Category: Poetry

Books to help you spring into nature…

3/29/2022

By Kathryn Will and River Lusky

As we emerge from a long winter with the lengthening of days to warm the earth, I am drawn to books that get us thinking about nature–the plant and animal life in the world. As the NCBLA committee will tell you, I love books about nature, and this year many of the books we reviewed for the 2022 Notable Children’s Books in the Language Arts award list were about the natural world.

For this text set we chose three books that leverage nonfiction, poetry, and a picture book to develop content knowledge, build vocabulary, and encourage divergent thinking about the natural world. They invite readers to be curious about nature in both big and small ways. Teachers can easily deepen and extend the texts through a variety of activities, and we have created a few to get you started.

Wonder Walkers

In the book Wonder Walkers, written and illustrated by Micha Archer and published by Penguin House, readers are invited to notice and wonder in the everyday natural world around them through metaphorical thinking. The children in the story examine the world around them with varying perspectives, asking questions such as, “Are trees the sky’s legs? Is the wind the world breathing?” The text and beautiful collages synergistically invite the readers to imagine what they see with genuine curiosity, to observe and ask questions about the natural world around them.

After reading the book, take your classroom outside for a walk to provide students with the opportunity to notice nature. Invite them to sketch something they find before giving them time for quiet reflection while listening to the natural world around them as they make their own wonderings like the children in the book. The individual wonderings could even be combined for a class book. Our Wonder Walk Resource can be helpful in supporting students' note-taking. To access the document and create a copy for your use, click on the "Make a Copy" button.

If you are interested in learning more about how Micah Archer creates her collages check out the two videos below. The first provides a a brief glimpse of her printmaking, and the second offers a much more extensive look into how she creates the collage materials and assembles them for the book.

What's inside a flower and other questions about science and nature

What's inside a flower and other questions about science and nature, written and illustrated by Rachel Ignotofsky, published by Crown Books for Young Readers, invites the reader into the how and why of flowers. In this book the reader journeys through a flower with detailed and mature illustrations down to the roots, up the stem, and into the bud highlighting each intricate aspect of the parts of a flower. The exploratory journey through the biology of flowers as well as what other creatures assist and benefit from flowers, will have students on the edge of their seats asking questions. With rich backmatter, the book encourages further exploration of this topic.

After an initial read of What’s Inside a Flower the students may use it as a reference book, as students use cut flowers to sketch, dissect, and label the parts of the flower. To amplify this lesson, teachers could turn their classroom into a garden or use their school gardens if available. Having each student plant their own flower and record daily or weekly observations, perhaps adding variables like amount of sunlight, presence of earthworms, or watering rate to allow students to compare and contrast their plant growth rate. Rachel Ignostofsky has created multiple free resources for you to use for these activities.

Author Read Aloud. Brightly Storytime is is a co-production of Penguin Random House.

The dirt book: Poems about animals that live beneath our feet

The dirt book: Poems about animals that live beneath our feet, written by David L. Harrison, illustrated by Kate Cosgrove, published by Holiday House is a book of vertical panoramas with one poem per page. The 15 poems in this book might pique your interest in the world beneath your feet not often thought of. The reader journeys with creatures like a doodlebug and a chipmunk through a series of poems with beautifully detailed illustrations that depict their below ground habitats. An author’s notes and bibliography invite the reader to extend their learning.

These poems are perfect for choral reading and micro episodes of reader’s theater. Try a reader’s theater by having groups of students pick a favorite poem and after multiple reads, act it out for the class. Or as a class, you might consider choosing something like a creek or a tree in your school environment and using the structure of this text to consider purposeful research about the various creatures who live within the boundary of place to create a book of poems.

An interview with the author on Deborah Calb's Blog provides interesting insights into the book.

Announcing the 2022 NCBLA list

Celebrating the 2022 Notable Children's books

These are just three of the 774 books the seven members of the Notable Children’s Books in Language Arts book award committee read and reviewed for consideration of selection for the 30-book list created annually. The careful analysis and rich discussions over monthly (and sometimes weekly) Zoom sessions allowed us to create a thoughtful list that meets the charge of the committee.

The charge of the seven-member national committee is to select 30 books that best exemplify the criteria established for the Notables Award. Books considered for this annual list are works of fiction, non-fiction, and poetry written for children, grades K-8. The books selected for the list must:

be published the year preceding the award year (i.e., books published in 2015 are considered for the 2016 list);
have an appealing format;
be of enduring quality;
meet generally accepted criteria of quality for the genre in which they are written; and
meet one or more of the following criteria:
1. deal explicitly with language, such as plays on words, word origins, or the history of language;
2. demonstrate uniqueness in the use of language or style; and/or
3. invite child response or participation.

2022 NCBLA Committee members

Kathryn Will, Chair (University of Maine Farmington) @KWsLitCrew
Vera Ahihya (Brooklyn Arbor Elementary School) @thetututeacher
Patrick Andrus (Eden Prairie School District, Minnesota) @patrickontwit
Dorian Harrison (Ohio State University at Newark)
Laretta Henderson (Eastern Illinois University) @EIU_PKthru12GEd
Janine Schall (The University of Texas Rio Grande Valley)
Fran Wilson (Madeira Elementary School, Ohio) @mrswilsons2nd

*All NCBLA Committee members are members of CLA

Kathryn Will is Assistant Professor Literacy at the University of Maine Farmington. She served as Chair of the 2022 Notable Children’s Books in Language Arts committee.
River Lusky is an undergraduate student at the University of Maine Farmington.

