CHILDREN'S LITERATURE ASSEMBLY
  • Home
  • Join/Donate
  • Members Only
  • Journal
  • Notables
  • Grants & Awards
  • Resources
  • CLA @ NCTE
  • About
  • CLA Blog

The CLA Blog

Uncovering the Past with Indigenous Archaeologist, Julio C. Tello in Sharuko.

11/30/2021

 

By Amina Chaudhri and Julie Waugh, on behalf of The Biography Clearinghouse

Cover of Sharuko
One of the most profoundly devastating schemes of the colonial project was to erase Indigenous knowledge: religious, intellectual, social, cultural, aesthetic, scientific. In the Afterword of Sharuko, Monica Brown extends readers’ knowledge of the importance of Julio C. Tello’s work as an archaeologist in undoing the damage of colonial erasure. He spent his life raising awareness about Indigenous Peruvian ways of knowing, as evidenced by his research. Julio C. Tello was Indigenous and spoke Quechua, so his investment in countering the dominant narrative was personal as well as professional. Today, he is a celebrated figure in Peru, and through Sharuko, young readers can come to value his accomplishments as well. 

This entry of The Biography Clearinghouse offers a variety of teaching and learning experiences to use with Sharuko: el Arqueólogo Peruano/Peruvian Archaeologist, a bilingual biography of Julio C. Tello, written by Monica Brown, and illustrated by Elisa Chavarri. In addition to a recorded interview with the author in which she discusses her research process and the craft of creating picturebook biographies, we include suggestions for learning about Peruvian textiles, the Quechua language, and variations on the trait of bravery. Below are two ideas inspired by Sharuko.

Connecting the Past and the Present

Sharuko is the biography of a man who lived from 1880 - 1947, yet his work as an archeologist and conservationist is relevant today. His legacy includes the Museum of Anthropology, in Lima Peru, that houses the artifacts he discovered and wrote about. His research spotlights the accomplishments of Indigenous Peruvians and tells the story of Peru’s past that colonialism tried to erase. In her interview, Monica Brown tells us about a “magic moment” in the process of creating this book, in which she imagined a Quechua word - sharuko- emblazoned across the front as its title. In this way she continues Tello’s legacy, using her privilege as an established writer to highlight the Quechua language and the contributions Tello, an Indigenous scholar, made to the world. 

Begin by reading Sharuko aloud with students, inviting them to note the chronology of his life, from boy to researcher, the people who supported him along the way, and his connections to history as depicted in the text and images. In analyzing this biography, teachers might scaffold students’ understandings of:
  • The character traits that Monica Brown includes in her representation of Julio C. Tello.
  • The integration of history through text and image.
  • The linear chronology on which the narrative rests, like an annotated timeline.

Thinking Like an Archeologist

Sharing Sharuko can provide a similar introduction to the complexities and exciting puzzles that define the field of archeology.  Archeology is about telling the human story.  Invite your students to act as archeologists, researching, writing, and considering the different perspectives that inform archeological work. Teachers can find teaching ideas related to archeology on the website of The Society of American Archeology.  

The teaching and learning suggestions below are designed for teachers to plan experiences that involve thinking like an archeologist:

If you have 1-2 hours . . .
If you have 1-2 days . . .
If you have 1-2 weeks . . .
No matter the time period being studied - historical or contemporary - the close examination of artifacts involves honing keen observational and critical thinking skills. Teachers can present students with a selection of objects or parts of objects and invite them to examine them to see what stories they reveal. As an extension activity, students can bring their own artifacts from home, adding to the archaeological analysis.
Invite students to learn enough about an artifact (and its discoverer) to create a museum exhibit about the artifact. (Julio C. Tello may have done this for his found artifacts.) Use the Smithsonian Learning Lab Museum Descriptions as mentor texts to help students discover what they may want to include in a museum description of their own.
Combine archeological museum exhibits to make a museum for learning in your school community. Invite other classes, parents, and the larger community.
Create an archeological museum of the “future.” Invite students to pretend they are 500 years in the future and challenge them to create a museum showcasing archeological artifacts that showcase school life in the 2020s.  This will invite them to think deeply and use the skills and strategies of an archeologist. Which artifacts in their classroom may survive for that long? How could you write about these artifacts to describe them for someone who does not recognize them? Create museum exhibits and a museum.  Invite outside learners. 

For more teaching and learning suggestions, visit the complete entry on Sharuko, on The Biography Clearinghouse website.

