If you’re looking for children’s picture books that will help your students learn how to process life’s biggest emotions, you’re in the right place. In this blog post, organized into emotional eras, I introduce you to six children’s picture books that will help your students navigate their emotions and will help you open up conversations in your classroom about many of the biggest feelings.    

 
Just as life has a range of emotions, so, too should the bookshelf in your classroom. Myriad emotions and feelings should be represented in your classroom library so that your students can learn how both how to name and process their own emotions but also how their actions can influence others’ emotions.
 
It is my sincere hope that the next time you are pursuing the bookstore or library shelves to select your next read aloud that you will truly consider selecting one with all the feels.

Anderson, S. (2021). To Why to Say Hi. (H. Nakata, Illus.). Magination.
Cook, J. (2005). My mouth is a volcano. (C. Hartman, Illus.). National Center for Youth Issues.
Lang, S., (2018). Grumpy monkey. (M. Lang, Illus.). Scholastic. 
Long, L. (2024). The yellow bus. (L. Long, Illus.). Roaring Brook.
Min, C. (2021). Shy willow. (C. Min, Illus.). Levine Querido.
Percival, T. (2018). Ruby finds a worry. (T. Percival, Illus.). Bloomsbury.

The Children’s Literature Assembly (CLA) has sponsored a Master Class at the annual NCTE Convention since 1994. This guaranteed session provides K-12 teachers and teacher educators with the opportunity to gain insight about the use of children’s literature through interactions with leading scholars, authors, and illustrators in the field. In 2023 at our 30th Annual session, we debuted our new name: the Expert Class.
 
In collaboration with The Biography Clearinghouse, an affiliated project of The Children’s Literature Assembly, the 31st annual Expert Class, “Exploring Heart & Hope with Biographies,” showcases the many ways in which picturebook biographies can be used across the curriculum for a range of purposes. This is an exciting opportunity to expand engagement with biographies as well as increase participants' biography related repertoire in their classrooms.  
 
The concept of “a biography clearinghouse” began at the 2018 NCTE convention in Houston, when author Barb Rosenstock asked what could be done to go beyond genre study and elevate the role of biography in classrooms across the curriculum. Ideas began to percolate amongst Barb, former members of NCTE’s Orbis Pictus Committee, and fellow author Tonya Bolden, and while sheltering at home at the height of the COVID-19 pandemic, the team created “The Biography Clearinghouse.” Readers of the CLA blog may already be familiar with the work that appeared here 2020-2023.

The Biography Clearinghouse believes that:

• High-quality, well-written biographies are multidimensional and multi-layered. As students explore the ways in which the book operates, and the decisions the author and illustrator made, they also use the biographies as vehicles for learning about the world.
• Because of the increasing diversity of subjects, biographies are one of our best tools for diversifying the curriculum K-8.
• Biographies can infuse the language arts, science, social studies, math, and integrated arts curriculum with models of agency and perseverance.

 
To help facilitate this work in K-8 classrooms, the Clearinghouse created a three-part framework: Investigate, Explore, and Create.

This year’s class provides a unique opportunity for rich discussions about and experiences with picturebook biographies. After an initial introduction to the Investigate-Explore-Create framework, participants will rotate between four roundtables to experience activities and conversations rooted in each component. At one table, Barb Rosenstock and Scott Riley will focus on “Investigate,” and engage in conversation about the process of researching and writing biographies. Participants will “Explore” content and disciplinary thinking with Amina Chaudhri at one table and socio-emotional learning with Jenn Graff at another. At the fourth roundtable, Erika Thulin Dawes will engage attendees in the final part of the framework, “Create.”
 
We’ll conclude the session by sharing a Library Thing database of over 350 picturebook biographies (with tags)! This process will allow attendees to engage in dialogue about the power of biography and consider new ways to conceptualize how to bring the genre into their classes with more heart and hope. Everyone will leave the 2024 Expert Class filled with the wonder of biographies and ideas for new opportunities to bring biographies into the lives of children and tweens.
 
We are excited to share this biography party with you!  While building connections and learning together, we’ll share some vegan and gluten-free snacks (it’s late afternoon, and everyone might be a bit peckish). The Expert Class will close with the awarding of biography-based door prizes to bring home along with your new ideas and expertise.

For 27 years dedicated members of the Children’s Literature Assembly have served on the seven-member committee tasked with selecting 30 Notable Children’s Books in the Language Arts (NCBLA). While enthusiastic summaries of each title on the annual NCBLA list have been a highlight for readers of the Journal of Children’s Literature and Language Arts as well as for session attendees at the annual National Council of Teachers of English conference and Tucson Festival of Books, in coming months the instructional possibilities of selected NCBLA titles will now regularly feature on this blog. 