Exploring Notable Poetry Books for Advocacy with Children

3/15/2022

By Ted Kesler

I have just completed my position as chairperson of the NCTE Poetry and Verse Novels for Children Committee. Our list of notable poetry and verse novels that were published in 2021 as well as other information about the award can be found on the NCTE Award for Excellence in Poetry for Children page.

In this blog post, I discuss three notable poetry books from this list that promote advocacy and provide lesson plan ideas to do with children.

Photo Ark ABC

Photo Ark ABC: An Animal Alphabet in Poetry and Pictures, poetry by Debbie Levy and photos by Joel Sartore (National Geographic Kids, 2021).

The diverse and playful poetry forms in Photo Ark ABC oscillate with vibrant pictures to create fascination with each animal that is represented. Here is one example:

“O is for Octopus” from Photo Ark ABC.

The book is part of the Photo Ark Project, that aims to “document every species living in the world’s zoos and wildlife sanctuaries, inspire action through education, and help save wildlife by supporting on-the-ground conservation efforts” [Back Book Cover]. Therefore, the book provides wonderful online resources to use with children, which expand opportunities for classroom explorations. Here are some ideas:

Visit the National Geographic Photo Ark Project online, and have students research and present about one of the animals they find fascinating or that is endangered.
Locate each animal in the backmatter of Photo Ark ABC on a world map. Then, use the Google Earth feature that is connected with this Photo Ark project.
Study the poems as mentor texts, and have students write an original poem for the animal they studied.
Students can then create their own full page spread of the photo and poem, along with an information text box.
Pursue other explorations using the Photo Ark resource: www.nationalgeographic.org/projects/photo-ark/education/

The Last Straw

The Last Straw: Kids vs. Plastics, poetry by Susan Hood, illust. by Christiane Engel (HarperCollins, 2021).

The Last Straw fits into the hybrid genre of poetic nonfiction (Kesler, 2012), as every page combines poetry with expository writing about a specific topic. Topics include microplastics, plastic bags and straws, the Great Pacific Garbage Patch, and other environmental issues. The poetry also has diverse forms, such as odes, concrete poems, limericks, elegy, and persona.

The book also provides resources for each topic in the back matter. Here is one look inside:

“Be Straw Free” from The Last Straw.

Ultimately, like Photo Ark ABC, The Last Straw promotes advocacy. Here are some instructional ideas for classrooms:

School-Based Research Project:

Have students generate a list of all the disposable plastics that people use in the school as they go about their school day.
Problem-solve with children ideas to reduce, reuse, and recycle.
Research alternatives to one of the disposable plastics that is commonly used in the school (e.g., sporks). Develop a plan for change that includes interviews, cost analysis, speech writing, petitions, etc.

2. Reading:

In small groups, students can find a page they love. Practice and then perform the poem.
Read the other sources of information on the page.
Then, read the information about that poetry page in the “Sources and More” section in the back matter.
Have groups present to each other how the sources of information on the page all fit together.

3. Writing:

Provide laptops or other digital devices to each group to research the sites that are provided for their topic.
Make a group presentation to the class about what they discovered and one way to make a difference.

My Thoughts are Clouds

My Thoughts Are Clouds: Poems for Mindfulness, poetry by Georgia Heard, illust. by Isabel Roxas (Roaring Brook Press, 2021).

As the title implies, My Thoughts Are Clouds guides children to quiet their minds, which, in the words of Georgia Heard, allows them “to feel calmer, more joyful, more focused, less anxious, and to find the space and peace to live in the present moment.” In “Mindful World,” Heard proclaims, “When I become calm on the inside, / the world becomes calm on the outside.” This book ultimately leads readers towards kindfulness.

While taking readers through the dimensions of mindfulness, many of the poems also instruct, calling out to try it, like a how-to manual, poems such as “Counting Breaths,” “Square Breathing,” “In and Out Breath,” “Nature Walk,” “Come Home to Your True Self,” “Butterfly Body Scan,” “The Music of the Moment,” “Three-Way Loving Kindness Meditation.” Here is one look inside:

“Butterfly Body Scan” from My Thoughts Are Clouds.

You might choose any of these poems for shared reading, or assign it to a small group to practice reading aloud beautifully, and then guide the class through the activity that the poem describes.

Many poems also call out like writing notebook prompts, similar to the mindful prompts in Heard’s book, Writing Towards Home: Tales and Lessons to Find Your Way (Heinemann, 1995). Poems such as “My Thoughts Are Clouds,” “Consider a Raisin,” “Open Your Eyes,” “Cultivate Tenderness,” “Kindfulness” all would provide rich writing notebook explorations. For example, I imagine students copying the poem “My Thoughts Are Clouds” on the left-side of a full-page spread in their notebook, and then on the right-side, creating their own thought clouds.

Finally, I think “Empowerment Mantra Haiku” (see image below) would provide an outstanding activity. The entire class could compose their own affirmative heard-shaped messages for a class empowerment “take one, add one” bulletin board that each child can hold onto as a gift and a reminder to be good to themselves and others throughout the day.

“Empowerment Mantra Haiku” from My Thoughts Are Clouds.

