and ask students to make note of the meaning that education, language, and reading and writing had in his life. Record students' thoughts on a two column chart with one column labeled ‘claims’ and the second column labeled ‘evidence from the book.’ Next, pair students up, asking students to interview each other about the roles of language and literacy in their lives. Prior to conducting the interviews, brainstorm a list of questions to ask. Questions could include: What languages do you speak? What language are spoken in your family? In your community? What does it mean to you to be bilingual? Why is education important to you? What do you hope to achieve through education? What do you read and why do you read? What do you hope to learn and/or achieve by reading? What do you write and why do you write? What do you hope to create and/or achieve through writing?	The text set outlined below features the life stories of teachers who also served as activists. Divide students into small groups, each group responsible for reading one of the picturebooks listed below. Brown, M. (2010). Side by side: the story of Dolores Huerta and Cesar Chavez = Lado a lado: la historia de Dolores Huerta y Cesar Chavez. Ill. by J. Cepeda. Rayo. Halfmann, J. (2018). Midnight teacher: Lilly Ann Granderson and her secret school. Ill. by L. Ladd. Lee & Low. Harvey, J.W. (2022). Ablaze with color: A story of painter Alma Thomas. Ill. by Loveis Wise. HarperCollins. Rhuday-Perkovich, O. (2018). Someday is Now: Clara Luper and the 1958 Oklahoma City Sit-ins. Ill. by J. Johnson. Seagrass Press. Wallace, S.N. & Wallace, R. (2020). The teachers march! How Selma’s teachers changed history. Ill. by C. Palmer. Calkins Creek. Provide each group with a graphic organizer on which to record notes about the subject of their biography. Students can record: the name, birth, and death dates of their subject; where their subject lived and worked; key achievements of their subject; challenges faced by their subject; beliefs about education held by their subject. To share their learning about these teacher activists with their classmates, ask each group to create and perform a monologue in the voice of their subject. The monologue should highlight the information captured in their graphic organizers.	As an extension of the text set exploration of teacher activists, engage students in a discussion of all the people that serve as teachers in their lives. In which settings do they learn beyond school? Who are the people who mentor, guide, and teach them in all the realms of their lives? Invite students to consider what they could compose, create, or make to honor and celebrate their teachers. Possible projects could include: Interviewing their teachers to create profiles honoring them Developing a forum for community members to publicly thank teachers who have made a meaningful difference in their lives (bulletin board in the school or local public library, social media campaign) Letter writing to thank significant teachers Establishment of a teacher recognition award with student developed award criteria

Citations

Acheson, R. (2020). Research digest: The impact of the covid-19 pandemic on child, adolescent, young adult, and family mental health. Journal of Child Psychotherapy, 46(3), 429-440. https://doi.org/10.1080/0075417X.2021.1912810

Cowie, H., & Myers, C. (2021). The impact of the COVID‐19 pandemic on the mental health and well‐being of children and young people. Children & Society, 35(1), 62-74. https://doi.org/10.1111/chso.12430

Samji, H., Wu, J., Ladak, A., Vossen, C., Stewart, E., Dove, N., Long, D., & Snell, G. (2022). Review: Mental health impacts of the COVID‐19 pandemic on children and youth – a systematic review. Child and Adolescent Mental Health, 27(2), 173-189. https://doi.org/10.1111/camh.12501

Erika Thulin Dawes is a Professor of Language and Literacy at Lesley University where she teaches courses in children’s literature and early childhood literacy and is the program director of the graduate Early Childhood Education program. Erika is a former chair of NCTE’s Charlotte Huck Award for Outstanding Fiction for Children.

Xenia Hadjioannou is an Associate Professor of Language and Literacy Education at the Harrisburg campus of Penn State University where she teaches and works with pre- and in-service teachers through various courses in language and literacy methodology. She is the Vice President and Website Manager of the Children's Literature Assembly, and a co-editor of The CLA Blog.

