The Children’s Literature Assembly (CLA) has sponsored a Master Class at the annual NCTE Convention since 1994. This guaranteed session provides K-12 teachers and teacher educators with the opportunity to gain insight about the use of children’s literature through interactions with leading scholars, authors, and illustrators in the field. In 2023 at our 30th Annual session, we debuted our new name: the Expert Class.
 
In collaboration with The Biography Clearinghouse, an affiliated project of The Children’s Literature Assembly, the 31st annual Expert Class, “Exploring Heart & Hope with Biographies,” showcases the many ways in which picturebook biographies can be used across the curriculum for a range of purposes. This is an exciting opportunity to expand engagement with biographies as well as increase participants' biography related repertoire in their classrooms.  
 
The concept of “a biography clearinghouse” began at the 2018 NCTE convention in Houston, when author Barb Rosenstock asked what could be done to go beyond genre study and elevate the role of biography in classrooms across the curriculum. Ideas began to percolate amongst Barb, former members of NCTE’s Orbis Pictus Committee, and fellow author Tonya Bolden, and while sheltering at home at the height of the COVID-19 pandemic, the team created “The Biography Clearinghouse.” Readers of the CLA blog may already be familiar with the work that appeared here 2020-2023.

The Biography Clearinghouse believes that:

• High-quality, well-written biographies are multidimensional and multi-layered. As students explore the ways in which the book operates, and the decisions the author and illustrator made, they also use the biographies as vehicles for learning about the world.
• Because of the increasing diversity of subjects, biographies are one of our best tools for diversifying the curriculum K-8.
• Biographies can infuse the language arts, science, social studies, math, and integrated arts curriculum with models of agency and perseverance.

 
To help facilitate this work in K-8 classrooms, the Clearinghouse created a three-part framework: Investigate, Explore, and Create.

This year’s class provides a unique opportunity for rich discussions about and experiences with picturebook biographies. After an initial introduction to the Investigate-Explore-Create framework, participants will rotate between four roundtables to experience activities and conversations rooted in each component. At one table, Barb Rosenstock and Scott Riley will focus on “Investigate,” and engage in conversation about the process of researching and writing biographies. Participants will “Explore” content and disciplinary thinking with Amina Chaudhri at one table and socio-emotional learning with Jenn Graff at another. At the fourth roundtable, Erika Thulin Dawes will engage attendees in the final part of the framework, “Create.”
 
We’ll conclude the session by sharing a Library Thing database of over 350 picturebook biographies (with tags)! This process will allow attendees to engage in dialogue about the power of biography and consider new ways to conceptualize how to bring the genre into their classes with more heart and hope. Everyone will leave the 2024 Expert Class filled with the wonder of biographies and ideas for new opportunities to bring biographies into the lives of children and tweens.
 
We are excited to share this biography party with you!  While building connections and learning together, we’ll share some vegan and gluten-free snacks (it’s late afternoon, and everyone might be a bit peckish). The Expert Class will close with the awarding of biography-based door prizes to bring home along with your new ideas and expertise.

For 27 years dedicated members of the Children’s Literature Assembly have served on the seven-member committee tasked with selecting 30 Notable Children’s Books in the Language Arts (NCBLA). While enthusiastic summaries of each title on the annual NCBLA list have been a highlight for readers of the Journal of Children’s Literature and Language Arts as well as for session attendees at the annual National Council of Teachers of English conference and Tucson Festival of Books, in coming months the instructional possibilities of selected NCBLA titles will now regularly feature on this blog. 

To launch this resource alongside the announcement of the 2024 NCBLA list, three current members Fran Wilson, a second-grade teacher in Madeira, Ohio and the 2024 NCBLA Chair, Patrick Andrus, a fourth-grade teacher in Eden Prairie, Minnesota and the 2025 NCBLA Chair, and Laura Hudock, an assistant professor of literacy and children’s literature at Framingham State University wish to pull back the so-called curtain to shed light on the selection process.

