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The CLA Blog

#MeetSomeoneNewMonday: One Teacher’s Year-Long Celebration of Picturebook Biographies

5/3/2022

 

By Mary Ann Cappiello, Jennifer M. Graff and Melissa Quimby on behalf of The Biography Clearinghouse

The Biography Clearinghouse Logo
Over the last two years, we’ve enjoyed sharing excerpts from The Biography Clearinghouse website. We hope that our interviews with book creators and our teaching ideas focused on using biographies for a variety of classroom purposes has been helpful to the CLA membership and beyond. This month, we’re very excited to share something different - a voice directly from the classroom.  

Melissa Quimby, a 4th grade teacher in Massachusetts, has written the inaugural entry in our new feature “Stories from the Classroom.” Melissa is the genius behind #MeetSomeoneNewMonday, a weekly initiative that has spread from her classroom to her grade level team to an entirely different school in just three years. 

This initiative launched when Melissa decided to share her passion for picturebook biographies with her students through interactive read-alouds. They were hooked! As Melissa writes, “Over time, I molded this project in intentional ways, and it evolved into an adventure that focused on identity, centered marginalized and minoritized communities, and cultivated thoughtful, strategic middle grade readers.” What started as a way to share nonfiction picturebooks as an engaging and compelling art form developed into a more nuanced exploration of global changemakers–past and present. With their weekly reading of picturebook biographies, students grow as readers and thinkers and deepen their individual and collective sense of agency. 

In the following excerpts, Melissa describes how she reveals each week’s notable changemaker to her students and shares some of her picturebook biography selections.

Monday Read-Aloud Routines

Reveal Slide ExampleReveal Slide Example
On Monday mornings, we gather together as a reading community. In an effort to build excitement, our reveal slide is projected on the board as students arrive. Some weeks, copies of the backmatter wait on the rug, inviting students to preview the figure of the week. This could be the author’s note, a timeline, or a collection of real-life photographs. Once all readers are settled, we watch a video to learn a little bit about the person in the spotlight. 

Some weeks, interactive read aloud time happens on Monday morning immediately following the reveal. On some Mondays, it works best for us to huddle up in the afternoon. Occasionally, we steal pockets of time throughout our busy schedule to enjoy the biography of the week in smaller doses. When we read the text is not as important as how we read the text. The heart of this work truly lies in how we generate emotional investment within our students and how we help our students’ reactions and ideas blossom into new thinking about the world and ways that they can take action in their own lives for themselves and others. Sometimes, we simply read the biography to love it. In those moments, readers are silent with their eyes glued to the book, scanning the illustrations, wide-eyed when something surprising happens. Perhaps they whisper something to their neighbor, let out an audible gasp or share a comment aloud. Sometimes, we read to grow ideas. In these moments, readers are tracking trouble, considering how the figure responds to obstacles. They are ready to turn to their partner and reach for a precise trait word or theme and supporting evidence.

Meet Someone New Monday: A Sampling of Picture Book Biography Selections

Patricia's Vision Cover
Fauja Singh Keeps Going cover
The floating field cover
Between the Lines cover
The Crayon Man cover
The Oldest Student Cover
To read more about #MeetSomeoneNewMonday, including Melissa planning process with her grade level team and student responses, visit Stories from the Classroom on The Biography Clearinghouse website

You can also reach out to Melissa through her website (QUIMBYnotRamona) or Twitter (@QUIMBYnotRamona) to discuss how to implement #MeetSomeoneNew initiative in your classroom or school.

Inspired by Melissa’s picturebook biography initiative or done something similar? Share your ideas and stories with us via email: thebiographyclearinghouse@gmail.com. Or, chime in on Twitter (@teachwithbios), Facebook, or Instagram with your own #teachwithbios ideas and picturebook biography recommendations. 

Melissa Quimby teaches fourth grade in Massachusetts. She is passionate about helping young writers improve their craft, and her to-be-read list is always stacked with middle grade fiction. Melissa shares her love of children’s literature on Teachers Books Readers and shares about her literacy instruction with the Choice Literacy community. You can connect with her at her website, QUIMBYnotRamona, or follow her on Twitter @QUIMBYnotRamona.


Mary Ann Cappiello teaches courses in children’s literature and literacy methods at Lesley University, blogs about teaching with children’s literature at The Classroom Bookshelf. She is a former chair of NCTE’s Orbis Pictus Award for Outstanding Nonfiction K-8.

Jennifer M. Graff is an Associate Professor in the Department of Language and Literacy Education at the University of Georgia where her scholarship focuses on diverse children’s literature and early childhood literacy practices. She is a former committee member of NCTE’s Orbis Pictus Award for Outstanding Nonfiction K-8, and has served in multiple leadership roles throughout her 16+ year CLA membership. 

Midwinter Book Awards Beyond Newbery and Caldecott- Part I: Children's Books

2/9/2021

 

BY WENDY STEPHENS

Editorial Note:
This post is the first in a 2-part series by Wendy Stephens discussing the rich landscape of book awards announced over the winter months. In this first post, Wendy focuses on ALSC awards and awards by ALA affiliates recognizing books for children or books for a wide spectrum of age groups. The second post, which will be published next week, will present awards for YA literature administered by YALSA, as well as several other notable awards.
When we talk about budgeting for materials, I always advise my school librarian candidates to be sure to save some funding for January. No matter how good their ongoing collection development has been throughout the year, there are always some surprises when the American Library Association's Youth Media Awards (YMAs) roll around, and they'll want to be able to share the latest and best in children's literature with their readers. These are the books that will keep their collections up-to-date and relevant. 

From our own childhoods, we always remember the "books with the medals" -- particularly the John Newbery for the most outstanding contribution to children's literature and the Randolph Caldecott for the most distinguished American picture book for children. These books become must-buys and remain touchstones for young readers. In 2021, Newbery is celebrating its one hundredth year. Some past winners and honor books are very much a product of their time, and many of those once held in high esteem lack appeal today. 