The Bonnie Campbell Hill National Literacy Leader Award
Call for Applications

Do you have a vision for a leadership initiative that stands to improve and enhance literacy teaching and learning ffor students and/or teachers? Consider applying for the 2022 Bonnie Campbell Hill National Literacy Leader Award.

A Lesson from Faith Ringgold about the Radical Power of the Picturebook

4/19/2022

By Jessica Whitelaw

Last week I was able to visit the long-awaited Faith Ringgold exhibit, American People, at the New Museum in New York. Many know Ringgold from her book Tar Beach, but this retrospective - her first - features Ringgold as artist/organizer/educator and showcases paintings, murals, political posters, sculptures, and story quilts that span the Harlem Renaissance, the Black Arts Movement, critical feminism, and reach into the landscape of contemporary Black artists working today. After years of a relationship with the book version of Tar Beach, it was moving to stand in front of the original story quilt that the book is based on, this intimate everyday object upon which she wrote, painted, and stitched, to push the boundaries of white western art traditions and explore themes of gender, race, class, history, and social transformation.

Woman on a Bridge #1 of 5: Tar Beach, 1988
Acrylic paint, canvas, printed fabric, ink, and thread
Solomon R. Guggenheim Museum, New York.
Gift, Mr. and Mrs. Gus and Judith Leiber, 1988

But from an educator perspective, this important exhibit left out something important about the arts, access, and critical literacy. It didn’t pay much attention to the radical act of making this story quilt, and all of the ideas that it explores, available to young people in the form of another everyday object, the picturebook. In the book version of Tar Beach, narrator Cassie Louise Lightfoot, “only eight years old and in the third grade,” invites readers into an experience and conversation that the story quilt was asking museum audiences to consider. Cassie’s is a story of resistance and self-definition and an invitation through art and words, to encounter issues of class, race, place, history, and the future through what Ringgold has called a “fantastical sensibility.” Cassie’s story offers a word/picture narrative marked by sharp observation and critique but also beauty and humanization.

I left the exhibit thinking about how Tar Beach provides an object lesson in how the arts can support critical literacy. With its imprint on the social and cultural imagination of so many, Tar Beach reminds us that we can look to the humble picturebook to find sources of radical power. In these everyday objects that can traverse home, school, and everyday life, we can seek out art and words to explore issues of cultural significance, often with an eye toward joy and justice at the same time.

So how can we harness the power and possibility of the arts that can be found in picturebooks? How can we invite and encourage deep critical literacy and inquiry?

Below is a protocol adapted from the steps of art criticism that can be used to support students in developing picturebook practices that engage critical literacy and inquiry. It can be used with Tar Beach, whose content is both accessible and complex enough to use with both younger and older readers. But it offers a flexible participation structure that teachers can use with any picturebook that has rich visual/verbal content. Like most protocols, it works best as a flexible tool not a prescriptive device.

Picturebook Read Aloud Protocol

Adapted from the steps of art criticism, this protocol provides a framework for sharing picturebooks that aims to cultivate a critical practice. It guides the reader through a process of looking closely to notice what they might otherwise overlook and to use what they know about words and pictures to analyze and make sense of what they see. The stages offer a helpful way to support students of any age through a process and unfolding of critical engagement that relies upon attention to specific details in the work to guide thoughtful engagement and response. The protocol is intended as a facilitation guide for teachers. Wording should be adjusted for the audience/age of the reader.

LOOK CLOSELY

Take inventory. Examine the cover of the book, the dust jacket and the endpapers. Look closely at the typography, the pictures, the words. Describe what you see and notice in detailed, descriptive language.

ANALYZE

Use what you know about picturebooks and design to analyze the words and the pictures. Look at the colors, the lines, shapes, textures. Try to determine the media the artist used to make the pictures. Examine the style of the language the writer used. Look for patterns, repetition, rhyme. Draw attention to the picturebook as a unique form of the book that relies on the synergy of the words and the pictures by asking how the words and pictures work together: What do the words tell you that the pictures do not? What do the pictures tell you that the words do not? What happens in between the openings?