All titles on the annual NCBLA list are works of fiction, nonfiction, and poetry penned for children in grades K-8 and published in the previous calendar year. These selected children’s books have to exemplify additional criteria, including

• have an appealing format*;
• be of enduring quality;
• meet generally accepted criteria of quality for the genre in which they are written; and 
• meet one or more of the following criteria:
  • deal explicitly with language, such as plays on words, word origins, or the history of language;
  • demonstrate uniqueness in the use of language or style; and/or
  • invite child response or participation*.

With these criteria foremost on NCBLA committee members’ minds, we individually read and evaluate and then collaboratively vet each prospective book. 

The exemplary children’s books named to each NCBLA list are high-quality texts that promote language arts and offer a range of literacy-related instructional possibilities. For example,

When researching the Mercury 13, Tanya Lee Stone used an array of multimodal primary and secondary sources, which are listed at the back of the book. The book itself includes many photographs, descriptions of images and events, and transcripts of interactions that reproduce or explicitly reference those sources. In our entry on Almost Astronauts at The Biography Clearinghouse you will find a curated list of multimodal resources to open up the world of the book for classroom communities and support an immersive, multimodal engagement with it.  

In this recommendation, students have the opportunity to engage in their own biography research and experiment with biography composition through a multimodal, multigenre approach.    ​

Bateman, N., & Ross, M. (2020, October 14). Why has COVID-19 been especially harmful for working women? Brookings Institute Essays. https://www.brookings.edu/essay/why-has-covid-19-been-especially-harmful-for-working-women/

Harper, L. (1997). The writer’s toolbox: Five tools for active revision instruction. Language Arts, 74(3), 193–200.​

​
Aside from the award winners, each year annual ALSC Children's Notable Lists are produced in categories for Notable Children's Recordings, Notable Children's Digital Media, and Notable Children's Books. If you want to see the machinations behind the designation, those discussions are open to the public this year via virtual meeting links.

Outside of ALSC, many of ALA’s affiliates have their own honors for children's literature. These include the Ethnic and Multicultural Information Exchange Round Table (EMIERT) which sponsors the Coretta Scott King Book Awards; the Association of Jewish Libraries which sponsors the Sydney Taylor Book Awards; and REFORMA: The National Association to Promote Library and Information Services to Latinos and the Spanish-Speaking which sponsors the Pura Belpré awards. In addition to these affiliates, others such as the Asian/Pacific American Librarian Association and the American Indian Library Association also present awards. 

The awards are always evolving to reflect the abundance of literature available for young people. Like the Association of Jewish Libraries and the Asian/Pacific American Librarian Association awards, the American Indian Youth Literature Awards were first added to the televised YMA event in 2018. And this year was the first year for inclusion for a new Young Adult category for the Pura Belpré. 

Two awards of particular significance are the Stonewall Book Award – Mike Morgan and Larry Romans Children’s and Young Adult Literature Awards are given annually to English-language works found to be of exceptional merit for children or teens relating to the gay, lesbian, bisexual and transgender experience, and the Schneider Family Book Awards, honoring authors or illustrators for the artistic expression of the disability experience for child and adolescent audiences, with recipients in three categories: younger children, middle grades, and teens.

​​The Notable Children’s Books in Language Arts Committee (NCBLA), reads, reviews, and discusses over 400 books of various genres written for K-8 children each year. These works of poetry and prose are analyzed using the charge of the committee that asks in making the selection of the top thirty texts the seven committee members consider:
        1. Appealing format,
        2. Enduring quality,
        3. Exemplary quality for their genre, and
        4. Meeting one or more of the following:
                a. Use of language: play on words, word origins, history of language
                b. Uniqueness in use of language or style
                c. Invitation of child response or engagement
This post focuses on two of the texts from the 2020 Notables List that might be seen through the lens of a progression from small to large. Although The Magic of Letters (2019) and Small World (2019) are very different books, they can be used to invite readers to imagine, play, and wonder.

​​Teaching Tips

Both of these books invite readers to engage in exploration and discussion through multiple reads due to their rich vocabulary and use of language. Teachers can easily deepen and extend the texts through a variety of activities.

Using the illustrative style of The Magic of Letters, children could repurpose magazines and catalogues to cut out letters and words as sources for creating new words and sentences. As they pore over the texts, they could look for familiar and known letters and words, providing opportunities for practice in letter and word recognition before assembling them in a collage. Children could use crayon resist to create magic letters of their very own, or even play roll and write to create sentences from familiar and new words. These activities reflect the rich and playful nature of the text.