For those of us working with children and with children's literature, the new books honored at Midwinter offer opportunities to revisit curriculum, update mentor texts, and build Lesesneian "reading ladders." Each award committee has its own particular award criteria and guidelines for eligibility, and its own process and confidentiality norms.

Every year, the YMAs seems to be peppered with small surprises. Does New Kid winning the Newbery means graphic novels are finally canonical? Is Neil Gaiman an American? What about all the 2015 Caldecott honors, including the controversial That One Summer? Did the Newbery designation of The Last Stop on Market Street mean you can validate using picture books with older students? How does Cozbi A. Cabrera's much-honored art work resonate at this historical moment?

​
In Horn Book and School Library Journal, Newbery, Caldecott and Printz contenders are tracked throughout the year in blogs like Someday My Printz Will Come, Heavy Medal, and Calling Caldecott. Other independent sites like Guessing Geisel, founded by Amy Seto Forrester are equally devoted to award prediction. Among librarians and readers, there are lots of armchair quarterbacks, and conducting mock Newbery and Caldecotts, either among groups of professionals or with children, have become almost a cottage industry. There are numerous how-tos on that subject, from reputable sources like The Nerdy Book Club and BookPage
. But there are numerous other awards announced at ALA Midwinter almost simultaneously that deserve your attention, too.

Among the Association for Library Services for Children (ALSC) awards are: the Robert F. Sibert Medal, the Mildred L. Batchelder Award, the Geisel Award, the Excellence in Early Learning Digital Media Award,  and the Children's Literature Legacy Award.

​Robert F. Sibert Medal
The Robert F. Sibert Medal for the most distinguished informational book for children, ALSC's version of the Orbis Pictus, offers great books to support a wide variety of content areas.
Book Cover: Honeybee
2021 Sibert Medal Winner

Mildred L. Batchelder Award
The Mildred L. Batchelder Award  is given to the most outstanding children’s book originating in a language other than English in a country other than the United States and subsequently translated into English for publication in the United States, supporting publishers who bring an international perspective to U.S. readers.
Book Cover: Telephone Tales
2021 Batchelder Award Winner

Geisel Award
The Geisel Award recognizes an exceptional text for beginning readers.
Book Cover: See the Cat
2021 Geisel Award Winner

Excellence in Early Learning Digital Media Award
The Excellence in Early Learning Digital Media Award recognizes noteworthy apps, DVDs and streaming media. This year, it went to a podcast. 
The Imagine Neighborhood Podcast Logo
2021 EELDM Award Winner

Children's Literature Legacy Award
The Children's Literature Legacy Award, formerly the Wilder Award, honors an author or illustrator whose books, published in the United States, have made a substantial and lasting contribution to children's literature through books that demonstrate integrity and respect for all children's lives and experiences. 
Mildred D. Taylor
2021 Children's Literacy Legacy Award Winner: Mildred D. Taylor

​
Aside from the award winners, each year annual ALSC Children's Notable Lists are produced in categories for Notable Children's Recordings, Notable Children's Digital Media, and Notable Children's Books. If you want to see the machinations behind the designation, those discussions are open to the public this year via virtual meeting links.

Outside of ALSC, many of ALA’s affiliates have their own honors for children's literature. These include the Ethnic and Multicultural Information Exchange Round Table (EMIERT) which sponsors the Coretta Scott King Book Awards; the Association of Jewish Libraries which sponsors the Sydney Taylor Book Awards; and REFORMA: The National Association to Promote Library and Information Services to Latinos and the Spanish-Speaking which sponsors the Pura Belpré awards. In addition to these affiliates, others such as the Asian/Pacific American Librarian Association and the American Indian Library Association also present awards. 

The awards are always evolving to reflect the abundance of literature available for young people. Like the Association of Jewish Libraries and the Asian/Pacific American Librarian Association awards, the American Indian Youth Literature Awards were first added to the televised YMA event in 2018. And this year was the first year for inclusion for a new Young Adult category for the Pura Belpré. 


Two awards of particular significance are the Stonewall Book Award – Mike Morgan and Larry Romans Children’s and Young Adult Literature Awards are given annually to English-language works found to be of exceptional merit for children or teens relating to the gay, lesbian, bisexual and transgender experience, and the Schneider Family Book Awards, honoring authors or illustrators for the artistic expression of the disability experience for child and adolescent audiences, with recipients in three categories: younger children, middle grades, and teens.
Coretta Scott King Awards
The Coretta Scott King Books Awards honor African American authors and illustrators of outstanding books for children and young adults as well as professionals who support that valuable work. Of particular note is the Coretta Scott King/John Steptoe Award for New Talent.
Book Cover: Legendborn
2021 John Steptoe New Talent Award Winner: Tracy Deonn

Sydney Taylor Book Awards
The Sydney Taylor Book Awards, ​named in memory the classic All-of-a-Kind Family series author. The award recognizes materials for children and teens that exemplify high literary standards while authentically portraying the Jewish experience, designating Gold and Silver medalists and Notable Books of Jewish Content in categories including Picture Books, Middle Grade, and Young Adults.
Book Cover: Telephone Tales
2021 Sydney Taylor Gold Medal for the Middle Grades Category

Pura Belpré Awards
The Pura Belpré Awards honor Latinx authors and illustrators whose work portrays, affirms, and celebrates the Latino cultural experience. ​
Book Cover: Furia
2021 Pura Belpré Young Adult Award Winner

Asian/Pacific American Librarian Association Awards
The Asian/Pacific Librarian Association's Awards for Literature designates award and honor titles in Young Adult, Children's and Picture Book categories for authors and illustrators whose books promote Asian/Pacific American culture and heritage.