Ted Kesler, Ed.D. is an Associate Professor at Queens College, CUNY and has been a CLA Member since 2010. He served as chairperson of the NCTE Poetry and Verse Novels for Children Committee from 2019 to 2021.
www.tedsclassroom.com | @tedsclassroom | www.facebook.com/tedsclassroom)

A Partnership of Poetry and Politics: Carole Boston Weatherford’s Voice of Freedom: Fannie Lou Hamer, Spirit of the Civil Rights Movement

4/13/2021

BY JENNIFER M. GRAFF & JOYCE BALCOS BUTLER, ON BEHALF OF THE BIOGRAPHY CLEARINGHOUSE

Our current celebration of poetry as a powerful cultural artifact and the national dialogue about voting rights generated by the introduction of 300+ legislative voting-restriction and 800+ voting-expansion bills in 47 states have inspired a rereading of the evocative, award-winning picturebook biography, Voice of Freedom: Fannie Lou Hamer, Spirit of the Civil Rights Movement. Written by Carole Boston Weatherford, illustrated by Ekua Holmes, and published by Candlewick Press in 2015, Voice of Freedom offers a vivid portrait of the life and legacy of civil rights activist, Fannie Lou Hamer. Her famous statement, “All my life I’ve been sick and tired. Now I’m sick and tired of being sick and tired” (p.18) serves as a testimonial to the psychological and physiological effects of the injustices and violence inflicted upon Hamer and other Black community members in Mississippi. Additionally, Hamer’s statement signifies her tenacity, conviction, and unwavering fight for voting rights, congressional representation, and other critical components of racial equality until her death in 1977.

"All my life I've been sick and tired. Now I'm sick and tired of being sick and tired."

-Fannie Lou Hamer

Throughout Voice of Freedom, Weatherford’s poetry illustrates how Hamer’s stirring speeches, matter-of-fact testimonials, and her penchant for singing spirituals served as rallying cries for freedom and justice. Her roles as leader, mobilizer, organizer, political candidate, and advocate for social, financial and educational programming for Black communities further contributed to her identification as the “spirit of the civil rights movement.” Holmes’ vibrant, textured collages, often “based on or inspired by photographs” (Weatherford, 2015, unpaged back matter), enhance the verbal juxtapositions of humanity and horror, and pay homage to Hamer’s resilience, compassion, and commitment to justice.

Using the Investigate, Explore, and Create Model of the Biography Clearinghouse, we offer teaching ideas focused on the art and science of conveying “emotional weight” and “factual burdens” (interview transcript, p.9) in biographies written in verse. Generating a sense of intimacy punctuated by emotional overtones of hardship and resilience, using first person point of view, pairing and alternating verse and prosaic text, and helping cultivate reader empathy are discussed.

CURRENT BOOK ENTRY

Voice of Freedom: Fannie Lou Harmer: The Spirit of the Civil Rights Movement

CONNECTED BOOK ENTRIES

In our desire to honor and reflect Weatherford’s commitment to “mine the past for family stories, fading traditions, and forgotten struggles” (transcript, p.11), we provide a variety of multimedia resources for critical explorations of the past and present regarding:

youth-driven organizations for positive change
access to education for empowerment and transformation
voter suppression via literacy tests, poll taxes, and legislative acts
the significance of song in civil rights movements

Mississippi Voter Registration Application, 1955-1965 (National Museum of American History)

Below we feature one of two time-gradated teaching recommendations included in the Create section of the Voice of Freedom book entry.

Youth As Agents of Change in Local Communities

Weatherford begins Voice of Freedom with Hamer’s own words: “The truest thing that we have in this country at this time is little children . . . . If they think you’ve made a mistake, kids speak out.” Pairing Hamer’s advocacy detailed in Voice of Freedom with contemporary youth activists, guide students in their exploration of how they can (or continue to) be agents of change in their communities.

If you have 1-2 hours...	If you have 1-2 days...	If you have 1-2 weeks...
Using Voice of Freedom, discuss with students how Fannie Lou Hamer was a voice of change for voting rights and Black female political representation during the Civil Rights Movement. Introduce Amanda Gorman, the First Youth Poet Laureate of the United States, to students. As a class, watch Gorman’s reading of her 2021 presidential inauguration poem, "The Hill We Climb." Ask students what message they think Gorman is conveying through her poem. Use the full-text version of "The Hill We Climb Text" for students’ exploration of Gorman’s words. Discuss how Gorman uses her voice to effect change on issues such as civil rights and feminism. Begin an Agents of Change T- chart, using the headings, “Activist” and “Cause.” Ask students what issues Amanda Gorman might be advocating for in “The Hill We Climb.” Ask them about other causes they know about to include on the chart.	Revisit the concept of "agents of change," using the previously completed T-Chart. Watch one or both of the following videos featuring youth activists focused on environmental issues: Genesis Butler Shares Her Vision for Saving Our Planet Mari Copeny: A Water Crisis Activist. Continue to add to the existing T-Chart or create a new chart. Engage in discussions about the choices Genesis and Mari are making, how these affect their communities, and why this classifies them as agents of change. Below are other young activists that you can include in your inquiry: Autumn Peltier: Water Warrior Sophie Cruz: Keeping Families Together Melati and Isabel Wijsen: Bye Bye Plastic Bags See the book entry for additional possibilities.	Discuss the importance of youth activism in tandem with Secondlineblog.org. Have students identify local youth activists or organizations in their area whom they see as a voice of change. Consider using Global Citizen for inspiration. Have students create interview questions for the local youth activist or organization they selected. Students can conduct, record, and interview individuals through Zoom, Teams, Google Meet, or other digital platforms. Using their interview recordings as a resource, ask students to create a multimodal presentation on the group or individual. Using Voice of Freedom, “The Hill We Climb,” or the other texts included in these ideas as mentor texts, encourage students to describe the group or individual’s advocacy work in their presentations and include why this makes them agents of change. See the book entry for additional activities.