Small World is a text that envelopes the reader in the world of STEAM (Science, Technology, Engineering, Art, and Math). The rich vocabulary begs teachers to consider connections to geometry, snow science, and roller coasters. With consideration of Nanda’s career as an astronaut, students might watch this video about women astronauts, or think about materials they might need for a trip to the moon. This book also holds opportunities for rich discussion with questions such as:

• In what ways is the world large? In what ways is it small?
• What do the pictures in this book tell you? (without reading the book first to focus on inferencing)
• How has your perception of the world changed as you have grown up?
• In what ways did Nanda’s world change as she grew up? How does she see the world differently towards the end of the book as compared to the beginning?
• Why do you think Nanda’s perception of the world changed throughout the book? Can you relate to this?

Children might write or draw with consideration of the ways in which their world has expanded outward from their welcome into the world, to their current context, and even the possibilities of where they might like to be in the future.

Often, when we begin a read-aloud we skip to the beginning of the narrative and stop at the end, but creators of contemporary biographies share exceptional amounts of information in the peritextual elements, or everything in the book which is not the actual narrative. Instead of stopping your read-aloud at the end of the narrative, share some of the information included in the back matter such as authors’ and illustrators’ personal connections to the content, where they sourced research materials, and their creative processes. For example, in Planting Stories: The Life of Librarian and Storyteller Pura Belpré (Denise & Escobar, 2019), Denise provides descriptions of books by Pura Belpré, as well as films, books, and collections about Pura Belpré for further study. Similarly, in A Place to Land: Martin Luther King, Jr. and the Speech that Inspired a Nation, Barry Wittenstein and Jerry Pinkney (2019) provide notes expanding upon their decisions, short biographies about other civil rights leaders, along with sources and a bibliography. Biography creators also include additional content through the book jacket, endpapers, and their dedications. Sometimes, the back matter or other peritextual features might be more text-heavy or smaller in size than the narrative. We suggest projecting these features or displaying them on an interactive whiteboard so that these peritextual features can be explored and discussed collectively. When we only read aloud the primary narrative, we miss out on information that contextualizes the biography, describes the creative process, and inspires readers to search out additional sources.

Biographers don’t just share events with readers, they share the essence of a person’s life. After you read a biography aloud, reread the book like a writer and examine how the authors’ word choices shape your understandings of a person, place, or event. In Fight of the Century: Alice Paul Battles Woodrow Wilson for the Vote (Rosenstock & Green, 2020), for example, Rosenstock structures her biography as a boxing match between Alice Paul and Woodrow Wilson. By portraying major events as rounds and including commentary from fight announcers (e.g., “This fight determines whether the women of the United States can vote, folks!”), readers experience how progress is often a battle of wills and experience what a fighter Alice Paul was. Additionally, Nelson’s use of western idioms (e.g., “plain as the ears on a mule” and “fit like made-to-measure boots”) in Let ‘er Buck!: George Fletcher, the People’s Champion (Nelson & James, 2019), drops the reader into the cowboy language and culture of Pendleton, Oregon. Through similes and energetic descriptions of bull riding, we experience how Fletcher was discriminated against and, yet, became a hometown hero. Biographers’ language choices provide us with new ways of looking at historical events, embed us in particular moments of time, and supply inspiration for our own writing processes.

Denise, A. A., & Escobar, P. (2019). Planting stories: The life of librarian and storyteller Pura Belpré. HarperCollins.
Maclear, K., & Morstad, J. (2019). It began with a page: How Gyo Fujikawa drew the way. HarperCollins.
Nelson, V. M., & James, G. C. (2019). Let ‘er buck!: George Fletcher, the people’s champion. Carolrhoda Books.
Rosenstock, B., & Green, S. (2020). Fight of the century: Alice Paul battles Woodrow Wilson for the vote. Calkins Creek.
Weiden, D. H. W., Yellowtail, J., & Kinsella, P. (2019). Spotted tail. Reycraft Books.
Wittenstein, B. & Pinkney, J. (2019). A place to land: Martin Luther King Jr. and the speech that inspired a nation. Neal Porter Books