Book Cover: When You Trap a Tiger
2021 APALA Children's Winner

American Indian Librarian Association Awards
One award we didn't see this year: American Indian Youth Literature Awards. Awarded biennially, this award identifies and honors writing and illustrations by Native Americans and Indigenous peoples of North America.
Book Cover: Bowwow Powwow
202o AILA Picturebook Winner

Stonewall Book Award
The Stonewall Book Award - Mike Morgan and Larry Romans Children's and Young Adult Literature Awards are given annually to English-language works found to be of exceptional merit for children or teens relating to the gay, lesbian, bisexual and transgender experience.
Book Cover: We Are Little Feminists: Families
2021 Stonewall Book Award Winner

Schneider Family Book Awards
The Schneider Family Book Awards, honoring authors or illustrators for the artistic expression of the disability experience for child and adolescent audiences, honor recipients in three categories: younger children, middle grades, and teens.
Book Cover: I Talk Like A River
 2021 Schneider Family Younger Children Award Winner 

Odyssey Award
This is an award that considers materials for a wide spectrum age groups in their decision-making. The best audiobook production for children and/or young adults are chosen for the Odyssey Award. The Odyssey alternates administration between ALSC and YALSA.
Kent State audiobook CD
2021 Odyssey Award Audiobook
Wendy Stephens is an Assistant Professor and the Library Media Program Chair at Jacksonville State University. 

Crossover Picturebooks: An Invitation to Shift Perspective and Think Differently About Childhood, Children’s Literature, and Curriculum

1/26/2021

 

By: William Bintz & Meghan Valerio

Picture books are for everybody at any age, not books to be left behind as we grow older. (Anthony Browne, 2019)
​Diamonds (Greder, 2020) tells the story of Carolina, a young, White girl, curious about Mama’s new diamond earrings. She asks, How much do they cost? Mama doesn’t know, just a loving gift from her uncle. Where do diamonds come from? Mama doesn’t know, but thinks Africa. Carolina wonders why Amina, their maid, has no diamonds. After all, she comes from Africa. Mama quickly ends her questioning and leaves for an elaborate party. That night, Carolina dreams of Amina digging in a diamond mine, surrounded by intimidating gun-toting men who mistreat the miners. She also dreams, illustrated through a chronology of vivid black-and-white scenes, the journey of diamonds, progressing through a variety of people who take their profit slice. Then, the diamond earrings appear in Mama’s hands. Finally, Carolina awakens, crying, as if from a nightmare, but is comforted by Amina, not Mama.
Diamonds by Armin Greder cover
This intriguing diamond industry story depicts the controversial journey of diamonds from source to customer, including the appalling conditions, black market, and blind ignorance of customers rich enough to purchase them. It is a disturbing and evocative depiction of how the diamond industry, historically and contemporaneously, feeds an insatiable appetite for diamonds, and in the process, also perpetuates inequality, conflict, and corruption. Metaphorically, this visually unsettling book removes the sparkle from diamonds.
Diamonds by Armin Greder page spread
Diamonds (Greder, 2020) is not a novel, short story, nor poem. It is a picturebook, with approximately 32 pages, minimal text (195 words), and single and double-spread illustrations. It is not, however, a traditional picturebook – it is a crossover picturebook (see Table 1 for more examples).

Crossover Picturebooks

Crossover picturebooks is a category of books that operate simultaneously in two age systems, child and adult (Shavit, 1986). These books are referred to as “dual audience books” (Falconer, 2008), “all-age books” (Evans, 2015, p. 10), “bridge books” (Rosen, 1997), and “kiddult” texts (Falconer, 2008). Harju (2012) captures a fundamental difference between traditional and crossover picturebooks:
Traditional reading boundaries exclude, segregating readers into distinct camps (e.g. literature for children vs. literature for adults). Crossover picturebooks, alternatively, offer an open invitation to story, attracting readers of all ages by reflecting a continuum of experience between child and adulthood (p.17).
Our first blog entry on January 19, 2021 acknowledged concerns over reading books on challenging or controversial ageless topics. There are, however, benefits to using these boundless texts.

Table 1. Crossover Picturebooks

  • Beaty, D. (2013). Knock knock: My dad’s dream for me. Little Brown Books.
  • Bunting, E. (2001). Riding the tiger. Clarion.
  • Disalvo-Ryan, D. (1997). Uncle Willie and the soup kitchen. Harper Collins.
  • Erlbruch, W. (2016). Duck, death, and the tulip. Gecko Press.
  • De Haan, 2003). King and king. Tricycle Press.
  • Franklin (2017). My daddy sleeps everywhere. Lionheart.
  • Hathorn, L. (1994). Way home. Knopf.
  • Laminack, L. (2018). The sunsets of Miss Olivia Wiggins. Peachtree.
  • Ringtved, G. (2016). Cry, heart, but never break. Enchanted Lion.
  • Tan, S. (2003). The red tree. Lothian.
  • Vigna, J. (1998). I wish daddy didn’t drink so much. Albert Whitman.

Benefits of Crossover Picturebooks

Crossover picturebooks invite teachers to shift perspectives and think differently about the nature of childhood and the purpose of curriculum.

In terms of childhood, crossover picturebooks posit that teachers Never Read Down, Always Read Up to children. Reading down sees the child as innocent and in need of protection; reading up sees the child as capable of understanding sophisticated topics (Dressang & Kotrla, 2009). Reading down suggests that limiting or eliminating access to controversial issues protects the innocence of children; reading up conceives the danger of withholding information from youth as exceeding the danger of providing it (Dressang, 1999).

Curriculum utilizing  crossover picturebooks is rooted in an inquiry-based model. This model builds on curiosity and supports inquiry for teachers and students. Within this model, instruction based on crossover picturebooks:
  • Offers multiple layers of meaning for multiple audiences, e.g. students and teachers;
  • Invites students and teachers to collaboratively engage in the learning process, e.g. learn with and from each other;
  • Supports interactive and transformative instruction, e.g. Did students learn what I taught? vs. What did my students actually learn?;
  • Highlights reflection, e.g. How has our thinking changed about diamonds and the diamond industry? How are we better thinkers after reading this book?;
  • Encourages reflexivity, e.g. What new questions can we now ask that we couldn’t before reading this book?