To see more classroom possibilities and helpful resources connected to Voice of Freedom: Fannie Lou Hamer, Spirit of the Civil Rights Movement, visit the Book Entry at The Biography Clearinghouse. Additionally, we’d love to hear how the interview and these ideas inspired you. Email us at thebiographyclearinghouse@gmail.com with your connections, creations, and questions.

Jennifer M. Graff is an Associate Professor in the Department of Language and Literacy Education at the University of Georgia where her scholarship focuses on diverse children’s literature and early childhood literacy practices. She is a former committee member of NCTE’s Orbis Pictus Award for Outstanding Nonfiction K-8, and has served in multiple leadership roles throughout her 15+ year CLA membership.

Joyce Balcos Butler is a fifth-grade teacher in Winder, Georgia, where she focuses on implementing social justice learning through content areas. She is a National Writing Project Teacher Consultant, a Red Clay Writing Fellow at the University of Georgia, and a member of CLA.

Join CLA at the 2020 NCTE Virtual Convention

11/17/2020

BY LAUREN AIMONETTE LIANG

Last year, right around this time, the Fall 2019 issue of JCL arrived in the mail. In the President’s Message I had written a bit about my excitement for the upcoming NCTE conference:

It starts for me with the airplane travel. Coming from my area, it is rare to board a flight heading to a major conference and not encounter fellow teachers, librarians, and researchers embarking on the same adventure. We wave, ask about colleagues and friends, and buzz a bit with excitement. (I often think the other travelers must later wonder about these groups of individuals who are all grading papers and reading thick books, while simultaneously winning all the in-flight trivia and scrabble games.)

Once we arrive at the NCTE city, conference-goers from all over are grabbing bags, looking for shuttles and taxis, and heading off to the area hotels. Immediately there is a shared sense of purpose and anticipation. Conversations break out in the hotel elevators about whether registration is open, and the time of the opening session. Hordes of badge-wearing, tote-bag laden attendees appear in long lines at the coffee stands and take over the sidewalks in their sensible walking shoes as they head off for the day.

And then the conference! Hour after hour of thought-provoking sessions, with speakers addressing the important issues in our field, provoking new ideas, and sharing possible solutions. The vibrant displays of new books in the exhibit hall waiting to be shared by knowledgeable and enthusiastic publishers who offer sneak peeks that might be perfect for your classroom. And, best of all, that amazing shared sense of being present with each other—knowing that the people gathered here care just as deeply as you do about supporting children’s and teen’s literacy experiences and growth.

The Children’s Literature Assembly events at NCTE are a highlight for many attendees. A history of consistent excellence makes our CLA Notables Session, CLA Master Class, and CLA Breakfast the starred events on many personal conference schedules...

This year’s conference will be a little different. No elevator chats with fellow badge-wearing attendees—but more #NCTE2020 tweets taking their place. Less wearing of sensible walking shoes—but likely a lot more feet clad in comfy slippers. However, I am certain that the most important part of the NCTE experience will remain the same: that gathering to passionately share and learn together how to support the literacy experiences and growth of our youth. Perhaps the virtual experience may allow for more to attend this year without the burden or barriers of travel. How we gather is, in the end, much less important than the fact that we simply do—that we find a way to make assembly and community.

For those attending the 2020 NCTE Virtual Convention, we hope our two live events will provide that powerful gathering space.

Interested in registering for the 2020 NCTE Virtual Convention?

Registration

Notable Children’s Books in the Language Arts AwardS

Join the members of the Notable Children’s Books in the Language Arts award committee in a live event on Sunday afternoon from 1:45- 3:00 pm ET. Throughout the fall this blog has featured posts from members of this committee. Join them live for more outstanding 2020 titles and suggestions for classroom use.

NOTABLES live event on Sunday afternoon from 1:45- 3:00 pm ET at NCTE2020

Annual CLA Breakfast

Bring your breakfast to listen to amazing author Jason Reynolds, this year’s CLA Breakfast keynote speaker! In a live session Sunday morning from 9:00 – 10:15 am ET, the 2020-21 National Ambassador for Young People’s Literature will talk about his writing and more.

Add to your experience by submitting a question from you, or from your students, to be answered live during the session!

Submit Questions

Prepare by exploring our annual “table trivia” game, this year to be played virtually

Trivia Game

CLA MEMBERS

Explore the interview with Jason Reynolds featured in the Fall 2020 issue of JCL

FALL JCL ISSUE [46(2)]

Lauren Aimonette Liang is an associate professor at the University of Utah and the current president of CLA.

Living Literately and Mindfully at the Intersection of Mother Nature, the Animal World and Poetry

11/9/2020

BY PEGGY S. RICE

Consider...

Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influences of each. Be blown on by all the winds. Open all your pores and bathe in all the tides of nature, in all her streams and oceans, at all seasons. Grow green with spring, yellow and ripe with autumn. For all Nature is doing her best each moment to make us well. She exists for no other end. Do not resist her.

Henry David Thoreau, August 23, 1853

Poetry! There is no other genre like it in the world. A good poem can take you places you never thought possible, wake you up, shake you, make your every emotion quake with excitement and awe. Writing poetry is taking a subject---be it a pigeon or a Popsicle—breathing new life into it, letting readers know they never experienced a moment such as this before.

Lee Bennett Hopkins, 2009.

Make the Earth Your Companion
--J. Patrick Lewis

Make the Earth your companion.
Walk lightly on it, as other creatures do.
Let the Sky paint her beauty—she is always watching over you.
Learn from the Sea how to face harsh forces.
Let the River remind you that everything will pass.
Let the Lake instruct you in stillness.
Let the mountain teach you grandeur.
Make the woodland your house of peace.
Make the Rainforest your house of hope.
Meet the Wetland on twilight ground.
Save some small piece of Grassland for a red kite on a windy day.
Watch the Icecaps glisten with crystal majesty.
Hear the Desert whisper hush to eternity.
Let the Town weave a small basket of togetherness.
Make the Earth your companion.
Walk lightly on it, as other creatures do

North Padre Island, TX THE ROAR of the surf... Soaring seagulls' hungry screams... Serenity here.

Ruby-throated hummingbird [Public domain USFWA]

Hummingbird jewels
Necks gleaming like red rubies
In the morning light

Sarah Rice, 8 years old

Serenity can be found at the intersection of Mother Nature, the animal world and poetry. I have found that the more time I spend at this intersection, the less anxiety I feel. Following are materials and strategies, my students, daughter and I have found successful:

Writer’s Notebook: The notebook serves as a means to encourage young writers to value writing. It creates a space for students/writers to save words in the moment; "seeds" for a longer writing project which might be expanded and developed (Calkins, 1994).
Banish Boring Words (Shelton, 2009): Use as a resource for interesting words. It provides lists of specific, interesting words for several categories of words, such as sight, sound, smell, taste, touch, action verbs, colors and shapes.
The Book of Animal Poetry (Lewis, 2012), and the Book of Nature Poetry (Lewis, 2015) Mentor Poems: Before requiring students to write a poem at the intersection of Mother Nature, the animal world and poetry provide students with numerous opportunities to explore mentor poems. NTCE Award Winning Poet and former U.S. Children’s Poet Laureate, J. Patrick Lewis has created the Book of Animal Poetry (Lewis, 2012), and the Book of Nature Poetry (Lewis, 2015) to inspire us to see poetry in the natural world. Each collection includes 200 poems that “squeak, soar and roar” or “float, zoom and bloom.” Each poem is accompanied by a photograph to experience the wonder of Mother Nature and the Animal World.

Poetry Performance

I recommend regular poetry breaks that provide students an opportunity to perform a poem of his/her choice. Repeated reading and poetry performance of a favorite poem can enhance students’ motivation and build/increase fluency skills as well as strengthen reading/writing connections. Renee M. LaTulippe at No River.com provides 5 tips for poetry performance that my students and I have found helpful.

Within the context of repeated readings and poetry performance, discussions about poet’s craft/poetic elements can occur, such as stanzas, use of white space, figurative language (similes, metaphors & imagery), personification, rhyme, rhythm, alliteration, onomatopoeia, assonance, consonance and repetition. Performance of an original poem can provide a moment of pride and peer review of videotaped performances can strengthen literacy skills.

Power of Place

Locate a space surrounded in nature that you can visit regularly. I am fortunate, because I live on 7 acres with a pond. When visiting this space, be prepared to engage in mindful listening, see the world with a poet’s eyes and take notes in a writing journal.

Sit comfortably.
Close your eyes and breath normally for a moment.
Now imagine your belly is a balloon filling up with air and when it is full hold it. (Pause). Now slowly breathe out.
Listen mindfully: What are the sounds of nature? Consider poetic elements, such as figurative language, personification, alliteration, onomatopoeia, assonance, consonance, repetition
Repeat. Deep breath in and hold it. (Pause). Release.
Breathe normally.
In your writing journal, write down the sounds of Nature. See p. 22 and 23 in Banishing Boring Words for some specific interesting sounds

Sit comfortably.
Now imagine your belly is a balloon filling up with air and when it is full hold it. (Pause). Now slowly breathe out.
Relax your body.
Focus your attention on nature for 5 minutes. What do you see? What do you smell? Hear? What can you touch? When you see a creature, use your imagination. What would it be like to be this creature?
In your writing journal, write down what you have noticed in nature. Consider poetic elements, such as figurative language (simile, metaphor, imagery), personification, alliteration, onomatopoeia, assonance, consonance, repetition and refer to Banishing Boring Words for some specific interesting words.
Take photograph(s) to capture the moment.
Continue mindful listening and writing as desired.

Poetry Writing

Writing poetry is all about playing with words. Fletcher (2002) encourages us to play with the sounds of words. Consider, rhythm, rhyme, repetition, onomatopoeia and alliteration. He also encourages us to think fragments/cut unnecessary words, consider shape, use white space/experiment with line breaks and end with a bang/sharpen the ending. Each of these aspects of language can be a topic of minilessons connected to poetry performances of mentor poems. Lewis (2012, 2015) has included excellent resources for writing formula poems.

