Category: Nonfiction Books

Midwinter Book Awards Beyond Newbery and Caldecott - Part II: Young Adult Books and More

2/16/2021

BY WENDY STEPHENS

In addition to the ALSC awards described in the previous post, the Young Adult Library Association (YALSA) also designates award-winning and honor books for adolescent literature.

Among the best-known awards for adolescent literature is the Michael L. Printz Award for Excellence in Young Adult Literature, administered by YALSA. However, there are many other opportunities to learn about exceptional literature for teens. The life and legacy of Margaret A. Edwards are honored through two award designations:

The Alex Awards choose ten adult books with special appeal to teen readers.
The Edwards Award, honoring her significant and lasting contribution to writing for teens, parallels the ALSC Legacy award, except that it is based on a selection of named titles rather than the author's work as a whole.

A shortlist of finalists for two of YALSA's flagship awards -- the YALSA Excellence in Nonfiction for Young Adults Award, honoring the best nonfiction books for teens and the William C. Morris Award, which honors a debut book written for young adults by a previously unpublished author, are announced in December, with the winner of each being part of the press conference.

Michael L. Printz Award

The Michael L. Printz Award recognizes excellence in young adult literature and designates both an award winner as well as honor books.

2021 Printz Award Winner

Alex Awards

The Alex Awards select the top ten best books that will appeal to teen audiences. The Alex Awards are named after Margaret A. Edwards, who pioneered young adult library services. Edwards was called "Alex" by her friends.

One of the 2021 Alex Award Winners

Margaret A. Edwards Award

The Margaret A. Edwards Award honors an author as well as a specific selection of their body of work. It recognizes an author's work in helping adolescents become aware of themselves and addressing questions about their role and importance in relationships, society, and in the world.

2021 Margaret A. Edwards Award Winner: Kekla Magoon and one of her recognized books.

YALSA Excellence in Nonfiction for Young Adults Award

The YALSA Excellence in Nonfiction for Young Adults Award designates an award-winner and honors books for the best nonfiction books published for young adults.

Book Cover: The Rise and Fall of Charles Lindberg

2021 YALSA Excellence in Nonfiction Award Winner

William C. Morris Award

The William C. Morris Award honors a book published by a first-time author writing for teens to celebrate and honor exemplary new voices in young adult literature.

2021 William C. Morris Award Winner

In addition to designating award books, YALSA also compiles book list resources that can aid librarians and teachers in selecting books that appeal to young adults. A decade ago, YALSA moved four of its lists onto The Hub, its literature blog platform, so that youth services librarians involved in collection development could benefit from more real-time input. All four categories post throughout the year, leading to year-end lists reflecting that year's best titles.

Those include:

Best Fiction for Young Adults (BFYA), which is a list that takes teen feedback into account.
Amazing Audiobooks for Young Adults (AAYA), which showcases spoken-word releases that would appeal to all subsects of the teen audience.
Quick Picks for Reluctant Young Adult Readers (QP), which identifies titles aimed at encouraging reading among teens who dislike to read.
Great Graphic Novels for Teens (GGN) recommended for those aged 12-18, meet the criteria of both good quality literature and appealing reading for teens.

Outside the Monday morning announcements, there are myriad other titles to explore. Among those, the United States Board on Books for Young People (USBBY) uses Midwinter to announce its Outstanding International Books (OIB) list showcasing international children's titles -- books published or distributed in the United States that originated or were first published in a country other than the U.S. -- that are deemed the most outstanding of those published during that year. RISE: A Feminist Book Project for ages 0-18, previously the Amelia Bloomer Project, is a committee of the Feminist Task Force of the Social Responsibilities Round Table (SRRT), that produces an annual annotated book list of well-written and well-illustrated books with significant feminist content for young readers.

There are even genre fiction honors. For the past four years, the Core Excellence in Children’s and Young Adult Science Fiction Notable Lists designates notable children’s and young adult science fiction, organized into three age-appropriate categories, also announced at Midwinter.

Next year, we will have another treat to look forward to when the Graphic Novel and Comics Round Table (GNCRT) i naugurates its Reading List.

That's a lot of books! What are the can't-miss titles? I train my students to look for overlaps, like Candace Fleming winning this year for information text across age ranges. What does it indicate when the Sibert and YALSA's Nonfiction Award overlap? When a book is honored by both the Printz and YALSA Nonfiction?

Though the in-person announcement is exhilarating, especially the view from the seats at the front of the auditorium reserved for committee members, the webcast approximates its energy and allows you to share with students in real-time. To make sure you catch all of the lists, follow the press releases from ALA News and on twitter. Until next January!