A Concluding, But Not Final, Thought

Picturebooks are synonymous with children’s literature. But is this a necessary condition of the art form itself? Or is it just a cultural convention, more to do with existing expectations, marketing prejudices and literary discourse? There is no reason why a 32-page illustrated story can’t have equal appeal for teenagers or adults as they do for children (Tan, 2003, np).
​We end with a concluding, not a final, thought, because we hope this post will start new conversations, not close them down. This thought is eloquently expressed by internationally renowned author and illustrator, Shaun Tan. Yes, picturebooks have been, and continue to be, synonymous with children’s literature. Is it time to shift perspective and think differently about this kind of literature? If so, we believe crossover picturebooks are a good conversation starter for readers of all ages.

References

  • Browne, A. www.tes.com, February 12, 2019.
  • Dressang, E.T. (1999). Radical change: Books for youth in a digital age. Wilson.
  • Dresang, E. T., & Kotrla, B. (2009). Radical Change Theory and Synergistic Reading for Digital Age Youth. The Journal of Aesthetic Education.
  • Evans, J. (2015). Challenging and controversial picturebooks: Creative and critical responses to visual texts. Routledge.
  • Falconer, R. (2008). The crossover novel: Contemporary children’s fiction and its adult
  • readership. Routledge.
  • Harju, M. (2012). Being Not Alone in the World: Exploring Reader Responses to Crossover (ca/thesisfile114287). [Doctoral Dissertation, McGill University].
  • Rosen, J. (1997). Breaking the age barrier. Publishers Weekly. 243 (6).
  • Shavit, Z. (1986). Poetics of children’s literature. University of Georgia Press. Tan. S. www.shauntan.net/images/whypicbooks.pdf.​
Meghan Valerio is a doctoral student in Curriculum and Instruction with a Literacy emphasis at Kent State University. Meghan’s research interests include investigating literacy and cognitive development from a critical literacy perspective, centering curricula to understand reading as a transactional process, and exploring pre- and in-service teacher perspectives in order to enhance literacy instructional practices and experiences.

William Bintz​ is Professor of Literacy Education in the School of Teaching, Learning, and Curriculum Studies at Kent State University. His professional interests include the picturebook as object of study, literature across the curriculum K-12, and collaborative qualitative literacy research. 

Pushing Boundaries on Children's Literature: An Introduction to Crossover Picturebooks

1/19/2021

 

BY MEGHAN VALERIO & WILLIAM BINTZ

Recently, I (William) introduced crossover picturebooks in a graduate literacy course to students pursuing a reading specialization Master’s degree. All students were practicing teachers ranging from elementary through high school. Each week, I read aloud a crossover picturebook to introduce the class session. Selected picturebooks dealt with themes including death and dying, divorce, suicide, mental illness, physical disability, parent-child separation, and other life-changing and impactful events. One example is Dragon by Gro Dahle (2018). It tells the story of Lilli,  a young girl who is a child abuse victim by her mother.  Lilli regards her mother as a dragon because she is explosive, hot-tempered, and abusive. After reading, I invited students to share their questions and reactions to crossover picturebooks. Three questions and one reaction were particularly illustrative:
Book Cover: The Dragon
  • ​​Why did the author write a picturebook on this controversial topic? 
  • Who is the intended audience for this book?
  • What tensions or repercussions might teachers face if they read this type of picturebook?​
  • I had no idea these kinds of picturebooks existed. I feel a little conflicted. Teaching these kinds of books makes me nervous, but I’m excited to know more about them.
These responses inspired this blog post. They revealed teachers may not know much about crossover literature but are curious to know more about it.    

What are Crossover Picturebooks?

Crossover literature, or texts written for dual-aged audiences, is not a new genre, as many books could be considered crossover already. While picturebooks specifically might be enjoyed by both children and adults, crossover picturebooks, a subset of crossover literature, are written and illustrated intentionally for both children and adults, breaking conventional assumptions that books are intended for one age group (Falconer, 2008; Harju, 2009, Rosen, 1997).  Crossover authors communicate purposeful messages to both audiences equally (Harju, 2009). Narratives then are considered ageless and timeless, often portraying issues that might be deemed controversial including death, verbal and physical abuse, and divorce.

In a world where in-person and online book shopping and borrowing is organized by genre and age, this makes these “ageless” books complex. Consider first an adult purchasing a picturebook for themselves, and on the flip side, encouraging a child to purchase a book about abuse. Both instances could be questionable, even alarming to some. 

While there are truly designated texts for children, like aesthetic and sensory appealing babybooks (Kümmerling-Meibauer, 2015), crossover picturebooks defy traditional book categorizing norms, causing anyone interested to rethink what counts as children’s literature vs. adult. 

Children’s literature though is written and published by adults for children (Rosen, 1997). So really, is there such a thing as a true children’s book if the text isn’t written by children at all?

What Concerns Does This Raise?

Currently, we are conducting research on crossover picturebooks. Specifically, we are exploring teacher concerns on using this literature in the classroom. Based on this research, two major findings indicate that many K-12 teachers worry about the following issues:
FINDING
EXAMPLE
Feel uncomfortable with the idea of using literature, like crossover picturebooks, to teach controversial issues.
“I struggle with the idea of using literature to teach controversial topics.  Mostly it is because I want to teach in elementary, and you combine that and ESL learners and all the extra culture and language barriers and it could be very difficult” (elementary teacher)
Feel pressure from a variety of stakeholders.
“I will face a lot of pressure to use literature like this. Using these books to teach will put me in big trouble with the whole community members” (elementary teacher)
These concerns, and many others like them, are real for teachers. Traditionally, children’s literature is to be enjoyable not uncomfortable, entertaining not controversial. Crossover literature invites a different perspective and pushes the envelope on censorship and what constitutes taboo topics in classrooms. To help explore this further, we recommend the following resources. These resources include picturebooks and professional literature that have pushed our thinking about crossover literature. We hope they will push yours.