Amina Chaudhri is an associate professor at Northeastern Illinois University in Chicago, where she teaches courses in children's literature, literacy, and social studies. She is a reviewer for Booklist and a former committee member of NCTE's Orbis Pictus Award for Outstanding Nonfiction for Children.

Julie Waugh shares a 4th grade teaching position at Zaharis Elementary in Mesa, AZ and serves as an Inquiry Coach for Mesa Public Schools.  She delights in the company of children surrounded and inspired by books. A longtime member of NCTE, and an enthusiastic newer member of CLA, Julie is a former committee member of NCTE's Orbis Pictus Award for Outstanding Nonfiction for Children.

CLA Board Elections & CLA Awards

11/23/2021

 

BY XENIA HADJIOANNOU, LAUREN LIANG & LIZ THACKERAY NELSON

Thank you to the Outgoing CLA Board Members

Term: January 1, 2020 - December 31, 2021

Picture
Cynthia Alaniz
School Librarian at Cottonwood Creek Elementary in Coppell, TX
Most recently, Cynthia served as chair of the Children’s Literature Assembly Early Career Award Committee.
Picture
April Bedford
Dean of the School of Education at Brooklyn College
Most recently, April served as chair of the Children’s Literature Assembly Research Award Committee.
Picture
Miriam Martinez
Professor of Literacy Education at the University of Texas at San Antonio
Miriam is chair of CLA's Endowment Committee. 

Congratulations to the Newly Elected CLA Board Members

Term: January 1, 2022 - December 31, 2024

Picture
Mary Lee Hahn
Retired 4th/5th Grade Teacher, Poet, and Community Volunteer
Mary Lee brings to CLA a classroom teacher’s career-long passion for the importance of children’s literature in the curriculum. She has been active in CLA since 2008, when Monica Edinger encouraged her to apply to be on the Notable Children's Literature in the Language Arts committee. She went on to serve as the committee chair in 2010. Mary Lee also served on NCTE's Charlotte Huck Award for Outstanding Fiction for Children 2017-2019. Mary Lee has served CLA by helping set up for the breakfast, establishing a website and social media presence, and currently, by promoting CLA on its Facebook page.

Picture
Andrea M. Page
(Hunkpapa Lakota) Children's Author and Educator
Currently a retired educator, Andrea writes books for children. While she was a middle school teacher, she worked to have a print-rich classroom which allowed children to recognize themselves in books, to be inspired by positive role models, and to study writing techniques of authors. As a reader and author, Andrea continues to be a lifelong learner and is committed to advocating for Native literature. As a CLA Board Member, Andrea aspires to bring awareness of Native perspectives and help teachers/librarians select books that are a natural fit for their students. 
Picture
Sara K. Sterner
Assistant Professor, Humboldt State University
Sara's work as a teacher educator concentrates on antiracist pedagogical practices, elementary literacy and social studies education, and the promotion of inclusive children’s and adolescent literature. Guiding preservice elementary teachers to understand how dominant reading experiences shape their literacy practices to more fully embrace inclusive texts that are beneficial to all readers is a central theme of Sara's scholarship and teaching. These commitments are born out of her fourteen years as a K-6 teacher, a closely held reader identity, and a lifelong passion for children’s literature. Sara has previously served on the CLA Student Committee and been a recipient of the CLA Research Award.

Congratulations to the 2021 CLA Award & Grant Recipients

Eun Young Yeom, 2021 CLA Research Award Winner
Jon Wargo, 2021 CLA Early Career Award Winner
Steven Layne, 2021 Bonnie Campbell Hill Literacy Leader Award Recipient
2021 CLA Student Conference Grant Recipients: Bethany Lewis & Courtney Samuelson

Stories from Asian America: Picturebooks of Lived Experiences

11/9/2021

 

By Joanne Yi

At the tail end of 2020, I completed my dissertation, a large-scale study of Asian American children’s literature. In total, I immersed myself in over 350 Asian American picturebooks, published across the last 25 years. This number surprises many, in part, because it is admittedly a large number to study, but also because few Asian American, bicultural stories are popularly known beyond perennial classroom favorites such as The Name Jar (Choi, 2001) and My Name is Yoon (Recorvits, 2003). Below, I share an adapted excerpt of this work and suggest titles for teachers, librarians, and parents to read and learn about beautiful and resilient Asian American identities and experiences:
The last few years have brought to light the increasing importance of the #OwnVoices movement in publishing, which highlights and buoys stories that authentically reflect their authors. In my analysis of Asian American picturebooks, it was evident the stories written by Asian American authors were often tomes of lived experience. They included family histories in prison camps, refugee journeys, memories of grandparents, difficult immigration experiences, and much more. 