Wendy Stephens is an Assistant Professor and the Library Media Program Chair at Jacksonville State University.

Exploring Representation and Advocacy in Government with "What Do You Do with a Voice Like That?"

11/3/2020

BY SCOTT RILEY AND MARY ANN CAPPIELLO, ON BEHALF OF THE BIOGRAPHY CLEARINGHOUSE

The nation is rattled by a presidential impeachment trial. The economy is held in the grip of a recession. Black Americans demand an end to racism, redlining, and segregated schools. Women insist on equity in the home and in the workplace, control over their finances and their bodies. 2020? No. 1974.

The votes cast today, on Election Day 2020, along with the millions of votes cast over the last several weeks, will determine the next president and vice president of the United States of America. Today’s votes will also elect all members of the U.S. House of Representatives and 35 members of the U.S. Senate. How much do our students know and understand about these legislative bodies and the power with which they are endowed? About the people who serve within these institutions?

One small way to begin a conversation about these legislative bodies, the legislative process, and the people who fill those seats is with a reading of What Do You Do with a Voice Like That? The Story of Extraordinary Congresswoman Barbara Jordan, written by Chris Barton and illustrated by Ekua Holmes. This 2018 picture book tells the life story of Barbara Jordan, the formidable Congresswoman known for her defense of the Constitution during the 1974 impeachment trial of President Richard Nixon:

Earlier today, we heard the beginning of the Preamble to the Constitution of the United States, “We, the people.” It is a very eloquent beginning. But when the document was completed on the seventeenth of September 1787 I was not included in that “We, the people.” I felt somehow for many years that George Washington and Alexander Hamilton just left me out by mistake. But through the process of amendment, interpretation and court decision I have finally been included in “We, the people.”

Today, I am an inquisitor; I believe hyperbole would not be fictional and would not overstate the solemnness that I feel right now. My faith in the Constitution is whole, it is complete, it is total. I am not going to sit here and be an idle spectator to the diminution, the subversion, the destruction of the Constitution.

Barbara Jordan believed in the Constitution, and she believed in the power of the processes of government to enact change on behalf of the greater good. Throughout What Do You Do with a Voice Like That?, author Chris Barton uses the power and conviction of Jordan’s voice to demonstrate to readers how Jordan worked within the system to advocate for social justice. Through repetition, sentence variety, and precise word choice, Barton captures Jordan’s transition from studious young woman to tireless champion. Ekua Holmes’ mixed-media collages move from intimate close-ups to panoramic views, constantly shifting and changing perspectives to engage the reader in different portraits of Jordan.

Earliest known draft of VOICE, p. 6

Dr. Thomas Freedman, Barbara Jordan’s Debate Coach at Texas Southern University, Oct. 2, 2015

Barbara Jordan - Political Values and Ethics - Fall 1981

Operating within the Investigate, Explore, and Create Model of the Biography Clearinghouse, we designed teaching ideas geared toward literacy and content area learning as well as opportunities for socio-emotional learning and strengthening community connections using What Do You Do with a Voice Like That?

Create with What Do You Do with a Voice Like That?

Featured here is one of the teaching ideas inspired by What Do You Do with a Voice Like That?

“Making our Own Voices Heard.” Barbara Jordan used her voice and her education to become an advocate for the people around her and ultimately, for the American people, in her role as representative. At the end of his narrative, Barton writes, “...what do we do with a voice like that? We remember it, and we honor it by making our own voices heard” (unpaged). What do your students already advocate for? What changes do they want to see in your community, the nation, or the world? How can they make their voices heard? In this activity, over 1 or 2 days, or 1 or 2 weeks, depending on the time you have available, your students have the opportunity to explore and advocate for their community in the footsteps of Barbara Jordan.

CHECK OUT THE BOOK ENTRIES @

What Do You Do with a Voice Like That?

Otis and Will Discover the Deep

Maritcha: A Nineteenth-Century American Girl

If you have 1-2 hours….	If you have 1-2 days….	If you have 1-2 weeks….
After reading What Do You Do with a Voice Like That?, have students brainstorm the people in your community or in the world today who need a voice like Jordan’s from the Socio-Emotional Learning section above. How can students amplify the voices of those people and help them advocate for their needs as allies?	Have students conduct a video-conference conversation with members of a local or regional organization that advocate for the people and/or issues that your students have identified. Be sure to have students prepare questions in advance; help students to organize their questions by related subtopics.	Working with your school or local public librarian, gather print and digital resources your students can use to conduct more research on the people and/or issue they have identified. Work together to create and implement an action plan, to take your students’ advocacy work out of the classroom and into the community.