Picturebooks

  • Beaty, D. (2013). Knock Knock. New York: Little, Brown Books.
  • Dahle, G. (2019). Angry Man. New York: NorthSouth Books.
  • Erlbruch, W. (2016). Death, Duck and the Tulip. Auckland, NZ: Gecko Press. 
  • Fortes, A. (2008). Smoke. Pontevedra, Spain: OQO Books.
  • Garland, S. (1994). I Never Knew Your Name. New York: Ticknor & Fields. 
  • Gleeson, L. (2011). I am Thomas. Crows Nest, AU: Allen & Unwin.
  • Greder, A (2020). Diamonds. Crows Nest, AU: Allen & Unwin. 
  • Hathorn, L. (1994). Way Home. New York: Knopf Books. 
  • Lanthier, J. (2012). The Stamp Collector. Ontario, Canada: Fitzhenry & Whiteside. 
  • Marsden,, J. (2008). Home and Away. Sydney, AU: Lothian.
  • Ouimet, D. (2019). I Go Quiet. New York: Norton Young Readers.  
  • Ringtved, G. (2016). Cry, Heart, But Never Break. Enchanted Lion Books. 
  • Tan, S. (2003). The Red Tree. Sydney, AU: Lothian. 
  • Taylor, C. (1992). The House that Crack Built. Chronicle Books.   
  • Woodson, J. (2002). Our Gracie Aunt. New York: Jump at the Sun. ​​

Professional Literature

  • Evans, J. (2015). Challenging and controversial picturebooks: Creative and critical responses to visual texts. London, UK: Routledge. 
  • Druker, E., & Kummerling-Meibauer, B. (Eds.) (2015). Children’s literature and the avant-garde. Amsterdam: John Benjamins Publishing Company. 
  • Beckett, S. (2011). Crossover picturebooks: A genre for all ages. London, UK: Routledge.
  • Falconer, R. (2008). The Crossover Novel: Contemporary Children’s Fiction and its Adult Readership. London, UK: Routledge.
  • Kummerling-Meibauer, B. (2014). Picturebooks: Representation and narration. London, UK: Routledge.
  • Beckett, S. (1999). Transcending Boundaries: Writing for a Dual Audience of Children and Adults. Shrewsbury, MA: Garland Publishing.​

Editorial Note:
Valerio and Bintz will contribute a follow-up post next week. The next entry dives deeper into exploring Crossover Picturebooks by looking closely at one such book, discussing the benefits of using crossover picturebooks, and inviting a new possible stance on curriculum

References

Bishop, R.S. (1990). Mirrors, windows, and sliding glass doors. Perspectives: Choosing and Using Books for the Classroom, 6 (3). 
Falconer, R. (2008). The Crossover Novel: Contemporary Children’s Fiction and Its Adult Readership. London, UK: Routledge. 
Harju, M.L. (2009). Tove Jansson and the crossover continuum. The Lion and the Unicorn, 33(3), 362-375. 
Kümmerling-Meibauer, B. (2015). From baby books to picturebooks for adults: European picturebooks to the new millennium. Word & Image, 31 (3), 249-264.
Rosen, J. (1997). Breaking the age barrier. Publishers Weekly. 243 (6).
Meghan Valerio is a doctoral student in Curriculum and Instruction with a Literacy emphasis at Kent State University. Meghan’s research interests include investigating literacy and cognitive development from a critical literacy perspective, centering curricula to understand reading as a transactional process, and exploring pre- and in-service teacher perspectives in order to enhance literacy instructional practices and experiences.

William Bintz​ is
Professor of Literacy Education in the School of Teaching, Learning, and Curriculum Studies at Kent State University. His professional interests include the picturebook as object of study, literature across the curriculum K-12, and collaborative qualitative literacy research. 

Living Literately and Mindfully at the Intersection of Mother Nature, the Animal World and Poetry

11/9/2020

 

BY PEGGY S. RICE

Consider...

Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influences of each. Be blown on by all the winds.  Open all your pores and bathe in all the tides of nature, in all her streams and oceans, at all seasons. Grow green with spring, yellow and ripe with autumn.  For all Nature is doing her best each moment to make us well.  She exists for no other end. Do not resist her.

Henry David Thoreau, August 23, 1853

Poetry! There is no other genre like it in the world.  A good poem can take you places you never thought possible, wake you up, shake you, make your every emotion quake with excitement and awe.  Writing poetry is taking a subject---be it a pigeon or a Popsicle—breathing new life into it, letting readers know they never experienced a moment such as this before.

Lee Bennett Hopkins, 2009.

Make the Earth Your Companion 
--J. Patrick Lewis

Make the Earth your companion. 
Walk lightly on it, as other creatures do. 
Let the Sky paint her beauty—she is always watching over you. 
Learn from the Sea how to face harsh forces. 
Let the River remind you that everything will pass. 
Let the Lake instruct you in stillness. 
Let the mountain teach you grandeur. 
Make the woodland your house of peace. 
Make the Rainforest your house of hope. 
Meet the Wetland on twilight ground. 
Save some small piece of Grassland for a red kite on a windy day. 
Watch the Icecaps glisten with crystal majesty. 
Hear the Desert whisper hush to eternity. 
Let the Town weave a small basket of togetherness. 
Make the Earth your companion. 
Walk lightly on it, as other creatures do  

North Padre Island, TX THE ROAR of the surf... Soaring seagulls' hungry screams... Serenity here.
Picture
Ruby-throated hummingbird [Public domain USFWA]
Hummingbird jewels
Necks gleaming like red rubies
In the morning light