QUESTION

Use questions together to probe and deepen. Stop and ask questions about pages that are visually and/or verbally rich or complex. What sense do you make of this page? How do you know that? Why do you think the author or illustrator chose to do it the way they did? What questions does the page raise for you, make you wonder about?

CRITIQUE

What do you think the author/illustrator is trying to do or say or show in this book? Who do we see in this book? Who is the audience for this book? Who do you think should read it? Whose voice/voices do we hear? Who do we not hear from? What ideas do you have about the topic/topics in the book? What do you think the storyteller in this book believes or thinks or wants us to know? What questions do you have about what the storyteller is saying and showing? What genre/category does the book belong to? What other work has this author and/or illustrator created and how is it similar to or different from this book?

RESPOND

After having looked closely at the book, what does this text mean to you? What does the story make you wonder about? How could this story mean different things? To you? To different readers?

Additional Teaching Resources for Tar Beach

Watch Faith Ringgold read Tar Beach

Create a paper story quilt

Listen to Faith Ringgold’s favorite songs

Explore a Faith Ringgold Text Set:

We Came to America
Cassie’s Word Quilt
The Invisible Princess
Aunt Harriet’s Underground Railroad in the Sky
Harlem Renaissance Party
If a Bus Could Talk: The Story of Rosa Parks
Henry Ossawa Tanner: His Boyhood Dreams Come True

For Older Readers: Watch the Ted Talk by Kimberlé Crenshaw on intersectionality

Examine how Tar Beach explores identity and power at several intersections. Examine other artworks of Faith Ringgold such as her For the Women’s House mural at the Brooklyn Museum or her America series of paintings on the artist’s website

Read Ringgold’s feminist artist’s statement from her memoir, We Flew Over the Bridge. Look for themes that connect across and examine how the different art forms allow the themes to be explored differently. Read other excerpts from We Flew Over the Bridge: The Memoirs of Faith Ringgold, and examine how ideas from her life take shape in Tar Beach. Consider the different forms of visual and verbal storytelling that she employs in her work and how ideas are conveyed through different modalities in each.

Jessica Whitelaw is faculty member at the University of Pennsylvania in the Graduate School of Education and a member of CLA.

The CLA Blog

Teaching and Learning Opportunities with Make Meatballs Sing

By Denise Dávila on Behalf of the Biography Clearinghouse

Using Viewfinders

If you have 1 - 2 hours

If you have 1 - 2 days

If you have 1 - 2 weeks

Teaching and Learning Possibilities with Duncan Tonatiuh's "Soldier for Equality"

By Erika Thulin Dawes and Xenia Hadjioannou on behalf of the Biography Clearinghouse

Social Justice Concerns in Personal Lives and Society

Teachers as Activists

Citations

The Bonnie Campbell Hill National Literacy Leader Award
Call for Applications

A Lesson from Faith Ringgold about the Radical Power of the Picturebook

By Jessica Whitelaw

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By Denise Dávila on Behalf of the Biography Clearinghouse

Using Viewfinders

If you have 1 - 2 hours

If you have 1 - 2 days

If you have 1 - 2 weeks

By Erika Thulin Dawes and Xenia Hadjioannou on behalf of the Biography Clearinghouse

Social Justice Concerns in Personal Lives and Society

Teachers as Activists

Citations

The Bonnie Campbell Hill National Literacy Leader AwardCall for Applications

By Jessica Whitelaw

Authors:CLA Members

Blog Editors

contribute to the blog

Archives

Categories

CLA

Resources

Children's Literature Assembly BreakfastExpert ClassOther CLA-sponsored SessionsArt Auction

The Bonnie Campbell Hill National Literacy Leader Award
Call for Applications

Authors:
CLA Members

Children's Literature Assembly Breakfast
Expert Class
Other CLA-sponsored Sessions
Art Auction