By investigating biographers’ research and writing processes and connecting people and historical events to our modern lives, we hope to motivate change in how readers engage with biographies, each other, and the larger world. To see more classroom possibilities and helpful resources connected to What Do You Do with a Voice Like That? The Story of Extraordinary Congresswoman Barbara Jordan, visit the What Do You Do with a Voice Like That? The Story of Extraordinary Congresswoman Barbara Jordan page on The Biography Clearinghouse.

Additionally, we’d love to hear how these interviews and ideas inspired you. Email us at thebiographyclearinghouse@gmail.com with your connections, creations, questions, or comment below if you’re reading this on Twitter or Facebook.

If you are interested in receiving notifications when new content is added to the Biography Clearinghouse, you can sign up for new content notices on our website.

Scott Riley is a middle school instructional coach at Singapore American School where he supports professional learning in and out of classrooms and the debut author of The Floating Field: How a Group of Thai Boys Built Their Own Soccer Field (Millbrook Press 2021).

Mary Ann Cappiello teaches courses in children’s literature and literacy methods at Lesley University, blogs about teaching with children’s literature at The Classroom Bookshelf, a School Library Journal blog, and is a former chair of NCTE’s Orbis Pictus Award for Outstanding Nonfiction K-8.

Teaching Vocabulary Words in Context Using Exemplary Nonfiction Texts

10/20/2020

BY ALLY HAUPTMAN

Why do we teach vocabulary? At its core increasing a student’s vocabulary gives that student power. The power to express ideas, opinions, and feelings. The power to find the right words to persuade, inform, or to bring joy to readers. The power to build knowledge and understand complex concepts across disciplines.

To effectively teach vocabulary and empower our students, teachers must provide rich and varied language experiences, learning experiences that connect words within a context, and opportunities to develop word consciousness (Allen, 2014). Students need opportunities to read, write, and talk in authentic ways. Teachers can model how to use words in context, and immerse students in the language of different disciplines. We need to show students how powerful words are in helping us communicate our ideas. We have to show them how to become “word collectors.” We need to teach vocabulary within context, and intentionally put students in situations where they make connections between words and concepts.

One of the most effective ways for students to make connections and construct meaning is to make sure new vocabulary is presented within a meaningful context. This is where excellent children’s literature comes into play. There are so many brilliantly written non-fiction picture books that can be used to teach vocabulary within a context. With students, I refer to these non-fiction books that are accessible to young readers and use text features in interesting ways, as jazzy non-fiction. Students are drawn to these texts because they make the subject fascinating for readers.

One author whose jazzy nonfiction I often use is Jess Keating. She is an author, artist, and zoologist who creates texts that spark curiosity about animals and women in science. In her World of Weird Animals series, she uses photographs, cartoons, and text features in unique and engaging ways. This is what makes her books so appealing to young readers, but as a teacher I am drawn to the complex vocabulary she uses in her writing. Jess Keating books can be used as mentor texts for writing, sparking a myriad of writing possibilities for students as they begin to see creative ways to write nonfiction. Jess Keating books are perfect for modeling a rich array of metacognitive comprehension strategies like determining importance. Jess Keating books are the best for teaching science concepts and related vocabulary within an authentic context.

Cute As an Axolotl: Discovering the World’s Most Adorable Animals

In this text, Jess Keating and David DeGrand present a combination of stunning animal photographs, cartoon animals, and text features that invite readers to learn about some seriously cute creatures. For each animal, Keating lists facts like species name, size, diet, habitat, predators and threats. She also tells the reader strange, interesting facts that leave you wanting to do more research on these adorable creatures.

Learning Experience Using Cute As an Axolotl
Sorting and Reading to Place Vocabulary Within a Context
(Johns & Bergland, 2002)

Book Cover: Cute as an Axolotl Discovering the World's Most Adorable Animals By Jess Keating