                   Sarah Rice, 8 years old

Serenity can be found at the intersection of Mother Nature, the animal world and poetry. I have found that the more time I spend at this intersection, the less anxiety I feel. Following are materials and strategies, my students, daughter and I have found successful:

  • Writer’s Notebook: The notebook serves as a means to encourage young writers to value writing.  It creates a space for students/writers to save words in the moment; "seeds" for a longer writing project which might be expanded and developed (Calkins, 1994).
  • Banish Boring Words (Shelton, 2009): Use as a resource for interesting words.  It provides lists of specific, interesting words for several categories of words, such as sight, sound, smell, taste, touch, action verbs, colors and shapes.
  • The Book of Animal Poetry (Lewis, 2012), and the Book of Nature Poetry (Lewis, 2015) Mentor Poems: Before requiring students to write a poem at the intersection of Mother Nature, the animal world and poetry provide students with numerous opportunities to explore mentor poems. NTCE Award Winning Poet and former U.S. Children’s Poet Laureate, J. Patrick Lewis has created the Book of Animal Poetry (Lewis, 2012), and the Book of Nature Poetry (Lewis, 2015) to inspire us to see poetry in the natural world. Each collection includes 200 poems that “squeak, soar and roar” or “float, zoom and bloom.”  Each poem is accompanied by a photograph to experience the wonder of Mother Nature and the Animal World.


Cover of the book of animal poetry
Cover of Book of Nature Poetry

Poetry Performance

I recommend regular poetry breaks that provide students an opportunity to perform a poem of his/her choice.  Repeated reading and poetry performance of a favorite poem can enhance students’ motivation and build/increase fluency skills as well as strengthen reading/writing connections. Renee M. LaTulippe at No River.com provides 5 tips for poetry performance that my students and I have found helpful.

Within the context of repeated readings and poetry performance, discussions about poet’s craft/poetic elements can occur, such as stanzas, use of white space, figurative language (similes, metaphors & imagery), personification, rhyme, rhythm, alliteration, onomatopoeia, assonance, consonance and repetition. Performance of an original poem can provide a moment of pride and peer review of videotaped performances can strengthen literacy skills.

Power of Place

Locate a space surrounded in nature that you can visit regularly.  I am fortunate, because I live on 7 acres with a pond.  When visiting this space, be prepared to engage in mindful listening, see the world with a poet’s eyes and take notes in a writing journal.
  • Sit comfortably.
  • Close your eyes and breath normally for a moment.
  • Now imagine your belly is a balloon filling up with air and when it is full hold it. (Pause). Now slowly breathe out.
  • Listen mindfully: What are the sounds of nature? Consider poetic elements, such as figurative language, personification, alliteration, onomatopoeia, assonance, consonance, repetition
  • Repeat. Deep breath in and hold it. (Pause). Release.
  • Breathe normally.
  • In your writing journal, write down the sounds of Nature. See p. 22 and 23 in Banishing Boring Words for some specific interesting sounds
  • Sit comfortably.
  • Now imagine your belly is a balloon filling up with air and when it is full hold it. (Pause). Now slowly breathe out.
  • Relax your body.
  • Focus your attention on nature for 5 minutes.  What do you see? What do you smell? Hear? What can you touch? When you see a creature, use your imagination.  What would it be like to be this creature?
  • In your writing journal, write down what you have noticed in nature. Consider poetic elements, such as figurative language (simile, metaphor, imagery), personification, alliteration, onomatopoeia, assonance, consonance, repetition and refer to Banishing Boring Words for some specific interesting words.
  • Take photograph(s) to capture the moment.
  • Continue mindful listening and writing as desired.

Poetry Writing

Writing poetry is all about playing with words.  Fletcher (2002) encourages us to play with the sounds of words.  Consider, rhythm, rhyme, repetition, onomatopoeia and alliteration. He also encourages us to think fragments/cut unnecessary words, consider shape, use white space/experiment with line breaks and end with a bang/sharpen the ending. Each of these aspects of language can be a topic of minilessons connected to poetry performances of mentor poems.  Lewis (2012, 2015) has included excellent resources for writing formula poems.

Savor...

In Beauty May I Walk
--Anonymous (Navajo Indian)

In beauty may I walk
All day long may I walk
Through the returning seasons may I walk
Beautifully will I possess again
Beautifully birds
Beautifully joyful birds
On the trail marked with pollen may I walk
With grasshoppers about my feet may I walk
With dew about my feet may I walk
With beauty may I walk
With beauty before me may I walk
With beauty behind me may I walk
With beauty above me may I walk
With beauty all around me may I walk
In old age, wandering on a trail of beauty, lively, may I walk.
In old age, wondering on a trail of beauty, living again, may I walk
It is finished in beauty
It is finished in beauty

References

Calkins, L.M. (1994). The art of teaching writing. (2nd ed.). Portsmouth, NH: Heinemann.

Fletcher, R. (2002). Poetry matters: Writing a poem from the inside out. New York: Harper Trophy.

Lewis, J. P. (2015). National geographic book of nature poetry: More than 200 poems with photographs that float, zoom, and bloom! Washington, DC: National Geographic Partners, LLC.

Lewis, J. P. (2012). National geographic book of animal poetry: More than 200 poems with photographs that squeak, soar, and roar! Washington, DC: National Geographic Partners, LLC.

Shelton, L. (2009). Banish boring words. New York: Scholastic

Peggy S. Rice is an Associate Professor of Elementary Education and Faculty Advisor for the Partners in Literacy Council at Ball State University in Muncie Indiana. She is a member of the Children's Literature Assembly Ways and Means Committee.