As I read Love As Strong As Ginger (Look, 1999), Hannah is My Name (Yang, 2004), A Different Pond (Phi, 2017), and Drawn Together (Le, 2017), I felt pangs of recognition as I recalled my childhood. These picturebooks were Asian American counterstories (Delgado, 1989), narratives that were different in content, perspective, and ideology from those reflecting the mainstream. The latter often racializes Asian American characters, stereotyping them as a monolith, as perpetual foreigners, and as model minorities. In contrast, the power of counterstories is, as Couzelis (2014) wrote, their “potential to destabilize dominant national myths that act as ‘universal’ histories” (p. 16). 

It is important to realize that many of these stories were intentionally created to provide Asian American representation. Many stories were inspired by the authors’ own childhoods in the United States and were often tied to specific memories, such as playing with cousins while the adults played mahjong or fishing for that evening’s supper, rather than general experiences, such as moving or acclimating to a new school. 

Several of the texts that disrupted stereotypical tropes did so because the illustrators figuratively drew themselves into stories not originally written with Asian American characters in mind. It’s no small matter that illustrator Louie Chin depicted Asian American siblings in a silly story about dinosaurs crashing a birthday party (Don’t Ask a Dinosaur, 2018), for example, or that Yumi Heo perceived Bombaloo, an imagined manifestation of anger and petulance, as a little Korean American girl (Sometimes I’m Bombaloo, 2002). These stories are meaningful, not because the starring role in a “White” story was filled by an Asian American, but because the stories finally aligned with the imaginations and realities of Asian American children themselves.
​

The difference lies in stories from Asian Americans and storying about Asian Americans. Myths of the model minority are laid bare with authors’ own stories and family histories of poverty, post-immigration traumas, language barriers, and cultural clashes. They are in stark contrast to those more commonly heard tales of joyous overseas adoptions, racially ambiguous people, fearsome ninjas, and fragile origami, and the myths that come with them. Such stories do not produce connections or reflections for readers. Rather, the defining characteristic of the most notable picturebooks was their commitment to authenticity and the telling of lived experiences.  ​


Recommendations for Picture Books

​I encourage educators and families to explore the diverse richness of Asian America and share these stories with the children in their care.
Drawn Together (2018) written by Minh Le, illustrated by Dan Santat
​

In this familiar story about intergenerational language barriers, a young boy who speaks only in English, struggles to communicate with his grandfather, who speaks only in Thai. They find commonality in their love of drawing and learn to bridge understandings and connect in new ways.
Book cover: Drawn Together

Where’s Halmoni? (2017) written and illustrated by Julie Kim
​

Two Korean American siblings, Joon and Noona [older sister], arrive at their grandmother’s house to find her missing. As they call out for their halmoni [grandmother], they stumble upon a hidden world straight out of a Korean folktale and meet a chatty rabbit, hungry dokkebis [goblins], a fierce tiger, and more. Guaranteed to bring a smile to kids’ faces, this lighthearted and adventurous tale explores Korean folklore, language, and culture in a way that never feels didactic, just pure fun.  ​
Book cover: Where's Halmoni?

Amira’s Picture Day (2021) written by Reem Faruqi and illustrated by Fahmida Azim
​

Amira, a young Pakistani American girl, may burst from delight over Eid al-Fitr and the celebrations, treats, and fun it brings. However, her excitement over skipping school to celebrate is dampened when she realizes it is also Picture Day. This gentle story casts a spotlight on the importance of events and special days for children and how home and school lives may conflict, particularly for those who do not identify as part of the majority. 
Book cover: Amira's Picture Day

Watercress (2021) written by Andrea Wang, illustrated by Jason Chin 

​This autobiographical story centers on a Chinese American family who, on a long drive through rural Ohio, spots wild watercress growing on the side of a road in a muddy ditch. They stop and forage the plants, which are later cooked for dinner. The young protagonist is at first embarrassed by her parents’ actions but as she learns more about her Chinese heritage, she begins to feel cultural and familial pride.
Book cover: Watercress

When Everything Was Everything (2018) written by Saymoukda Duangphouxay Vongsay, illustrated by Cori Nakamura Lin

This story is based on the author’s own memories but will be intimately familiar to many other Southeast Asian American immigrants and refugees who grew up in working class Minneapolis. The poetic text, which reflects the author’s spoken word roots, describes everyday, ordinary bits of life, from food stamps to ESL classes to public housing, from the perspective of a Lao American child. 
Book cover: When Everything Was Everything

Dissertation excerpt adapted from 
Yi, J. H. (2020). Representations, Racialization, and Resistance: Exploring Asian American Picturebooks, 1993–2018 (Doctoral dissertation, Indiana University).