On the first two pages of the book, Keating uses the words axolotl, aquatic, regeneration, predator, gills, species name, habitat, traits, features. Print these words and ask students to cut out each, so they are able to manipulate the words in an open sort.
Students take a pencil and lightly mark how they would rank their knowledge of each word. Asking students to rank their knowledge of the word is an easy way to activate prior knowledge.
Ask students to complete an open sort. They can sort the word cards in any way that makes sense to them. I have seen students sort alphabetically and by number of syllables in a word during their first sort. Many students sort the words by words they know or have never heard. Other students begin sorting by their conception of how the words are related. There are no wrong answers!
Students turn and talk with a partner to explain their sorts. This is where the magic happens! Students are sharing ideas about each word and learning from each other. I often see students re-sorting words during their conversations with partners as they refine their thinking together. The more they interact with words and have to make decisions about them, the words become closer to being “owned” than “rented” (Gillis, 2014).
Ask students to justify their sort in writing in their notebook. This makes thinking visible and gives the teacher a quick check of their current knowledge of the vocabulary.
Place the vocabulary within the context of a Jess Keating book! Read the first page of Cute As an Axolotl. After reading, quickly discuss each word that was on their cards that appeared in the text.
Re-sort based on what students now know about the words after hearing them within the context of Cute As an Axolotl. Explain the sort to a partner and then write the justification for their resort in their notebooks.

More Jess Keating Books to Consider

Pink Is For Blobfish
Discovering the
Book Cover: World's Perfectly Pink Animals By Jess Keating

Book Cover:
Eat Your Rocks, Croc!: Dr. Glider's Advice for Troubled Animals
Written by Jess Keating

The World of Weird Animals Series (illustrated by David DeGrand)

Pink is for Blobfish: Discovering the World’s Perfectly Pink Animals
What Makes a Monster?: Discovering the World’s Scariest Creature
Gross as a Snot Otter: Discovering the World’s Most Disgusting Animals

Other Books

Eat Your Rocks, Croc!: Dr. Glider’s Advice for Troubled Animals, illustrated by Pete Oswald
Ocean Speaks: How Marie Tharp Revealed the Ocean’s Biggest Secret, illustrated by Katie Hickey
Shark Lady: The True Story of how Eugenie Clark Become the Ocean’s Most Fearless Scientist, illustrated by Marta Álvarez Miguėns

References

Allen, J. (2014). Tools for teaching academic vocabulary. Portland, ME: Stenhouse.

Berglund, R. & Johns, J. (2002). Strategies for content area learning: Vocabulary, comprehension, and
response. Dubuque, IA: Kendall-Hunt.

Gillis, V. (2014). Talking the talk: Vocabulary instruction across the disciplines (or what to do instead).
Journal of Adolescent and Adult Learning, 58(4), 281-287.

Ally Hauptman is a CLA Board Member and is the Chair of the Ways and Means Committee. She is an associate professor at Lipscomb University in Nashville, TN.

The Lived Experience: Creating and Sequencing Text Sets to Build Background Knowledge

9/8/2020

BY LIZ THACKERAY NELSON & MARGARET OSGOOD OPATZ

Diagram illustrating how to scaffold texts starting with texts closest to students' lived experiences and moving farther out.

As former teachers, we are familiar with our students’ common refrain: “What does this book have to do with me?” Helping our students connect to what we teach in meaningful ways increases motivation, engagement, and overall learning (Guthrie & Wigfield, 2000). In this blog post we want to explore how creating and sequencing text sets to foster student background knowledge helps students make meaningful connections and increases reading engagement.

The importance of readers’ background knowledge has been acknowledged for decades (Anderson, Reynolds, Schallert, & Goetz, 1977; Cunningham & Stanovich, 1998; Reynolds, Taylor, Steffensen, Shirley, & Anderson, 1982), yet in schools throughout our country readers are placed in texts that are decontextualized and reflect a lived experience very different from their own, making it challenging to construct meaning from the text and ultimately learn from it (Fleming, Catapano, Thompson, & Ruvalcaba Carrillo, 2015). This is particularly true when it comes to the informational content presented in science. To support readers in comprehending and learning from texts, teachers can reshape the curriculum by beginning with students’ lived experiences in mind. Reshaping the curriculum includes the use of high-quality literature sequenced in a way that begins with familiar content and contexts and then moves further from students’ lived experiences to the expected or mainstream curriculum.

Learning about Animal Adaptations in an Urban Setting

For example, when addressing science standards to teach about how animals adapt to their environment, many units of study focus on exotic animals such as those found in the Amazon Rainforest, the Serengeti, or Australian Outback--using texts such as I See a Kookaburra! (Jenkins & Page, 2005) , Biggest, Strongest, Fastest (Jenkins, 1997), or What Do You Do With a Tail Like This? (Jenkins & Page, 2008). While it certainly isn’t bad to teach about exotic animals and their unique ecosystems, to help students first understand how animals function in their unique habitat, it can be beneficial to begin with animals that are closer to students’ lived experiences. Therefore, before moving to texts that showcase exotic animals, we suggest using texts such as Please, Puppy, Please (Lee & Lee, 2005), Animal Babies in Towns and Cities (Kingfisher, 2005), City Critters: Wildlife in the Urban Jungle (Read, 2012), or Urban Roosts: Where Birds Nest in the City (Bash, 1992). These texts allow you to focus on animals that students who live in urban settings can observe in their own environment.