Children’s Books for Uncertain Times

5/28/2020

 

BY MARY KATE SABLESKI & JACKIE ARNOLD

Why is this happening?  What will happen next?  When will this be over?  Children and adults alike are asking these questions right now.  But no one has certain answers.  And keeping consistency and calm in place for our young people amidst constantly changing news is a challenge.   Sharing a story can be a helpful hand for parents to help children process the closures and mandates that we are all struggling to understand. In this blog post, we share four books to read with children during these uncertain times.

When Sadness is at your Door

Sadness is scary and confusing for everyone!  This book gives it a name and helps the reader find ways to deal with it.  Suggestions like take a walk, draw a picture and more are integrated into the story and can help give children outlets to embrace and process the sadness we all are feeling.
When Sadness is at your Door
by Eva Eland; Publisher: Penguin Random House

After the Fall

What happened after Humpty Dumpty fell, and was put back together again?  An exploration of resilience in the face of adversity, this book will help older children see how facing fears and relying on the help of others can help them through any challenging situation.  

After the Fall
by Dan Santat; Publisher: Roaring Brook Press

The Breaking News

The breaking news
by Sarah Lynne Reul; Publisher: Roaring Brook Press
Sad news rattles a community and all the parents are distracted while a young child looks for ways to engage in small acts of kindness that continue to grow and grow!  Share this book with children to discuss the current events and then guide children in choosing ways they might engage in small acts of kindness that can often end up making a big difference. 

Love

Love
By Matt de la Peña & Loren Long (ill.); Publisher: Penguin Random House
Love comes in many forms  - in positive ways such as family dinners and walks through the woods.  Love can also be felt in challenging moments.  Share this book as a family to spur conversation about the many ways in which we show love to one another during these unprecedented times. 
All four of these books can be found on YouTube in a read aloud format.  So, snuggle up with your loved ones, share a story, and, possibly, feel just a bit better about these uncertain times.
Mary Kate Sableski and Jackie Arnold are CLA Board Members and Master Class 2020 Co-Chairs.
Previously published in the Dayton Daily News (March 30, 2020)

Electronic Resources to Complement Contemporary Children’s Picture Books that Feature Mindfulness Elements

5/26/2020

 

BY KATHRYN CAPRINO

Teachers have been thinking about how to incorporate mindfulness into the elementary school classroom for a bit now. During the fall semester, I completed a study about how children’s picture books that featured mindfulness affected preservice teachers’ mindfulness and how they were thinking about incorporating mindfulness into their classrooms.

And the recent global pandemic has only underscored the importance of having children’s picture books that feature mindfulness. We, as parents, teachers, and teacher educators, need them for ourselves. And we need them for our students.

In this post, I share a few contemporary picture books that feature mindfulness elements, and include electronic resources that complement each book - perfect during this time of remote learning. It is my hope that these titles might help us all get through these trying times and propel us into a more mindful approach to what normal looks like on the other side of all this.


Eric Carle's Calm with the Very Hungry Caterpillar

I start with the iconic Eric Carle. Carle’s title Calm with the Very Hungry Caterpillar was recommended to me by one of my students. With its beautiful illustrations of natural images that are quintessential Carle, Calm is a perfect read-aloud text that starts with an invitation that seems appropriate for what many of us are experiencing right now: “When your monkey mind feels too busy …” Young children and those who are reading the book to them will close the book with a renewed sense of calmness.
Quick side note: I had the opportunity of seeing a traveling Carle exhibit in Norfolk, Virginia, last summer. With pieces from The Eric Carle Museum of Picture Book Art , the exhibit provided visitors with an opportunity to learn more about Carle’s artistic process and to see some of the most iconic images from his books. One of my favorites was one of his owls! I encourage all of you to visit the museum once things return to normal. You can ask your students to take a virtual tour of the museum.

ECM Virtual Tour 2011-Large web movie from The Eric Carle Museum on Vimeo.

Tomie dePaola's Quiet

Tomie dePaola’s passing in March was upsetting to so many of us. His Quiet has a poignant message for all (both during the quarantine and after): “Let’s not be so busy.” Taking readers along on a walk with a grandfather and his grandchildren, Quiet begs us to contemplate and admire birds, dragonflies, and other natural elements that we see. This book could inspire many walks with the intention of finding objects or creatures that amaze. If you want to hear Tomie dePaola talk about what he wants readers to gain from Quiet, you can view the video below.


Susan Verde and Peter H. Reynolds' I am Peace: A Book of Mindfulness

This book starts with a young person feeling as though they are on a boat without an anchor. The book then shows how one can breathe and take actions to reach a sense of peace that can then be shared with others. The gorgeous, colorful illustrations complement the calming text, perfect for a read-aloud. If you want to hear Susan Verde read her book or have your students engage with it during this time of remote learning, you can watch the video below.

​​Mariam Gates' Good Morning Yoga

This is the perfect book to start out the day! Clear, kid-friendly directions and colorful illustrations help young children - and adults - progress through a series of yoga poses. If you want to hear Mariam Gates read her book or have your students and their parents engage with it during this time of remote learning, view the video below.


​Kira Willey and Anni Betts' Breathe Like a Bear

Kira Willey and Anni Betts’ Breathe Like a Bear offers thirty exercises for kids, including breathing like a bear, pretending to hold a cup of hot chocolate, and stretching like a kitty cat. Breathe Like a Bear is broken up into five major sections: Be calm, focus, imagine, make some energy, and relax. The way the book is arranged makes it perfect for those moments when you just want a short, poignant mindfulness activity. Kira Wiley’s website offers information for free and fee-based yoga events for children.
​It is my hope that these five titles will be added to your physical or electronic libraries, especially during this time when it seems that all of us could benefit from mindfulness practice.
Want to hear a little about my process for selecting texts? My recommendations are informed by Shapiro, Carlson, Astin, & Freedman’s (2006) three mindfulness axioms: intention, attention, and attitude.
  • Intention relates to having a personal vision.
  • Attention relates to focusing on moments in our lives.
  • And attitude relates to the approach one takes to attention.
At least one of these axioms are featured in each of the books shared above.
Reference

Shapiro, S. L. Carlson, L. E., Astin, J.A., & Freedman, B. (2006). Mechanisms of mindfulness.
Journal of Clinical Psychology, 62(3), 373-388.