To launch this resource alongside the announcement of the 2024 NCBLA list, three current members Fran Wilson, a second-grade teacher in Madeira, Ohio and the 2024 NCBLA Chair, Patrick Andrus, a fourth-grade teacher in Eden Prairie, Minnesota and the 2025 NCBLA Chair, and Laura Hudock, an assistant professor of literacy and children’s literature at Framingham State University wish to pull back the so-called curtain to shed light on the selection process.

All titles on the annual NCBLA list are works of fiction, nonfiction, and poetry penned for children in grades K-8 and published in the previous calendar year. These selected children’s books have to exemplify additional criteria, including

• have an appealing format*;
• be of enduring quality;
• meet generally accepted criteria of quality for the genre in which they are written; and 
• meet one or more of the following criteria:
  • deal explicitly with language, such as plays on words, word origins, or the history of language;
  • demonstrate uniqueness in the use of language or style; and/or
  • invite child response or participation*.

With these criteria foremost on NCBLA committee members’ minds, we individually read and evaluate and then collaboratively vet each prospective book. 

The exemplary children’s books named to each NCBLA list are high-quality texts that promote language arts and offer a range of literacy-related instructional possibilities. For example,

Over the last two years, we’ve enjoyed sharing excerpts from The Biography Clearinghouse website. We hope that our interviews with book creators and our teaching ideas focused on using biographies for a variety of classroom purposes has been helpful to the CLA membership and beyond. This month, we’re very excited to share something different - a voice directly from the classroom.  

Melissa Quimby, a 4th grade teacher in Massachusetts, has written the inaugural entry in our new feature “Stories from the Classroom.” Melissa is the genius behind #MeetSomeoneNewMonday, a weekly initiative that has spread from her classroom to her grade level team to an entirely different school in just three years. 

This initiative launched when Melissa decided to share her passion for picturebook biographies with her students through interactive read-alouds. They were hooked! As Melissa writes, “Over time, I molded this project in intentional ways, and it evolved into an adventure that focused on identity, centered marginalized and minoritized communities, and cultivated thoughtful, strategic middle grade readers.” What started as a way to share nonfiction picturebooks as an engaging and compelling art form developed into a more nuanced exploration of global changemakers–past and present. With their weekly reading of picturebook biographies, students grow as readers and thinkers and deepen their individual and collective sense of agency. 

In the following excerpts, Melissa describes how she reveals each week’s notable changemaker to her students and shares some of her picturebook biography selections.

I have just completed my position as chairperson of the NCTE Poetry and Verse Novels for Children Committee. Our list of notable poetry and verse novels that were published in 2021 as well as other information about the award can be found on the NCTE Award for Excellence in Poetry for Children page.

In this blog post, I discuss three notable poetry books from this list that promote advocacy and provide lesson plan ideas to do with children. 

​The Last Straw: Kids vs. Plastics, poetry by Susan Hood, illust. by Christiane Engel (HarperCollins, 2021). ​

In Classified, Sorrell notes that “whenever Mary received awards, she always thanked her colleagues because she knew no one person deserved credit for what everyone had done together.”  As students explore whichever permutation of texts you select, ask them to consider the ways in which teamwork is represented. In what ways are individuals featured? In what ways is their collective and collaborative work represented? Use this conversation as an opportunity to discuss the process of “doing science” as collaborative rather than singular work. This can also serve as a springboard to critical considerations regarding the ways inventions and scientific breakthroughs are often attributed to specific individuals instead of to the team as a whole, changing our understanding of what makes change possible. Change happens when groups of people work together over time. 

To see more classroom possibilities and helpful resources connected to Classified: The Secret Career of Mary Golda Ross, Cherokee Aerospace Engineer, visit The Biography Clearinghouse.  Additionally, we’d love to hear how the interview and these ideas inspired you. Email us at [email protected] with your connections, creations, and questions.

