The Children’s Literature Assembly (CLA) has sponsored a Master Class at the annual NCTE Convention since 1994. This guaranteed session provides K-12 teachers and teacher educators with the opportunity to gain insight about the use of children’s literature through interactions with leading scholars, authors, and illustrators in the field. In 2023 at our 30th Annual session, we debuted our new name: the Expert Class.
 
In collaboration with The Biography Clearinghouse, an affiliated project of The Children’s Literature Assembly, the 31st annual Expert Class, “Exploring Heart & Hope with Biographies,” showcases the many ways in which picturebook biographies can be used across the curriculum for a range of purposes. This is an exciting opportunity to expand engagement with biographies as well as increase participants' biography related repertoire in their classrooms.  
 
The concept of “a biography clearinghouse” began at the 2018 NCTE convention in Houston, when author Barb Rosenstock asked what could be done to go beyond genre study and elevate the role of biography in classrooms across the curriculum. Ideas began to percolate amongst Barb, former members of NCTE’s Orbis Pictus Committee, and fellow author Tonya Bolden, and while sheltering at home at the height of the COVID-19 pandemic, the team created “The Biography Clearinghouse.” Readers of the CLA blog may already be familiar with the work that appeared here 2020-2023.

The Biography Clearinghouse believes that:

• High-quality, well-written biographies are multidimensional and multi-layered. As students explore the ways in which the book operates, and the decisions the author and illustrator made, they also use the biographies as vehicles for learning about the world.
• Because of the increasing diversity of subjects, biographies are one of our best tools for diversifying the curriculum K-8.
• Biographies can infuse the language arts, science, social studies, math, and integrated arts curriculum with models of agency and perseverance.

 
To help facilitate this work in K-8 classrooms, the Clearinghouse created a three-part framework: Investigate, Explore, and Create.

This year’s class provides a unique opportunity for rich discussions about and experiences with picturebook biographies. After an initial introduction to the Investigate-Explore-Create framework, participants will rotate between four roundtables to experience activities and conversations rooted in each component. At one table, Barb Rosenstock and Scott Riley will focus on “Investigate,” and engage in conversation about the process of researching and writing biographies. Participants will “Explore” content and disciplinary thinking with Amina Chaudhri at one table and socio-emotional learning with Jenn Graff at another. At the fourth roundtable, Erika Thulin Dawes will engage attendees in the final part of the framework, “Create.”
 
We’ll conclude the session by sharing a Library Thing database of over 350 picturebook biographies (with tags)! This process will allow attendees to engage in dialogue about the power of biography and consider new ways to conceptualize how to bring the genre into their classes with more heart and hope. Everyone will leave the 2024 Expert Class filled with the wonder of biographies and ideas for new opportunities to bring biographies into the lives of children and tweens.
 
We are excited to share this biography party with you!  While building connections and learning together, we’ll share some vegan and gluten-free snacks (it’s late afternoon, and everyone might be a bit peckish). The Expert Class will close with the awarding of biography-based door prizes to bring home along with your new ideas and expertise.

For 27 years dedicated members of the Children’s Literature Assembly have served on the seven-member committee tasked with selecting 30 Notable Children’s Books in the Language Arts (NCBLA). While enthusiastic summaries of each title on the annual NCBLA list have been a highlight for readers of the Journal of Children’s Literature and Language Arts as well as for session attendees at the annual National Council of Teachers of English conference and Tucson Festival of Books, in coming months the instructional possibilities of selected NCBLA titles will now regularly feature on this blog. 

To launch this resource alongside the announcement of the 2024 NCBLA list, three current members Fran Wilson, a second-grade teacher in Madeira, Ohio and the 2024 NCBLA Chair, Patrick Andrus, a fourth-grade teacher in Eden Prairie, Minnesota and the 2025 NCBLA Chair, and Laura Hudock, an assistant professor of literacy and children’s literature at Framingham State University wish to pull back the so-called curtain to shed light on the selection process.

All titles on the annual NCBLA list are works of fiction, nonfiction, and poetry penned for children in grades K-8 and published in the previous calendar year. These selected children’s books have to exemplify additional criteria, including

• have an appealing format*;
• be of enduring quality;
• meet generally accepted criteria of quality for the genre in which they are written; and 
• meet one or more of the following criteria:
  • deal explicitly with language, such as plays on words, word origins, or the history of language;
  • demonstrate uniqueness in the use of language or style; and/or
  • invite child response or participation*.

With these criteria foremost on NCBLA committee members’ minds, we individually read and evaluate and then collaboratively vet each prospective book. 

The exemplary children’s books named to each NCBLA list are high-quality texts that promote language arts and offer a range of literacy-related instructional possibilities. For example,

We invite you to join us for our annual Children’s Literature Assembly Breakfast at the 2022 NCTE Convention featuring the award-winning author-illustrator Jerry Craft! Our breakfast is on Sunday November 20th, starting at 7am (PST) and takes place in Ballroom D at the Anaheim Convention Center.

The CLA breakfast is not to be missed! As you have seen in other blog posts, we will present awards, have an art auction and book raffle, and then Jerry Craft will speak and sign books afterwards! You need a ticket to the CLA Breakfast to attend. If you have already registered for the NCTE conference, but would like to purchase a ticket to the breakfast, the easiest way to do this is to call NCTE directly at (877) 369-6283.

​First, it is important to establish what constitutes notable verse novels for children. Our committee’s definition is:

• A narrative told predominantly in poetic forms, with strong poetic elements.
• The poetry forms and elements are integral to the telling of the story.
• Excellence in writing and emotional impact. We ask: does the poetry "create images, express feelings, and stir emotions" (Cullinan, Liang, and Galda, 2016)?
  