Kathryn Caprino is a CLA member and is an Assistant Professor of PK-12 New Literacies at Elizabethtown College. She blogs frequently at Katie Reviews Books

Digital Poetry Resources

5/4/2020

 

BY SYLVIA VARDELL

Even though National Poetry Month (April) is over, it’s always a good time to share a poem. In fact, during this time of quarantine and online learning, I’m finding that reading a poem is just enough text for my distracted brain to handle. Plus, it gives me something to mull over and revisit, if I want to. So, if you’re looking for short text that is rich and meaningful to digest in small chunks of time—try poetry. Here are online resources that make it easy to dip into poetry and see what you think.

Poems on Pinterest

For several years now, I’ve been collaborating with poet and author Janet Wong in creating poetry anthologies for kids and teachers that feature new poems, plus teaching strategies for each of the poems. We’ve created a dozen books and have worked at developing free online resources for teaching and learning. One of my favorite tools is Pinterest because it’s so visual and easy to browse. You can find more than 300+ of our digital poem “postcards” on Pinterest organized in a variety of categories at the Pomelo Books Boards.
You can find poems of comfort, about science topics, for special celebrations, poems about animals, even poems in Spanish and “bare” poems to use as a springboard for drawing or writing activities. We love taking poems from our anthologies (with poet permission) and then creating these “digital postcards” with color, font, and images to help make the poem engaging and understandable for young people. Here are three examples that I created especially for Star Wars Day, May 4 (since I am a HUGE Star Wars fan):
Lost By Kate Coombs I lost a friend today. I said some words no one should say. I watcher her face change, and then I watched her walk away
A Teacher Knows by Eric Ode
Let's Go by Merry Bradshaw
And if you keep looking around Pinterest, you can find many more ideas for teaching poetry with strategies, booklists, games, cards, and more. Plus, you can create and share resources of your own and post them on Pinterest as can your students and colleagues.


Poem Videos on Vimeo

Another medium that Janet and I have explored is video -- creating videos that feature poems, poets, and poetry strategies on our own channel on Vimeo. It seems like there are a TON of videos with a literature focus available online now during this pandemic crisis. It’s wonderful to see so many authors, publishers, teachers, librarians, and others creating video content that we can share with each other. I don’t see many with a poetry focus, so that has been a focus for Pomelo Books, the small micropublishing company that Janet and I created.

​At our Vimeo site, you can find us goofily sharing a Groundhog Day poem, or a poem for Daylight Saving Time or even a demo of how you can turn one piece of paper into a tiny book. This medium is ideal for poetry because poems are meant to be read aloud. Below is one example video that is only three minutes long, but features Janet and me talking and reading three poems to share during “Scary Times” when we may feel anxious or worried.

One of the benefits of Vimeo (and other sites) is how easy it is for you and your students and colleagues to post your own homemade videos and share them with one another. You could record a Zoom reading of a poem with your students (or with a small group), then upload that recording to your Vimeo channel, and then spread the word and share that video with others. What a great way to spread the poetry love!


Scary times from Pomelo Books on Vimeo.

Poetry Blogs

One other digital poetry resource that you might find useful is my blog, Poetry for Children, one of many blogs that offers help in reading, sharing, and writing poetry. My focus is always on sharing poetry strategies, poetry awards, poetry news, and more. You’ll find an annual “sneak peek” list of poetry books published every year, as well as interviews with poets about new books, homemade poem videos, lists of poetry books gathered by topic, poetry-themed conference sessions, and much more. For example, you’ll find a list of poetry books published (or to be published) this year: Sneak Peek List for 2020. 

How can you participate in blogging? As consumers, you are free to comment on blog posts (at any blog) and are often welcome to write your own “guest post” on many blogs—I know I would welcome a guest post. That’s one way you and your students can participate—unless you want to start your own blog—which would be awesome!


​Poetry Websites

And while you’re surfing the web for helpful teaching content, you may be surprised to see how many poetry-related sites you’ll find. There are sites that offer actual poems for and by children, audio recordings of poems, biographical information about poets, teaching activities, and some even welcome child participation. Be sure to look for poets’ personal websites, too. Here are some of my favorite poetry-focused websites:
The Academy of American Poets 
This site offers sample poems, poet biographies, audio archives, National Poetry Month celebrations, curriculum resources, teacher discussion forums, teaching tips, and more

The Library of Congress Poetry and Literature Center
​This site may interest older children who are interested in learning about the poet laureates of the United States, national prizes in poetry, special poetry events, and audio archives.

Poetry Foundation Children's Page
The Poetry Foundation maintains hundreds of poems (even accessible by cell phone) including a large library of poems for young people along with interesting articles and features.

The Poetry Minute 
Here you’ll find poems for every day of the whole school year written by some of the best contemporary poets writing for young people. All can be shared in just a minute, making it easy to read aloud at school, in the library, or at home.

Favorite Poem Project 
This site features Poet Laureate Robert Pinsky’s project to have average citizens audiotape their favorite poems.

Conclusion

We’re all spending a lot of time on our laptops and desktops just now, so maybe you’ve encountered some of these teaching resources already. If not, I hope you’ll do some surfing around these links. Either way, I hope you can see the potential for POETRY as an addition to your routine. Once you open the digital door, you may be surprised how easy it is to find and share a poem—to lighten the mood, take a break, share deep feelings, extend our learning, or just for fun.
Sylvia Vardell is Professor at Texas Woman's University and author of the blog Poetry for Children. She is a former CLA President.
​sylviavardell.com​
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