References
Couzelis, M .J. (2014). Counter-storytelling and ethnicity in twenty-first-century American adolescent historical fiction (UMI No. 3620806) [Doctoral Dissertation, Texas A&M University]. ProQuest Dissertations Publishing. 
​

Delgado, R. (1989). Storytelling for oppositionists and others: A plea for narrative. Michigan Law Review, 87(8), 2411–2441.
Joanne Yi earned her PhD in Literacy, Culture, and Language Education from Indiana University. A proud MotherScholar and former elementary teacher from Philadelphia, her research interests include critical literacies, textual analysis of diverse children’s literature, issues of inclusion and belonging in elementary and early childhood contexts, and reading education. 

Exploring the Life of Eleanor Roosevelt with “Eleanor Makes Her Mark”

11/2/2021

 

By Mary Ann Cappiello and Jenn Sanders, on behalf of The Biography Clearinghouse

Cover: Eleanor makes her mark
“The purpose of life, after all, is to live it, to taste experience to the utmost, to reach out eagerly and without fear.” This quote greets readers of Barbara Kerley and Edwin Fotheringham’s latest collaboration, Eleanor Makes Her Mark: How Eleanor Roosevelt Reached Out, Spoke Up, and Changed the World. Kerley drops her readers right into the busy preparations for Franklin Delano Roosevelt’s first inauguration, grounding readers in Eleanor’s public identity as the forthcoming First Lady. But then Kerley brings the readers back in time to Eleanor’s unhappy childhood and early adolescent years. Kerley’s characterization of Eleanor builds across the text: shy and quiet girl, engaged intellectual, socialite seeking purpose by teaching calisthenics in settlement houses and researching working conditions in garment factories, and, ultimately First Lady of the United States. As First Lady, Eleanor’s travels continued around the United States and across the Globe as she investigated working conditions, discrimination, and the effects of the devastation of The Great Depression and World War II. Kerley concludes the biography with Eleanor’s position as delegate to the newly formed United States General Assembly, working on the committee that authored the Universal Declaration of Human Rights. 

Throughout the book, illustrator Edwin Fotheringam works with visual metaphors to emphasize Eleanor’s unflagging energy and her ability to bring people together. In the cover illustration, Eleanor jumps off of a globe, streaming a banner of paper dolls holding hands that trails in her wake. Fotheringham peppers the book with swirling lines of motion, highlighting Eleanor’s boundless verve, vivacity, and constant travel. Fotheringham also continues the hand-holding motif throughout the book to reinforce the ways in which Eleanor Roosevelt brought people together and made them feel seen, heard, and respected. Paper dolls thread through the backgrounds, and Eleanor is often depicted holding hands or connected to the people with whom she is interacting, like one long, human, paper chain.

Eleanor Roosevelt’s life work supporting families in under-resourced communities, creating safe working conditions, and promoting world peace has never been more relevant. While we have not lived through the same long-term economic devastation of The Great Depression, the COVID-19 pandemic has created an economic crisis for millions of Americans and billions across the globe. Congress and the White House are engaged in complex conversations and negotiations about the role of government, debating what social programs, safety nets, and infrastructure investments are appropriate in the 21st century; the same kinds of conversations Eleanor Roosevelt engaged in with her husband and their White House staff. The COVID-19 pandemic has revealed how very interconnected our world is, a theme exemplified in the life and work of Eleanor Roosevelt.


​​Using the Investigate, Explore, and Create Model of The Biography Clearinghouse, we offer a range of critical teaching and learning experiences to use with Eleanor Makes Her Mark: How Eleanor Roosevelt Reached Out, Spoke Up, and Changed the World on our site. In our interview with Barbara Kerley and Edwin Fotheringham, you can learn about their research and creating processes. Highlighted here are two ideas inspired by the book.