Looking out the window we begin to see the slight change in color of the fall foliage, a brisker feel to the air, and school busses carrying students to their not-so-new-normal classrooms.  Apples, pumpkins, and “Indian” corn are appearing in the grocery store aisles.  The gift of autumn is here. One highlight of this time of year is the NCTE Annual Conference held in November. Under “normal” circumstances, the Children’s Literature Assembly Breakfast is held in person as part of that gathering. While we will not be able to meet in person this year, the CLA Breakfast will be offered as a live event during the conference. In anticipation of our session, we are sharing about some of the most prolific, wonderful Indigenous multiple award-winning storytellers from across the Four Directions.
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Cynthia Leitich-Smith (Muscogee Creek), Traci Sorell (Cherokee Nation), Michaela Goade (Tlingit), Carole Lindstrom (Metis), and Kevin Maillard (Seminole Nation) will make up this year’s Breakfast speaker panel. They will offer insight into their creative writing process, share their newest work, and offer some candid thoughts on how being Indigenous has strengthened their entire literature experience.

These storytellers celebrate #OwnVoices in the here and now. They offer counter stories to highlight the dynamism of Native American and Alaska Native communities for all ages. During a conversation with them in February 2021, we discussed the joys of reading and storytelling and reflected on the importance of celebrating the rich legacy of Native experiences that influence contemporary society. Native American, American Indian, or Indigenous peoples (terms used interchangeably) make up the 575+ federally recognized tribes and 200+ state-recognized tribes, much diversity exists across this Indigenous landscape in the United States. To celebrate this diversity, in this post, we will share with you the newest works from these amazing storytellers, including samples of teacher guides, links to audio-books, artwork, and other storytelling materials to share both in and outside of the classroom.

​Teachers strive to create an environment for children that is all-embracing because they know that when children feel accepted, they will be happy, healthy, and confident members of society. This spirit of inclusiveness should permeate not only the social dynamic of the classroom, but the teaching materials as well. Children’s books that are endowed with social justice themes and multicultural issues provide a much richer reading experience than texts with homogeneous characters and unchallenging stories. The stories shared by these authors and illustrator offer many ways to enlighten students of all ages to the diverse books, cultural nuances, and traditions that Indigenous people bring to the table. Check out these teacher resources for a glimpse into the rich world of native storytelling.

When students encounter texts that feature characters with whom they can connect, they can see how others are like them and how literature can play a role in their lives. If students can feel connected to books, not only will they be more apt to obtain the intrinsic motivation to increase the amount of reading they do, but they will also begin to feel more accepted as strong and unique members of society and to become less vulnerable to negative stereotyping and feelings of oppression. It is the hope of our storytellers that these resources be shared with all students, to demonstrate not only resiliency and determination, but also joy and grace within the texts and illustrations to take them to places they have never seen or heard of before. Below are are some video and audio resources related to some of the works of our storytellers.

We are obligated to educate our youth with a clear lens and to teach the richness of realistic, authentic, and contemporary literature for children and young adults. We need to promote books where Indigenous characters are up front and visible, not hidden or pushed aside. We want to highlight in a bold, distinguishable manner characters and stories that unveil and promote the beauty of diverse literature written/illustrated by and for Native Nations (also called Indigenous people and used interchangeably here when the specific Nation is not known), and all other marginalized groups. The storytellers highlighted here, and across the land, provide a glimpse of the wonderment and beauty that present-day and historical Indigenous culture and traditions bring to the literature landscape.

Come celebrate with us at 9 am (EST) on November 21, 2021 at the CLA Breakfast at NCTE! There will be great conversation and book giveaways!

Books transport us into new places and sometimes take us out of the craziness of the world. This was one of those years where we experienced unexpected challenges. I led this committee as we navigated some of the real challenges of the pandemic. To be perfectly honest, in September when we didn’t have the normal number of books, I panicked. 

I am truly thankful for this thoughtful committee that continually encouraged me to keep going as I contacted publishers in hopes of obtaining more physical copies of books. Many publishers returned from turbulent times and physical copies of books were difficult to obtain. However, as a committee member, it’s just easier to dig deeper with a text when you have a physical copy in front of you. Thankfully, publishers started returning to sending physical copies of books at the end of January and in February. We continue to be so thankful for the support many publishers extended to us as they worked diligently to send our committee books. However, that meant, that we had to read on a rigorous schedule and we often had to meet more than twice a month in order to have critical conversations around the literature. 

Here’s a figure that highlights our process as a committee:​

How are humans and the outdoors connected? This inquiry question has been answered more acutely for some during COVID. Whereas I am grateful that I could spend time outside daily during quarantine, taking walks with my little boy and rekindling my passion for running, I know many others - for a myriad reasons - were trapped indoors. 

In this post, I share three contemporary children’s picture books that will help young readers answer the inquiry question: How are humans and the outdoors connected?

After sharing brief summaries of each text, I provide a few lesson ideas. ​