Savor...

In Beauty May I Walk
--Anonymous (Navajo Indian)

In beauty may I walk
All day long may I walk
Through the returning seasons may I walk
Beautifully will I possess again
Beautifully birds
Beautifully joyful birds
On the trail marked with pollen may I walk
With grasshoppers about my feet may I walk
With dew about my feet may I walk
With beauty may I walk
With beauty before me may I walk
With beauty behind me may I walk
With beauty above me may I walk
With beauty all around me may I walk
In old age, wandering on a trail of beauty, lively, may I walk.
In old age, wondering on a trail of beauty, living again, may I walk
It is finished in beauty
It is finished in beauty

References

Calkins, L.M. (1994). The art of teaching writing. (2nd ed.). Portsmouth, NH: Heinemann.

Fletcher, R. (2002). Poetry matters: Writing a poem from the inside out. New York: Harper Trophy.

Lewis, J. P. (2015). National geographic book of nature poetry: More than 200 poems with photographs that float, zoom, and bloom! Washington, DC: National Geographic Partners, LLC.

Lewis, J. P. (2012). National geographic book of animal poetry: More than 200 poems with photographs that squeak, soar, and roar! Washington, DC: National Geographic Partners, LLC.

Shelton, L. (2009). Banish boring words. New York: Scholastic

Peggy S. Rice is an Associate Professor of Elementary Education and Faculty Advisor for the Partners in Literacy Council at Ball State University in Muncie Indiana. She is a member of the Children's Literature Assembly Ways and Means Committee.

From the 2020 Notable Children’s Books in the Language Arts Using Poetic Picturebooks as Mentor Texts

10/27/2020

BY ELIZABETH M. BEMISS

Each year, the Notable Children’s Books in Language Arts Committee (NCBLA) reads and discusses works of fiction, non-fiction, and poetry written for K-8 readers. Committee members, seven dedicated children’s literature enthusiasts, with experience ranging from elementary school teaching, to school librarians, and finally, university faculty with expertise in children’s and young adult literature, consider the requisite qualities for narrowing down the winners to a list of 30 titles.

In this post, I will feature two poetic picture books included in the 2020 Notables list, Lion of the Sky: Haiku for All Seasons (2019), and Room on Our Rock (2019).

Lion of the Sky: Haiku for All Seasons
Written by Laura Purdie Salas
Illustrated by Mercé López
Millbrook, 2019, unpaged, ISBN 978-1-5124-9809-7

In this unique collection of poetry, Laura Purdie Salas intrigues readers with “riddle-ku” poems. The 24 three-line poems, centered around the four seasons, are narrated by something nonhuman, making it a mask poem for readers to guess each narrator. Coupled with Mercé López’s stunning rendered acrylic illustrations that capture the nature of each object being described, the poetic words and artwork render objects associated with the seasons:

A kite flying in spring

“I am a wind bird,
sky skipper, diamond dipper,
DANCING on your string”

Dandelions of summer

“my fluffy seeds DRIFT
tiny puffs lift in the breeze
and land...who knows where?”

Falling snow in the winter

“I’m cold confetti
falling from a crystal sky,
blanketing the town”

Room on Our Rock
Written by Kate and Jol Temple
Illustrated by Terri Rose Baynton
Kane Miller, 2019, unpaged, ISBN 978-1-61067-902-2

This clever book presents readers with a story that reads forward and backward, revealing narratives about sharing and compassion. Upon the first reading, a trio of seals announce “There’s no room on our rock” to a seal and pup approaching their rock from the sea. As the seals shoo away the approaching pair, readers are told “No room on this rock? Can it be true? Read back to front for another point of view.” Readers then find a seal and pup escaping dangerous seas who are welcomed by the seals: “You’re welcome here / You’ll never hear us say / Shoo! Go away!” Gray and blue watercolor illustrations of a landscape in the sea compliment this story sure to warm hearts and encourage compassion among readers.

Teaching Tips for Using the Books as Mentor Texts

Utilized as mentor texts, these poetic picture books provide readers with delightful opportunities to craft their own written responses inspired from the texts.

The whimsical collection of “riddle-ku” poems in Lion of the Sky invites readers to enjoy a play on language and is an inspiring way to help young writers craft unique poetry of their own. Students can create their own “riddle-ku” poems and invite peers and family members to guess the answer to their “riddle-kus.” To scaffold young writers, teachers can draw from this brainstorming resource from Millbrook Press where students can craft a “Zoo-ku,” or a “riddle-ku” about an animal. Additionally, students can publish their “riddle-ku” on a Padlet Page created by the author, Laura Purdie Salas. Another way students can craft their poems is through Read Write Think’s Interactive Haiku Generator, which guides students through brainstorming, drafting, and publishing, where individual background images can be added to the published “riddle-ku.”

The poetic forward and backward reading of Room on Our Rock can foster rich conversations between readers about the varying messages from the book when read forward versus backward as well as discussions surrounding point of view. Teachers can guide students to reflect on the kind of tone and voice needed to read the book forward and how it changed to read the book backward. Teachers could also have students think about how the artwork on each page was used to create the tone of the book from two perspectives. After engaging in deep conversation around the book, students can partner up to write a review of the book and then share their reviews via free audio or video sharing applications. Students can post links to the reviews on a class page such as note.ly or Padlet.