We look for purposeful and aesthetic uses of such poetic elements as metaphor and other figurative language, pattern, imagery, and evocative word choice. Verse novels often use free verse, but might also include other poetic forms, such as rhyming couplets, enjambment, concrete poems, personification, and rhythms that represent the voice of strong characters. 

The verse novels I present in this blog post certainly meet these criteria to heighten each protagonist’s encounter with adversity. An example is from Samira Surfs. Samira, her older brother, Khaled, and their parents are now living as unwanted refugees in Bangladesh, after escaping religious persecution in Burma (now called Myanmar). 

This excerpt expresses the power of poetry to convey this harrowing experience. Guidroz uses onomatopoeia, personification, strong imagery and word choice, metaphor, line breaks and stanzas to "create images, express feelings, and stir emotions.” 

​This book invites so many analytic and creative responses that will heighten students’ intentions for social justice. Here are some suggestions:
​

1. The teacher might photocopy each poem across the novel that describe the family’s escape from Burma. Reading across these poems, students then might bullet information they learned about Samira’s family’s life in Burma. This would create lively discussion. The teacher might then photocopy the first excerpt of the Author’s Note that explains this refugee crisis (page 404 to top of page 405). Students might then revise and elaborate their thinking.
2. The teacher might photocopy some poems that describe conditions that Samira and her family face as unwanted refugees in Bangladesh and do similar comparative work with the excerpt of the Author’s Note that describes these conditions (middle of page 405 to middle of page 406).
3. Similarly, the teacher might photocopy poems that describe Khaled, Samir and her friends learning to surf. Students might synthesize what they learned about surfing across these poems. They then might research the real-life empowerment of girls who learned to surf at Cox’s Bazar (the setting of this novel) using an online site such as The Surfer Girls of Cox’s Bazar. 
   

Here I turn to The Vulnerable Heart of Literacy (Dutro, 2019) for guidance. After reading this and other poems in the novel that focus on Amma’s illness, teachers might open invitations for students to share and write their own entries of times that they faced fear of illness or injury or hospitalization for themselves or loved ones that would open the vulnerable heart of literacy in the class community. These kinds of invitations are also possible for poems that describe the traumatic situations in Samira Surfs and The Lost Language. By making our classrooms sites of testimony and critical witness, we create “literacies of connection, of love, and of respect for the knowledge that comes from pain, from struggle, and toward the power of bringing that knowledge to learning” (p. 113).

Books transport us into new places and sometimes take us out of the craziness of the world. This was one of those years where we experienced unexpected challenges. I led this committee as we navigated some of the real challenges of the pandemic. To be perfectly honest, in September when we didn’t have the normal number of books, I panicked. 

I am truly thankful for this thoughtful committee that continually encouraged me to keep going as I contacted publishers in hopes of obtaining more physical copies of books. Many publishers returned from turbulent times and physical copies of books were difficult to obtain. However, as a committee member, it’s just easier to dig deeper with a text when you have a physical copy in front of you. Thankfully, publishers started returning to sending physical copies of books at the end of January and in February. We continue to be so thankful for the support many publishers extended to us as they worked diligently to send our committee books. However, that meant, that we had to read on a rigorous schedule and we often had to meet more than twice a month in order to have critical conversations around the literature. 

Here’s a figure that highlights our process as a committee:​

​
Aside from the award winners, each year annual ALSC Children's Notable Lists are produced in categories for Notable Children's Recordings, Notable Children's Digital Media, and Notable Children's Books. If you want to see the machinations behind the designation, those discussions are open to the public this year via virtual meeting links.

Outside of ALSC, many of ALA’s affiliates have their own honors for children's literature. These include the Ethnic and Multicultural Information Exchange Round Table (EMIERT) which sponsors the Coretta Scott King Book Awards; the Association of Jewish Libraries which sponsors the Sydney Taylor Book Awards; and REFORMA: The National Association to Promote Library and Information Services to Latinos and the Spanish-Speaking which sponsors the Pura Belpré awards. In addition to these affiliates, others such as the Asian/Pacific American Librarian Association and the American Indian Library Association also present awards. 

The awards are always evolving to reflect the abundance of literature available for young people. Like the Association of Jewish Libraries and the Asian/Pacific American Librarian Association awards, the American Indian Youth Literature Awards were first added to the televised YMA event in 2018. And this year was the first year for inclusion for a new Young Adult category for the Pura Belpré. 

Two awards of particular significance are the Stonewall Book Award – Mike Morgan and Larry Romans Children’s and Young Adult Literature Awards are given annually to English-language works found to be of exceptional merit for children or teens relating to the gay, lesbian, bisexual and transgender experience, and the Schneider Family Book Awards, honoring authors or illustrators for the artistic expression of the disability experience for child and adolescent audiences, with recipients in three categories: younger children, middle grades, and teens.

Teachers have been thinking about how to incorporate mindfulness into the elementary school classroom for a bit now. During the fall semester, I completed a study about how children’s picture books that featured mindfulness affected preservice teachers’ mindfulness and how they were thinking about incorporating mindfulness into their classrooms.

And the recent global pandemic has only underscored the importance of having children’s picture books that feature mindfulness. We, as parents, teachers, and teacher educators, need them for ourselves. And we need them for our students.

In this post, I share a few contemporary picture books that feature mindfulness elements, and include electronic resources that complement each book - perfect during this time of remote learning. It is my hope that these titles might help us all get through these trying times and propel us into a more mindful approach to what normal looks like on the other side of all this.

Reference

Shapiro, S. L. Carlson, L. E., Astin, J.A., & Freedman, B. (2006). Mechanisms of mindfulness.
Journal of Clinical Psychology, 62(3), 373-388.