Imagine students reading Urban Roosts: Where Birds Nest in the City (Bash, 1992), a book which illustrates several urban locations where birds live and nest (e.g., in a storefront light, under the awning of a building, on a statue that stands on a street corner, in a stoplight). Then, as students walk outside of their school building (or their homes if they are learning online right now), they start to notice the birds that roost on the building’s exterior doorways, creating firsthand experiences of animals adapting to their environments, and opportunities to talk about scientific content beyond the school texts and science class. When meeting as a class again, students discuss how the birds have adapted to and thrive in the urban environment. By situating school texts in familiar contexts, students are able to build background knowledge before being expected to grasp concepts in faraway, unfamiliar places. Because we live in an urban area, we would sequence our animal adaptation text set like this:

Diagram listing a sequencing example for texts on animal adaptations

Based on the area where you live, you may want to change the order of the texts. For example, salamanders are very common in some parts of the United States, so teachers in that area may want to move Salamanders by Molly Kolpin closer to the beginning of the text set.

Explanation of Text Sequence

Creating & Sequencing Your Own Text Set

To create and sequence text sets that begin with students' lived experiences and progress outward, we propose 5 steps:

STEP 1:

Determine the standards, learning goals, and outcomes for an instructional unit.

STEP 2:

Begin with your curriculum to integrate content.

Select your topic of area of focus for the unit.

STEP 3:

Determine areas of the curriculum or unit that require additional resources for students to build conceptual knowledge.

STEP 4:

Gather texts based on the topic.

Use various resources to find high-quality literature:

STEP 5:

Use texts to build a bridge between students' lived experiences and the school curriculum.

With your students in mind, determine the books that are closest/furthest to your students' lived experiences.
Go through the process of sequencing texts from closest to furthest from your students' lived experiences.
Evaluate how each book fits into the development of knowledge throughout the unit.

References

Anderson, R. C., Reynolds, R. E., Schallert, D. L., & Goetz, E. T. (1977). Frameworks for comprehending discourse. American Educational Research Journal, 14(4), 367-381.

Cunningham, A. E., & Stanovich, K. E. (1998). What reading does for the mind. American Educator, 22, 8-17.

Fleming, J., Catapano, S., Thompson, C. M., & Ruvalcaba Carrillo, S. (2015). More mirrors in the classroom: Using urban children’s literature to increase literacy. Lanham, MD: Rowman & Littlefield.

Guthrie, J.T., & Wigfield, A. (2000). Engagement and motivation in reading. In M.L. Kamil, P.B. Mosenthal, P.D. Pearson, & R. Barr (Eds.), Handbook of reading research: Volume III (pp. 403-422). New York: Erlbaum.

Reynolds, R.E., Taylor, M.A., Steffensen, M.S., Shirey, L.L., & Anderson, R.C. (1982). Cultural schemata and reading comprehension. Reading Research Quarterly, 353-366.

Liz Thackeray Nelson is a doctoral student at the University of Utah in Educational Psychology. Her research interests include writing, multiliteracies, and children's literature. She is currently serving as the chair for the CLA Membership Committee.

Margaret Osgood Opatz is a doctoral student at the University of Utah in Educational Psychology. Her studies include reading, literacy, and linguistics. She is a past recipient of the CLA Bonnie Campbell Hill National Literacy Leader Award.

The CLA Blog

BY WENDY STEPHENS

BY SCOTT RILEY AND MARY ANN CAPPIELLO, ON BEHALF OF THE BIOGRAPHY CLEARINGHOUSE

Create with What Do You Do with a Voice Like That?

CHECK OUT THE BOOK ENTRIES @

BY ALLY HAUPTMAN

Cute As an Axolotl: Discovering the World’s Most Adorable Animals

Learning Experience Using Cute As an AxolotlSorting and Reading to Place Vocabulary Within a Context (Johns & Bergland, 2002)

More Jess Keating Books to Consider

BY LIZ THACKERAY NELSON & MARGARET OSGOOD OPATZ

Explanation of Text Sequence

Creating & Sequencing Your Own Text Set

STEP 1:

STEP 2:

STEP 3:

STEP 4:

STEP 5:

References

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Learning Experience Using Cute As an Axolotl
Sorting and Reading to Place Vocabulary Within a Context
(Johns & Bergland, 2002)

Authors:
CLA Members