Elizabeth M. Bemiss, an Assistant Professor at the University of West Florida, teaches courses in children’s and young adult literature and literacy methods. Elizabeth is a member of the 2019-2021 Notables Committee.

Digital Poetry Resources

5/4/2020

BY SYLVIA VARDELL

Even though National Poetry Month (April) is over, it’s always a good time to share a poem. In fact, during this time of quarantine and online learning, I’m finding that reading a poem is just enough text for my distracted brain to handle. Plus, it gives me something to mull over and revisit, if I want to. So, if you’re looking for short text that is rich and meaningful to digest in small chunks of time—try poetry. Here are online resources that make it easy to dip into poetry and see what you think.

Poems on Pinterest

For several years now, I’ve been collaborating with poet and author Janet Wong in creating poetry anthologies for kids and teachers that feature new poems, plus teaching strategies for each of the poems. We’ve created a dozen books and have worked at developing free online resources for teaching and learning. One of my favorite tools is Pinterest because it’s so visual and easy to browse. You can find more than 300+ of our digital poem “postcards” on Pinterest organized in a variety of categories at the Pomelo Books Boards.

You can find poems of comfort, about science topics, for special celebrations, poems about animals, even poems in Spanish and “bare” poems to use as a springboard for drawing or writing activities. We love taking poems from our anthologies (with poet permission) and then creating these “digital postcards” with color, font, and images to help make the poem engaging and understandable for young people. Here are three examples that I created especially for Star Wars Day, May 4 (since I am a HUGE Star Wars fan):

Lost By Kate Coombs I lost a friend today. I said some words no one should say. I watcher her face change, and then I watched her walk away

And if you keep looking around Pinterest, you can find many more ideas for teaching poetry with strategies, booklists, games, cards, and more. Plus, you can create and share resources of your own and post them on Pinterest as can your students and colleagues.

Poem Videos on Vimeo

Another medium that Janet and I have explored is video -- creating videos that feature poems, poets, and poetry strategies on our own channel on Vimeo. It seems like there are a TON of videos with a literature focus available online now during this pandemic crisis. It’s wonderful to see so many authors, publishers, teachers, librarians, and others creating video content that we can share with each other. I don’t see many with a poetry focus, so that has been a focus for Pomelo Books, the small micropublishing company that Janet and I created.

At our Vimeo site, you can find us goofily sharing a Groundhog Day poem, or a poem for Daylight Saving Time or even a demo of how you can turn one piece of paper into a tiny book. This medium is ideal for poetry because poems are meant to be read aloud. Below is one example video that is only three minutes long, but features Janet and me talking and reading three poems to share during “Scary Times” when we may feel anxious or worried.

One of the benefits of Vimeo (and other sites) is how easy it is for you and your students and colleagues to post your own homemade videos and share them with one another. You could record a Zoom reading of a poem with your students (or with a small group), then upload that recording to your Vimeo channel, and then spread the word and share that video with others. What a great way to spread the poetry love!

Scary times from Pomelo Books on Vimeo.

Poetry Blogs

One other digital poetry resource that you might find useful is my blog, Poetry for Children, one of many blogs that offers help in reading, sharing, and writing poetry. My focus is always on sharing poetry strategies, poetry awards, poetry news, and more. You’ll find an annual “sneak peek” list of poetry books published every year, as well as interviews with poets about new books, homemade poem videos, lists of poetry books gathered by topic, poetry-themed conference sessions, and much more. For example, you’ll find a list of poetry books published (or to be published) this year: Sneak Peek List for 2020.

How can you participate in blogging? As consumers, you are free to comment on blog posts (at any blog) and are often welcome to write your own “guest post” on many blogs—I know I would welcome a guest post. That’s one way you and your students can participate—unless you want to start your own blog—which would be awesome!

Poetry Websites

And while you’re surfing the web for helpful teaching content, you may be surprised to see how many poetry-related sites you’ll find. There are sites that offer actual poems for and by children, audio recordings of poems, biographical information about poets, teaching activities, and some even welcome child participation. Be sure to look for poets’ personal websites, too. Here are some of my favorite poetry-focused websites:

The Academy of American Poets
This site offers sample poems, poet biographies, audio archives, National Poetry Month celebrations, curriculum resources, teacher discussion forums, teaching tips, and more

The Library of Congress Poetry and Literature Center
This site may interest older children who are interested in learning about the poet laureates of the United States, national prizes in poetry, special poetry events, and audio archives.

Poetry Foundation Children's Page
The Poetry Foundation maintains hundreds of poems (even accessible by cell phone) including a large library of poems for young people along with interesting articles and features.

The Poetry Minute
Here you’ll find poems for every day of the whole school year written by some of the best contemporary poets writing for young people. All can be shared in just a minute, making it easy to read aloud at school, in the library, or at home.

Favorite Poem Project
This site features Poet Laureate Robert Pinsky’s project to have average citizens audiotape their favorite poems.

Conclusion

We’re all spending a lot of time on our laptops and desktops just now, so maybe you’ve encountered some of these teaching resources already. If not, I hope you’ll do some surfing around these links. Either way, I hope you can see the potential for POETRY as an addition to your routine. Once you open the digital door, you may be surprised how easy it is to find and share a poem—to lighten the mood, take a break, share deep feelings, extend our learning, or just for fun.