First Ladies and Social Media

During our interview, Barb Kerley shared that she found a treasure trove of information about Eleanor Roosevelt’s daily life in archives of Eleanor’s (almost) daily column, “My Day,” which ran in papers across the country from 1935 to 1962. Laughing, Barb suggested that the column was Eleanor Roosevelt’s version of social media. After reading Eleanor Makes Her Mark, leverage Eleanor’s “My Day” column as an opportunity for your middle school students to explore how First Ladies have used the tools at their disposal to communicate directly with the public. 

To learn more about the column, you can explore the resources of The George Washington University’s Digital Eleanor Roosevelt Papers Project.  Read her column by year or search for specific content across the years. After students have had an opportunity to read some columns, have them compare and contrast them with one another. What do they learn about Eleanor Roosevelt, and the circumstances of the world she lived in? How do the columns extend the understanding of Eleanor’s public life they received from Eleanor Makes Her Mark? How do they challenge their understanding? 

Next, provide students with the opportunity to compare and contrast how the current and most recent First Ladies have used social media to speak with the public. Because some comments on social media are not appropriate for tweens to read, we recommend that you select some tweets from each First Lady and share them with your students. You can choose from First Lady Jill Biden’s (@FLOTUS) Twitter account, former First Lady Melania Trump’s (@MELANIATRUMP) Twitter account or her archived @FLOTUS Twitter account, former First Lady Michele Obama’s current (@MichelleObama) Twitter account or her archived @FLOTUS Twitter account, and former First Lady Laura Bush’s current (@laurawbush) Twitter account.

Synthesize the exploration by asking students to compare and contrast what they see as most valuable in the communications they explored. Why is it important for First Ladies--or First Gentlemen, or First Spouses--to communicate directly with the public? What kind of information is valuable for them to share, and why?

Creating Diagrams to Add Information

Writers and artists often choose to represent information visually with a diagram. Ed Fotheringham talked about his process of researching the floorplans of the White House and deciding how to show the inside of the White House. He ultimately settled on a cut-away diagram that is similar to a cross-section diagram. Diana Aston and Sylvia Long also use diagrams masterfully in their informational books An Egg is Quiet (2006) and A Seed is Sleepy (2007). Explore the power of diagrams to carry information with your students. 

If you have 1-2 hours…

If you have 1-2 days…

If you have 1-2 weeks…

Using the images in Eleanor Makes Her Mark and those shown in the Interview Video [9:10], compare and contrast Ed Fotheringham’s floorplan diagrams with his modified cross-section diagrams of the White House. Discuss with students the pros and cons of each diagram and the different kinds of information conveyed in each.

After comparing the two kinds of diagrams Ed considered to represent Eleanor Roosevelt’s movement throughout the White House, read one of Aston and Long’s books noted above. Read it once to enjoy and a second time to notice and note the different diagrams used: a scaled diagram, timeline, cross section, surface diagram, graph, flowchart, etc. Pay attention to how the diagrams are labeled and/or captioned. Have students go back to an informational piece they have written and consider what kind of diagram would be useful.

Then, give them time to draw the diagram and add it to their writing. If students don’t already have an informational piece in progress, you can have them do a quickwrite about something they know a lot about (an animal, instrument, sport, etc.), and then ask them to consider what additional information might be interesting to readers that they could add with a visual diagram. Again, provide time for them to search for the information and create the diagram in their draft. 




Facilitate an informational writing unit, where students expand on the quickwrite started in the middle column and create a draft that uses two different kinds of diagrams (there are more than the ones listed above, such as a chart or table, a bar graph, etc.). You can also guide students in using some of the writing craft strategies that Barb uses in her biography, such as beginning with a problem (e.g., planning the inauguration ceremony, being more than a hostess) or stating the theme of the text early on (“She’d hoped to ‘leave some mark upon the world.’”) and using a repeated phrase to thread that theme throughout the text (e.g., “leave her mark”). (You might also explore some of the ideas on writer’s craft in other Biography Clearinghouse entries, such as using historically accurate dialogue in informational texts discussed in the She Persisted: Claudette Colvin entry.)

Visit The Biography Clearinghouse for several more teaching ideas for Eleanor Makes Her Mark and the other biography units we have on the website!

Mary Ann Cappiello teaches courses in children’s literature and literacy methods at Lesley University, blogs about teaching with children’s literature at The Classroom Bookshelf, a School Library Journal blog, and is a former chair of NCTE’s Orbis Pictus Award for Outstanding Nonfiction K-8. 