Sylvia Vardell is Professor at Texas Woman's University and author of the blog Poetry for Children. She is a former CLA President.
sylviavardell.com

Imagine the Writing Possibilities!

4/15/2020

BY ALLY HAUPTMAN

One of my greatest joys as a teacher is to see students’ creativity in action. As an elementary teacher, I was amazed at the creative minds of my students, and now as a professor I continue to delight in seeing teacher candidates create lesson plans and ideas to engage their students. As I reflect on my career as an elementary writing teacher, my best lessons were the ones that involved excellent children’s literature and allowed for student writing choice. This is where the creative magic happens! If I am honest with myself, my students were their most creative as writers when I offered a great mentor text and just got out of their way.

So, I offer you a lesson complex in ideas, but simple in delivery that can be presented in person or on-line, really in any context. I have used this lesson in university classrooms, with PreK-12 students, and my own children.

The Steps

1. Choose a text. It might be a brilliantly written and illustrated picture book, an excerpt from a middle grades or YA novel, or even an interesting infographic.

2. Share the text with your students and model what writing ideas you have based on this text.

3. After reading, ask the questions, “What writing ideas do you get from this text? What are the possibilities you see as a writer?”

4. Get out of the way and let kids write and create!

5. Give students time to share and learn from each other.

That’s it...five steps that lead to important discussion and writing possibilities.

The following is an example of this writing lesson in action with two of my own children. I started by reading Malala’s Magic Pencil by Malala Yousafzai. The book begins with Malala talking about a television program she used to watch. The show’s main character was a boy with a magic pencil who Malala saw as a hero, always helping others. She dreamed of having her own magic pencil. She goes on to tell her story of fighting for girls’ education, realizing that she really did have a magic pencil all along. She was able to change the world with her pencil as she fought for educational equality. The last line in the book reads, “One pen, one teacher, one student can change the world.”

Here is the key to this lesson, and this is how I get out of the way of their creativity. I asked my children to write for ten minutes about what ideas they got from Malala’s Magic Pencil. It is as simple as that. I did not give them my prompt that might be presented from this book such as, “What would you do with a magic pencil?” I let them figure out how this book would be a mentor text for their own writing. The beauty of presenting a text and then letting students figure out their own writing possibilities is that they bring their background knowledge, voice, and writing style and combine it with the author’s ideas from the text presented. When you present a mentor text and ask the students to see the writing possibilities, the variety is astounding.

Just with my own daughters, my fifth grader, who is the youngest and always trying to prove herself to her sisters, wrote about a magic tree. In her story, no one believes her that this tree is magic and she hatches a plan to show everyone that she is right. She brought in her ideas and showed strong voice. My eighth grade daughter decided to write about the Infiniti Pen. It is worth mentioning that all of my daughters are obsessed with Marvel movies. So, the Infiniti Pen was inspired by Thor’s hammer in that only the worthiest person in the village could pick up the pen because of its persuasive powers. In this piece, my daughter chose to bring in her own voice and combine Marvel with Malala’s ideas. These writers were able to choose their ideas and use their voices. When we present possibilities through mentor texts, readers also begin to read like writers.

Try it. Read a book and ask your students to find writing possibilities, to write for ten minutes and see where it may lead!

The following list includes texts I have used to spark writing ideas over the past few years with teacher candidates, K-12 students, and my own children.

25 books with endless possibilities…

After the Fall by Dan Santat
Animals by the Numbers by Steve Jenkins
Bookjoy, Wordjoy by Pat Mora, illustrated by Raúl Colón
Camela Full of Wishes by Matt de la Pena, illustrated by Christian Robinson
Claymates by Dev Petty, illustrated by Lauren Eldridge
Coco: Miguel and the Grand Harmony by Matt de la Pena, illustrated by Ana Ramírez
Cute as an Axolotl by Jess Keating, illustrated by David DeGrand
Drawn Together by Minh Lê, illustrated by Dan Santat
Dude! by Aaron Reynolds, illustrated by Dan Santat
Dreamers/Sonadores by Yuyi Morales
Friends and Foes: Poems About Us All by Douglas Florian
Imagine by Juan Felipe Herrera, illustrated by Lauren Castillo
Jabari Jumps by Gaia Cornwall
Love by Matt de la Pena, illustrated by Loren Long
Malala’s Magic Pencil by Malala Yousafzai, illustrated by Kerascoёt
Maybe Something Beautiful: How Art Transformed a Neighborhood by F. Isabel Campoy and Theresa Howell, illustrated by Rafael López
Nope! by Drew Sheneman
The Day You Begin by Jacqueline Woodson, illustrated by Rafael López
The Girl With a Mind for Math: The Story of Raye Montague by Julia Finley Mosca, illustrated by Daniel Rieley
The Wolf, the Duck, and the Mouse by Mac Barnett, illustrated by Jon Klassen
The Word Collector by Peter H. Reynolds
They All Saw a Cat by Brendan Wenzel
Water Land by Christy Hale
What Makes a Monster? by Jess Keating, illustrated by David DeGrand
Wild World by Angela McAllister, illustrated by Hvass & Hannibal

Ally Hauptman is a CLA Board Member and is the Chair of the Ways and Means Committee. She is an associate professor at Lipscomb University in Nashville, TN.

Image by Tookapic from Pixabay

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