Jennifer Sanders is an Associate Professor of Literacy Education at Oklahoma State University, specializing in representations of diversity in children’s and young adult literature and writing pedagogy. She is co-founder and co-chair of The Whippoorwill Book Award for Rural YA Literature and long-time member of CLA.

    Authors:
    CLA Members

    Supporting PreK-12 and university teachers as they share children’s literature with their students in all classroom contexts.

    Disclaimer
    The opinions and ideas posted in the individual entries are those of the individual authors and do not necessarily reflect the opinions or views of CLA or the Blog Editors.

    Blog Editors

    Xenia Hadjioannou
    Lauren Liang
    Liz Thackeray Nelson

    contribute to the blog

    Instructions to Authors

    If you are a current CLA member and you would like to contribute a post to the CLA Blog, please read the Instructions to Authors and email co-editor Liz Thackeray Nelson with your idea.


    Archives

    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    June 2020
    May 2020
    April 2020
    March 2020

    Categories

    All
    Activism
    Advocacy
    African American Literature
    Agency
    All Grades
    American Indian
    Antiracism
    Art
    Asian American
    Authors
    Award Books
    Awards
    Back To School
    Biography
    Black Culture
    Black Freedom Movement
    Bonnie Campbell Hill Award
    Book Bans
    Book Challenges
    Book Discussion Guides
    Censorship
    Chapter Books
    Children's Literature
    Civil Rights Movement
    CLA Auction
    Classroom Ideas
    Collaboration
    Comprehension Strategies
    Contemporary Realistic Fiction
    COVID
    Creativity
    Creativity Sponsors
    Critical Literacy
    Crossover Literature
    Cultural Relevance
    Culture
    Current Events
    Digital Literacy
    Disciplinary Literacy
    Distance Learning
    Diverse Books
    Diversity
    Early Chapter Books
    Emergent Bilinguals
    Endowment
    Family Literacy
    First Week Books
    First Week Of School
    Garden
    Global Children’s And Adolescent Literature
    Global Children’s And Adolescent Literature
    Global Literature
    Graduate
    Graduate School
    Graphic Novel
    High School
    Historical Fiction
    Identity
    Illustrators
    Indigenous
    Indigenous Stories
    Innovators
    Intercultural Understanding
    Intermediate Grades
    International Children's Literature
    Journal Of Children's Literature
    Language Arts
    Language Learners
    LCBTQ+ Books
    Librarians
    Literacy Leadership
    #MeToo Movement
    Middle Grade Literature
    Middle Grades
    Middle School
    Mindfulness
    Multiliteracies
    Museum
    Native Americans
    Nature
    NCTE
    Nonfiction Books
    Nurturing Lifelong Readers
    Outside
    #OwnVoices
    Picturebooks
    Picture Books
    Poetic Picturebooks
    Poetry
    Preschool
    Primary Grades
    Primary Sources
    Professional Resources
    Reading Engagement
    Research
    Science
    Science Fiction
    Self-selected Texts
    Social Justice
    Social Media
    Social Studies
    Sports Books
    STEAM
    STEM
    Storytelling
    Summer Camps
    Summer Programs
    Teacher
    Teaching Reading
    Teaching Resources
    Teaching Writing
    Text Sets
    The Arts
    Tradition
    Translanguaging
    Trauma
    Ukraine
    Undergraduate
    Using Technology
    Verse Novels
    Virtual Library
    Vocabulary
    War
    #WeNeedDiverseBooks
    YA Lit
    Young Adult Literature

    RSS Feed

CLA

About CLA
CLA Board & Committees
Membership
Merchandise
Endowment Fund

Grants & Awards

CLA Research Award
Bonnie Campbell Hill Award
CLA Early Career Award
CLA Student Travel Grant

Journal of Children's Literature

Write for JCL
JCL Editors

The CLA Blog

Notables

Current List
Notables Archive

Resources

CLA-sponsored NCTE Position Statements
Children's Literature Course Syllabi
Children's Literature Blogs

CLA @NCTE

Children's Literature Assembly Breakfast
Master Class
Other CLA-sponsored Sessions

Art Auction

Members-Only Content

CLA Video Library
CLA Newsletter Archive

JCL Past Issues Archive

Current JCL Issue
JCL Podcasts

© COPYRIGHT 2018.
ALL RIGHTS RESERVED
  • Home
  • Join/Donate
  • Members Only
  • Journal
  • Notables
  • Grants & Awards
  • Resources
  • CLA @ NCTE
  • About
  • CLA Blog